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Australian theatre
July 2024
Macbeth (An Undoing) review – Lady M takes over Shakespeare’s play … but what for?
Ready, willing and disabled: the Australian actors campaigning for more roles – and better training
Dracula review – a clever and playful victory lap for Kip Williams’ gothic cine-theatre trilogy
Prima Facie review – Suzie Miller’s runaway success is tense and timely in new version
June 2024
At age 40 I performed in the med school musical – and learned silliness is my superpower
Roland Bull
‘The hardest thing I’ve ever done’: Sophia Forrest, the star taking on all 26 roles in Suzie Miller’s Prima Facie
King Lear review – veteran Robert Menzies leads a minimalist take on Shakespeare tragedy
Walk with ...
Virginia Gay: ‘I thought that everybody struggled as I did, that other people were simply better human beings’
Revealed: Otto by Otto review – nuanced portrait of a generational talent
‘There is a constant fear’: could you cook, paint and sing while running on a treadmill?
Benjamin Millepied’s Romeo and Juliet Suite review – a surprising, often thrilling experience
Inside the eight-hour Melbourne play where the creators don’t mind if you nod off (sort of)
May 2024
Sunset Boulevard review – Sarah Brightman disappoints in Andrew Lloyd Webber’s mawkish musical
Three things
Three things with Kate Mulvany: ‘I’d frame all that bewilderment and fury and hang it on a wall’
Tosca at Margaret Court Arena review – Puccini opera just survives the stadium treatment
Melbourne Fringe drops the Butterfly Club over allegations of verbal abuse and threatening behaviour
Walk with ...
Anthony LaPaglia: ‘Acting is part therapy. You get to work out your demons sometimes’
The Woman in Black review – a playfully meta ghost romp with heavy-handed jump scares
Homo Pentecostus review – a dancer asks, is it possible to be religious and queer?
Australian Ballet blasts newspaper review for describing dancers as ‘unusually thin’
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