Writhing and retching while sandwiched between spectators, revellers navigate class, sex and power at Miss Julie’s 18th birthday celebration

The British director of Cabaret and A Streetcar Named Desire makes a gripping debut with the acclaimed Dutch company

Rebecca Lenkiewicz’s version of this 1900 play loses the high stakes of the influential original

A strong creative team featuring Lindsay Duncan and Hilton McRae cannot bring this dreary revival to life

Playwright Amy Ng adds issues of imperial exploitation and race by moving drama of wealthy woman and servant to Hong Kong in 1948

Ingmar Bergman’s movie unpacks, like no other, the intimate emotional processes of staging and seeing a play

Howard Brenton’s no-nonsense translation of Strindberg’s astute drama charts the marriage of a failed artist and his more successful wife

The Crown’s Vanessa Kirby impresses but this updated version of the class-conscious tragedy is overblown

Howard Brenton’s new adaptation of the Swedish master’s tragedy is given a classy staging that strikes the right note of intimate realism

The Swedish dramatist’s life is shown to echo his plays in a new production about his obsession with alchemy and his relationships with three women

Strindberg’s passion play remains as resonant today in Howard Brenton’s new translation as it was when first performed in the Paris of 1893

Two short plays of sexual politics by the Swedish dramatist show that his female characters can be just as varied and vivid as the men

Director Kip Williams’s electric staging of Strindberg classic uses technology to pump up a once-radical dissection of ordinary human lives