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Wigmore Hall

July 2024

  • Jan Lisiecki performing at London's Wigmore Hall.

    Jan Lisiecki review – titanic moments in one man’s fight to free the prelude

  • Lucy Crowe as Tytania and Richard Burkhard as Bottom

    The week in classical: A Midsummer Night’s Dream; Pekka Kuusisto & Norwegian Chamber Orchestra: DSCH; Camerata RCO – review

June 2024

  • Rebecca Afonwy-Jones, Katie Stevenson, Mari Wyn Williams and Mark Stone in Das Rheingold at Longborough festival opera

    The week in classical: Das Rheingold/Die Walküre; Paul Wee; Köln Concert – review

    Remarkable performances and storytelling produce a visceral Ring cycle, while a part-time pianist masters a formidable Alkan concerto and Maki Namekawa channels the freewheeling spirit of Keith Jarrett

May 2024

  • Renaud Capuçon, Igor Levit and Julia Hagen on stage.

    The week in classical: Igor Levit, Renaud Capuçon, Julia Hagen; Manchester Camerata: Disruptors review – ringing successes

    Three soloists collaborate to singular effect playing Brahms, while vibrant works old and new are performed by the Camerata ensemble

March 2024

  • The Nash Ensemble, joined by the BBC Singers, performs Harrison Birtwistle's The Moth Requiem at Wigmore Hall, London, on Tuesday 26 March, 2024. © The Wigmore Hall Trust, 2024

    Wigmore Hall launches £10m fund in bid to be self-sustaining

    The London classical music venue announces plan against a background of arts funding cuts and in ‘an uncertain public environment for classical music’
  • Emma Kirkby and Nadya Pickup in Our Mother.

    The week in classical: Our Mother; Masabane Cecilia Rangwanasha; Madama Butterfly – review

    Pergolesi’s Stabat Mater is reimagined for the stage; the South African soprano scales the heights from Strauss to The Sound of Music; and Asmik Grigorian is a shattering Butterfly
  • Outstanding … members of the Nash Ensemble with Konstantin Krimmel at Wigmore Hall, London.

    Nash Ensemble: Terezín-Theresienstadt review – incredibly moving survey of composers lost to the Holocaust

    Works by Hans Krása, Viktor Ullmann, Pavel Haas and Gideon Klein were wonderfully performed, while Konstantin Krimmel gave a heart-rending account of of songs written in the ghetto-camp – an essential and unforgettable experience

January 2024

  • The Armida Quartet and mezzo-soprano Lotte Betts-Dean perform music by Brett Dean at Wigmore Hall, London.

    Betts-Dean/Armida Quartet review – drama and charisma as Brett Dean, and daughter, turn to Mary Queen of Scots

    Matthew Jocelyn and Brett Dean’s 2021 song cycle based on the Scottish Queen’s letters was perfectly partnered with Dean’s new arrangement of Schumann, and Janáček’s second string quartet
  • Russian-German pianist Igor Levit performs all of Brahms's late piano works at Wigmore Hall, London, Friday 19 January 2024. Following the performance Levit received the prestigious Wigmore Hall Medal. © Richard Cannon

    Igor Levit review – this was a recital where everything was just right

    In a supremely poetic and impressive performance Levit perfectly conveyed the searching spirit of Brahms’s late-life piano works
  • The Oxford Bach Soloists at St James’s Piccadilly.

    The week in classical: Oxford Bach Soloists: Christmas Oratorio; Chloë Hanslip, Danny Driver – review

    Making a thrilling London debut, the Oxford Bach Soloists continue their quest to perform all of the composer’s vocal works over 12 years. Elsewhere, a revelatory reading of Arvo Pärt

December 2023

  • Anna Devin (Gretel), Rosie Aldridge (Witch) and Anna Stéphany (Hansel) in Hansel And Gretel by Humperdinck @ Royal Opera House. Directed by Antony McDonald. Conductor, Mark Wigglesworth.
(Opening 16-12-2023)
©Tristram Kenton 12-23
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550  Mob 07973 617 355)email: tristram@tristramkenton.com

    The week in classical: Hansel and Gretel; London Handel Players; La Nativité du Seigneur – review

    Humperdinck’s sweet-toothed favourite wins at least one new fan; the joy is contagious in Bach’s Magnificat; and the Christmas story as imagined by Messiaen

October 2023

  • The sellout audience was rapt … Lise Davidsen and James Baillieu at Wigmore Hall.

    Lise Davidsen review – powerful, subtle and genuinely touching

    The Norwegian soprano, accompanied exquisitely by pianist James Baillieu, revealed a finely graded expressive range in this chamber music venue in a programme that included Berg, Grieg and Schubert

September 2023

  • Marc-André Hamelin performs at Wigmore Hall.

    Marc-André Hamelin review – pianist rises to the extreme challenges of Ives’s Concord Sonata

    Hamelin took the extreme technical difficulties of Ives’s sonata entirely in his stride, finding beauty in its most tangled moments
  • LA FORZA DEL DESTINO performed at the Royal Opera House

    The week in classical: La forza del destino; Bayerisches Staatsorchester/ Jurowksi; Chouchane Siranossian – review

    Ignore the fanciful plot and submit to the musical glories of the Royal Opera’s bravura revival of unwieldy Verdi. And to the top of the mountain with Vladimir Jurowski and co
  • George Benjamin - 09 May 2018<br>Editorial use only Mandatory Credit: Photo by Alastair Muir/Shutterstock (9671775a) George Benjamin George Benjamin - 09 May 2018

    Ensemble Modern/Benjamin/Prohaska review – teetering on the edge of the atonal

    Composer George Benjamin reunites with the contemporary music ensemble for an alternately fierce and delicate programme, with soprano Anna Prohaska a hypnotic standout

July 2023

  • Christoph Prégardien (right), with collaborative pianist Stefan Litwin (left), gives the first of three recitals this week.

    Prégardien/Litwin review – immersed in every word, the great lieder singer is in command

    The first of three programmes from Prégardien, with songs by Ives, Schubert, Schumann and Mahler linked with settings from Hanns Eisler, consummately sung and played

June 2023

  • A scene from Requiem by Opera North @ Grand Theatre Leeds. A Double Bill; Requiem by Mozart and After Tears: After A Requiem by Neo Muyanga. Both works choreographed by Dane Hurst. (Opening 26-05-2023) ©Tristram Kenton 05-23 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    The week in classical: Requiem; Jerusalem Quartet review – another five-star fusion from Opera North

    Sorrowful Mozart meets unstoppable Neo Muyanga in an inspired double bill from Opera North and Phoenix Dance Theatre. Plus, the sounds of Yiddish cabaret…

May 2023

  • Sophia Theodorides, with assorted ‘physics-defying’  pearls, makes her Opera North debut as Leïla in The Pearl Fishers.
Photograph by 
James Glossop

    The week in classical: The Pearl Fishers; Takács Quartet – review

  • Technically gifted … Benjamin Grosvenor performing in 2021.

    Benjamin Grosvenor review – pianist’s virtuosity preferences power over pastel colours

April 2023

  • A performance of Donizetti’s La fille du régiment at the Royal Opera House.

    ‘Incredible’ Donizetti songs to be heard for first time in 200 years

    Italian opera composer’s lost works to be performed in London after discovery by British musicologist
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