Mesmeric and beautiful, Alain Delon was one of cinema’s most mysterious stars
Peter Bradshaw
Sing Sing review – Colman Domingo is larger than life in big-hearted prison drama
The Deliverance review – Lee Daniels exorcism horror brings strong cast to real-life story
‘My dream was to have a six-pack and a gun’: Shah Rukh Khan on being ‘king’ of Bollywood
Gena Rowlands: the fiercest, most incandescent star of US indie cinema
Alien: Romulus review – grungy, back-to-basics instalment goes over same old ground
Edinburgh film festival 2024: 12 of the best movies on show
Lone Star review – John Sayles’s powerful crime drama is an extraordinary relic of 90s film-making
Coraline review – delightfully creepy coming-of-age fantasy offers more than just scares
Only the River Flows review – accomplished Chinese noir is intriguing and ingenious thriller
Luce review – enigmatic Italian drama of dreams and drones
Caligula: The Ultimate Cut review – 1970s Roman empire sex shocker returns to the source
Peter Bradshaw's film of the week
Tuesday review – kooky macaw is angel of death for Julia Louis-Dreyfus in hipster silliness
The Weak and the Wicked/No Trees in the Street review – tough, old school British drama
The Instigators review – Matt Damon and Casey Affleck can’t save underpowered heist comedy
My Neighbour Totoro review – Miyazaki’s supernatural masterpiece still enchants
The NeverEnding Story review – a wondrous world of beasts and young heroes
July 2024
Werckmeister Harmonies review – Béla Tarr’s brooding masterpiece of a town sleepwalking into tyranny
Tarr and Ágnes Hranitzky’s 2000 film moves slowly around a small town where a very strange circus has arrived. Its eerie power has only grown in a time of rising fascism
Kensuke’s Kingdom review – Michael Morpurgo’s desert island boy’s own adventure
Morpurgo’s yarn about a kid on a round the world voyage is adapted by Frank Cottrell-Boyce and attractively packaged as a family-friendly animation
Peter Bradshaw's film of the week
Dìdi review – impressive Asian-American teen-angst drama takes the unconventional route
Sean Wang’s semi-autobiographical film offers a cool approach, swerving the usual coming-of-age tropes
