Goblin Band: Come Slack Your Horse! review – rowdy, flamboyant folk
Born out of a London musical instruments shop where members worked, the Paul McCartney-approved band’s first EP is eager and theatrical, sometimes to a fault
You Are Wolf: Hare // Hunter // Moth // Ghost review – bursting with spirit
With Sam Lee and Robert Macfarlane guesting, Kerry Andrew shows a knack for experimentation, deploying playground rhymes, birdsong and even their radiator
ØXN: CYRM review – Irish folk debut full of unsettling dark magic
Featuring grisly trad tales, striking vocals, two members of Lankum and shades of PJ Harvey, this is a compelling record from Claddagh’s first signing for nearly two decades
The Gentle Good: Galargan review – mesmerising Welsh folk songs for summer’s end
Gareth Bonello’s latest album sees him excavating his homeland’s folk classics, interpreting each with drowsy, melancholic voice, guitar, cello and piano
Playing for the Man at the Door review – vital snapshot of mid-century African American music
Subtitled Field Recordings from the Collection of Mack McCormick 1958-1971, this 66-song set is full of gripping storytelling and arresting instrumentals from the American south
Damir Imamović: The World and All That It Holds review – lightning bolts of emotion
The Bosnian musician combines Slavic sevdah, Sephardic Jewish and original songs to tell the story of two soldiers who fall in love during the first world war
Lankum: False Lankum review – folk radicals get in touch with their softer side
Without diluting their power or abandoning their gothic intensity, the Dublin group’s fourth album lulls the listener with songs of exquisite softness and deeply affecting harmony