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Proms 2022
September 2022
Last night of the Proms cancelled out of respect for Queen
Prom 69: Missa Solemnis review – urgency and majesty as Gardiner makes Beethoven thrill
Prom 66: BBCSO/Canellakis review – Jolas puts her tongue in her cheek
Anti-empire, anti-fascist, pro-suffragist: the stunning secret life of Proms staple Jerusalem
Proms & ENO: Glass Handel review – arias meet beatboxing in a creative but baffling cacophony
Prom 61: Chineke!/Edusei review – the choral symphony gleams and teems with detail
Prom 62: Berlin Phil/Petrenko review – sinister magic marks a concert of startling brilliance
Sheku Kanneh-Mason: ‘There was a time when I played in the bathroom’
The week in classical: The Dream of Gerontius, Bach’s Mass in B minor and Nathan Laube at the Proms
‘The steepest learning curve ever’: Geoffrey Paterson on working with jazz virtuoso Marius Neset
Prom 59: The Dream of Gerontius review – outstanding Clayton helps create a season highlight
August 2022
Prom 52: Finnish Radio SO/Collon review – The Lark Ascending as elegy rather than rural idyll
The week in classical: Australian World Orchestra/Mehta; Harrison Birtwistle Day – review
Prom 51: BBCSO/Gabel review – a bravura evening of charm and defiance
Prom 48: Australian World Orchestra/Zubin Mehta review – a remarkable and rare return
Prom 44: BBCSO/Oramo review – Ethel Smyth’s Mass in D played with gravitas and grandeur
Home listening
Classical home listening: Sarah Willis: Mozart y Mambo: Cuban Dances; Alison Balsom: Quiet City
Prom 39: BBCSO/Oramo review – a soaring tale of three cities … and a blackbird
Prom 38: Philharmonia/Santtu-Matias Rouvali review – raucous but undemanding
Prom 36: Vienna Radio SO/Alsop review – tight teamwork and carefree swagger
About 50 results for Proms 2022
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