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Folk album of the month

  • Raphael Rogiński seated, playing guitar, with a traditional rug on the wall behind him

    Raphael Rogiński: Žaltys review – hypnotic eastern European folk

    This searching, soulful release conjures up the spirit of summers spent by the lake and in the forest
  • Drama and delicacy … Peiriant’s Dan and Rose Linn-Pearl.

    Peiriant: Dychwelyd review – iridescent soundscapes summon spirit of the mountains

    Violinist Rose Linn-Pearl and sound artist husband Dan weave their artistry into a vivid collection evoking the natural wonders of their Welsh home
  • Landless.

    Landless: Lúireach review – fans of Celtic music should flock to this stunning sound

    Four powerful voices weave tender yet disquieting harmonies on a second album that honours bold women
  • Goblin Band.

    Goblin Band: Come Slack Your Horse! review – rowdy, flamboyant folk

    Born out of a London musical instruments shop where members worked, the Paul McCartney-approved band’s first EP is eager and theatrical, sometimes to a fault
  • Fran & Flora

    Fran and Flora: Precious Collection review – strings, shimmer and siren song whip up a desirous mood

    This spirited adventure in the avant garde is as experimental as it is accessible, delving into hot-blooded Sirba and Transylvanian epics
  • The Africatown neighbourhood in Mobile, Alabama.

    Various artists: Africatown, AL: Ancestor Sounds review – music that defies the darkest of pasts

    From blues to industrial and rap, these extraordinary recordings showcase the community of descendants of the last slavers’ ship to the US
  • Milkweed pose behind the academic folklore studies journal that comes with the record.

    Milkweed: Folklore 1979 review – tantalisingly strange folk vignettes

    The duo’s third release clocks in at 10 minutes but packs in zithers, traditional pipes and a perennial feeling of dread
  • First-class pastiche? … Muireann Bradley.

    Muireann Bradley: I Kept These Old Blues review – a playful take on American classics

    The teenage Irish singer turned to her guitar during Covid, and this album of traditional blues tracks showcases her dexterity and elegance
  • Blissfully pretty arrangements … Kerry Andrew AKA You Are Wolf

    You Are Wolf: Hare // Hunter // Moth // Ghost review – bursting with spirit

    With Sam Lee and Robert Macfarlane guesting, Kerry Andrew shows a knack for experimentation, deploying playground rhymes, birdsong and even their radiator
  • Far from gentle … (L-R) Katie Kim, John “Spud” Murphy, Radie Peat and Eleanor Myler.

    ØXN: CYRM review – Irish folk debut full of unsettling dark magic

    Featuring grisly trad tales, striking vocals, two members of Lankum and shades of PJ Harvey, this is a compelling record from Claddagh’s first signing for nearly two decades
  • Natural processes … Sally Anne Morgan.

    Sally Anne Morgan: Carrying review – resonant songs about nature and motherhood

    The North Carolinian’s poetic lyrics, blissful vocals and thrumming banjo and fiddle combine on an album full of warmth and feeling
  • Full of longing … Gareth Bonello of The Gentle Good.

    The Gentle Good: Galargan review – mesmerising Welsh folk songs for summer’s end

    Gareth Bonello’s latest album sees him excavating his homeland’s folk classics, interpreting each with drowsy, melancholic voice, guitar, cello and piano
  • Undated photograph of Mack McCormick, left, with Spider Kilpatrick.

    Playing for the Man at the Door review – vital snapshot of mid-century African American music

    Subtitled Field Recordings from the Collection of Mack McCormick 1958-1971, this 66-song set is full of gripping storytelling and arresting instrumentals from the American south
  • Ruth Clinton, Aoife Hammond and Eoghan Ó Ceannabháin.

    Various artists: A Collection of Songs in the Traditional & Sean-Nós Style review – Gaelic sadness and longing

    Recorded in pubs, kitchens and community halls, these old Irish songs are a thrilling reminder that the voice needs no technology to move us deeply
  • Damir Imamović playing his tar

    Damir Imamović: The World and All That It Holds review – lightning bolts of emotion

    The Bosnian musician combines Slavic sevdah, Sephardic Jewish and original songs to tell the story of two soldiers who fall in love during the first world war
  • Jon Wilks.

    Jon Wilks: Before I Knew What Had Begun I Had Already Lost review – tender and thoughtful

    The hard-working West Midlands folk devotee finds inspiration from beyond Birmingham on a lively, inventive fourth LP
  • Mythological expanses … Amelia Baker AKA Cinder Well.

    Cinder Well: Cadence review – a mysterious deep dive into the ocean

    Multi-instrumentalist Amelia Baker conjures realms of poetic sound on a lush, complex, sometimes overwhelming album
  • ‘Magically straddling realities’ … (L-R) Cormac MacDiarmada, Radie Peat, Daragh Lynch and Ian Lynch of Lankum.

    Lankum: False Lankum review – folk radicals get in touch with their softer side

    Without diluting their power or abandoning their gothic intensity, the Dublin group’s fourth album lulls the listener with songs of exquisite softness and deeply affecting harmony
  • Paul Smith and Rachel Unthank.

    Unthank Smith: Nowhere and Everywhere review – folk veteran and Maxïmo Park man find joy

    Rachel Unthank’s voice wraps softly around Paul Smith’s unfussy baritone on an otherworldly album that explores the songs of their mutual homeland
  • Artists appearing on Ears of the People: Ekonting Songs from Senegal and the Gambia.

    Ears of the People: Ekonting Songs from Senegal and the Gambia review – living lute songs of love and war

    Stories of survival and self-expression suffuse this anthology exploring the ekonting, the three-string gourd instrument
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