The Faggots and Their Friends Between Revolutions review – unforgettable celebration of queer activism
‘We sing the word faggot lovingly, hundreds of times’: inside Manchester’s queerest show
April 2018
The week in classical: 4.48 Psychosis; London Symphony Orchestra/Rattle – review
The Gender Agenda review – Venables' feeble musical gameshow parody
July 2017
New Music Biennial review – from the startling and striking to the cinematic and scabrous
With 20 new works squeezed into a breathless weekend in Hull, there was a startling variety of contemporary music – from Hannah Peel to Mark Simpson – on offer in the city of culture
May 2017
Royal Philharmonic Society awards: Wagner production steals show
Opera North wins for its acclaimed stagings of Wagner’s Ring Cycle on an encouraging night for companies based outside London
May 2016
Oedipe; 4.48 Psychosis; Die Meistersinger von Nürnberg; Il barbiere di Siviglia – review
4.48 Psychosis review – Venables brings Sarah Kane's savage text to musical life
How Sarah Kane’s 4.48 Psychosis became an opera
'The strange thing is we howled with laughter': Sarah Kane's enigmatic last play
September 2015
Meet the Turner prize shortlist, from the musician to the mind-reader
Music blog
Queer pitch: is there such a thing?
May 2015
Notes to the New Government review – a reflective mood for politically inspired premieres
New works expressing post-election hopes for society ranged from bedroom-tax sorrow to a ferocious assertion of sexual identity
September 2011
Endymion/Exaudi – review
These new pieces revealed an impressive ability to merge conceptualist and musique concrète traditions to convincing effect, writes Guy Dammann
January 2007
Park Lane Group
Purcell Room, London
November 2006
Music blog
The completed works
New commissions for the unfinished parts of Mozart's Requiem might well breathe life into contemporary music.
