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Leoš Janáček

July 2024

  • To the moon … The Excursions of Mr Brouček at the Rudolfinum, Prague.

    Janáček: The Excursions of Mr Brouček album review – eccentric opera has sparkle and muscle

    Jaroslav Březina is characterful in the title role for this new studio recording, heading an excellent cast and orchestra who know this music inside out

March 2024

  • Jennifer Davis (Jenůfa) and Susan Bullock (Kostelnicka) in Jenufa,  English National Opera directed by David Alden at the London Coliseum.

    Jenůfa review – Alden’s harrowing staging remains a formidable piece of theatre

    Jennifer Davis in the title role and Susan Bullock as Kostelnička are both outstanding in Janáček’s unremittingly intense tale relocated to a drab industrial town in post-communist Europe

January 2023

  • The LSO conducted by Tremendous … Amanda Majeski and Simon Rattle in Katya Kabanova.

    Katya Kabanova review – Rattle and Majeski capture the rapture and chaos of Janáček’s turbulent love story

    The LSO are on ravishing form, perfectly blending the lyricism and intensity of the score, while the whole cast deliver singing of the highest calibre

December 2022

  • Almost as if the piano were breathing … Yuja Wang.

    Leonidas Kavakos/Yuja Wang review – shared detail and purpose

    The two virtuosic soloists have a longstanding musical partnership that here produced a wonderful and generous evening of music by Brahms, Janáček and Schumann

February 2022

  • Embargo on photos until Friday 18 Feb at 21.00.<br>Sally Matthews (Vixen), Lauren Morris and Clive Bayley (Badger) in The Cunning Little Vixen by Janáček @ London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins. (Opening 18-02-2022) ©Tristram Kenton 02-22 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    The Cunning Little Vixen review – colourful staging takes Janáček’s opera to the dark side

    Anguish rather than sentiment is to the fore in Jamie Manton’s new production, with Sally Matthews and Pumeza Matshikiza a well-matched central pair

November 2021

  • CBSO. Cunning Little Vixen.

    The Cunning Little Vixen review – CBSO’s concert staging has care but misses vital charm

    Elena Tsallagova was a feisty vixen and the CBSO’s playing under Mirga Gražinytė-Tyla was outstanding in a more matter-of-fact interpretation of Janáček’s opera than one normally hears

September 2021

  • All the world’s a cage … Asmik Grigorian as Jenůfa and Karita Mattila as Kostelnička in Claus Guth’s staging of Janáček’s opera at the Royal Opera House.

    Jenůfa review – Mattila is formidable in new Janaček staging

    Claus Guth’s symbolism-heavy production is at its best when simplest. Asmik Grigorian and Karita Mattila are a strong pairing and conductor Henrik Nánási has the measure of the score

July 2021

  • Natasha Agarwal as the Dog and Jennifer France as the Vixen in Opera Holland Park’s Cunning Little Vixen

    The Cunning Little Vixen review – small scale but big impact for warm and witty staging

    Janáček’s opera about the interconnectedness of humans and nature weaves its magic in Stephen Barlow’s new production, with Grant Doyle and Jennifer France both convincing leads

May 2021

  • Kat’a Kabanova, Glyndebourne Festival 2021<br>Kat’a Kabanova by Janacek at Glyndebourne, East Sussex, UK. Festival 2021

    Kát’a Kabanová review – festival opens with sideways rain and raw, stunning Janáček

    The bleakness of the May weather suited this stark new production by Damiano Michieletto, which was superbly sung and exquisitely played by the LPO under Robin Ticciati

November 2020

  • Composite image showing Arnold Schoenberg, Claudio Monteverdi and John Adams.

    Know the score
    From Vivaldi to Vaughan Williams: more musical voices who have changed our world

    Over the past few months, our Know the Score series introduced 20 great composers. But what of the many we couldn’t write about? Martin Kettle suggests some other names whose music is well worth exploring

July 2019

  • Celebration … Karina Canellakis, right, congratulates Zosha Di Castri after the premiere of her new lunar prelude.

    First night of the Proms review – the moon, and female stars

    Zosha Di Castri’s evocative tribute to the Apollo moon landing led an opening night that, under the baton of Karina Canellakis, felt subtly like an upward leap

February 2019

  • Fragility and volatility ... Andrew Staples as Tichon and Amanda Majeski as Kát’a in Kát’a Kabanová at the Royal Opera House.

    Katya Kabanova: from a muse to a monstrous mother-in-law

    Three separate productions of Janáček’s tragedy are in UK opera houses this season. What is it about this work that makes it resonate still in today’s world?

March 2018

  • Allison Cook and Johan Reuter in From The House Of The Dead at the Royal Opera House.

    The week in classical: From the House of the Dead; A Midsummer Night’s Dream – review

    Royal Opera’s take on Janáček’s brutal work dazzles – plus a double helping of Titania, Bottom and friends
  • Pascal Charbonneau (Aljeja) and Ladislav Elgr (Skuratov) in From The House Of The Dead by Janacek @ Royal Opera House. Directed by Krzysztof Warlikowski. Conducted by Mark Wigglesworth.
(Opening 07-03-18)
©Tristram Kenton (02-18) 
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550  Mob 07973 617 355)email: tristram@tristramkenton.com

    From the House of the Dead review – formidable performances humanise Janáček's vision of hell

    If Krzysztof Warlikowski’s staging loses focus at points, outstanding performances and Mark Wigglesworth’s conducting ensure this is a compelling evening
  • FROM THE HOUSE OF THE DEAD; Royal Opera House; Conductor - Mark Wigglesworth; Director - Krzysztof Warlikowski; Designer - Malgorzata Szczesniak Lighting designer - Felice Ross; Video designer - Denis Guéguin; Movement director - Claude Bardouil Dramaturg - Christian Longchamp

    From the House of the Dead shines a light into darkness

    Janáček’s final opera is peopled with aggressive and unpleasant characters, but the beauty of its music speaks powerfully of the need for empathy and understanding, says the conductor of a new production

January 2017

  • Tasmin Little (Violin) with BBC Symphony Orchestra with Edward Gardner conducting @ Barbican Hall (Opening 07-01-17) ©Tristram Kenton 01/17 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    BBCSO/Gardner review – a thrilling show of ferocity and feistiness

    Edward Gardner dug deeper into Janáček, while violinist Tasmin Little explored the languid lyricism of Szymanowski

September 2016

  • the conductor Tomáš Netopil

    Janáček: Orchestral Suites CD review – detail and richness

June 2016

  • Elena Tsallagova, with Alexander Vassiliev as Badger in The Cunning Little Vixen.

    The Cunning Little Vixen review – pulsing with life

    Elena Tsallagova is magnetic as a vivacious Vixen Sharp-Ears in this sumptuous revival of Melly Still’s tenderly cartoonish production

March 2016

  • 4th MAY - LONDON  :  G2. Edward Gardner, conductor at the English National Opera. Portrait of the artist. .    (Photo by Graeme Robertson )

    Janáček: Orchestral Works Vol 3 CD review – ablaze with excitement

    Stellar soloists join Edward Gardner and Bergen’s massed ranks for Janáček at full throttle

December 2015

  • Martina Jankova

    Janáček: Moravian Folk Songs CD review – clear, candid voices

    The twisting modal tunes and jagged lyrics of Janáček’s Czech folk songs are rendered here with clarity without overstatement or excess glossiness
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