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Candoco Dance Company

April 2023

  • ‘There’s a richness in everybody’s life’ …Amal Hope, Vicci Riley, Charlotte Arnold and Helen Yeomans in a Frontline performance.

    ‘Disabled children need to know it is an option’: co-creating the future of dance

    Frontlinedance works in communities to remove barriers for disabled people and those with long-term health conditions – and there’s no distinction between teacher and learner

November 2022

  • Many ways to ‘enter’ … Markéta Stránská and Vanessa Abreu in In Worlds Unknown.

    Candoco: In Side Out review – an intimate night of new work

    Fresh pieces by the company of disabled and non-disabled dancers open up its artistic direction

March 2022

  • The Show Must Go On performed by Candoco Dance Company

    Everybody move! The trailblazing dancers of Candoco – in pictures

    Candoco Dance Company are on tour to celebrate their 30th anniversary. We look back at performances by the acclaimed company’s mix of disabled and non-disabled dancers

October 2021

  • Jigsaw fragments of motion … Anna Seymour and Joel Brown in Last Shelter by Jeanine Durning and Candoco Dance Company.

    Candoco Dance Company review – it all just works, beautifully

    Fascinating in its form, enigmatic in its meaning, this double bill is full of delights

December 2019

  • Embargo on image use until 9.30pm on 9th December 2019.<br>Joel Brown in The Lost Thing by Jules Maxwell @ Linbury Theatre, Royal Opera House. Directed by Ben Wright. (Opening 09-12-19) ©Tristram Kenton 12/19 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    The Lost Thing review – opera/dance translation loses picture-book verve

    Disabled and non-disabled performers collaborate in this welcome but slow adaptation of Shaun Tan’s story about a boy who befriends a strange creature

November 2018

  • Merce Cunningham

    Merce Cunningham at 100: 75 dancers perform 300 solos in three cities

    Three shows in London, New York and Los Angeles will be live-streamed in April, on what would have been the choreographer’s 100th birthday

March 2018

  • A scene from Face In by Yasmeen Godder part of the double bill by Candoco Dance Company at Sadler’s Wells, London.

    Candoco Dance Company review – compelling document of human possibilities

    Disabled and non-disabled performers tackle political correctness and prejudice with mischievous humour

December 2015

  • Alessandra Ferri and Federico Bonelli in Part 1: I Now, I Then from Woolf Works by the Royal Ballet.

    Best culture 2015
    Judith Mackrell's top 10 dance of 2015

    Wayne McGregor distilled the essence of Virginia Woolf while others tackled Milton and Samuel Beckett, and the beauty of maturity found champions in Alessandra Ferri and Sylvie Guillem

March 2015

  • Candoco The Show Must Go On

    The Show Must Go On review – Jérôme Bel conjures stage magic with Candoco

  • Show Must Go On

    This week's new dance
    This week’s new dance

January 2015

  • Candoco 12 Claire Cunningham dancers crutches

    No pity party: moving beyond ‘victim art’

    Twenty years ago, a critic caused a storm by declaring a dance piece ‘victim art’. Disabled dancers and choreographers who work with drug addicts and ex-prisoners talk to David Jays about what has changed since

November 2014

  • Sacred Monsters

    This week's new dance
    This week’s new dance

    Sacred Monsters | Playing Another

March 2014

  • Candoco Dance Company

    Candoco: Miniature/Two for C/Notturnino review – wrestlers' masks and glittery shoes in triple bill

  • CandoCo

    This week's new dance
    This week's new dance

February 2014

  • Thomas Hauert's Notturnino danced by Candoco

    Dance blog
    Candoco's improv dance brings the spirit of rehearsals to the stage

    In the first of our new guest blogs, Candoco Dance Company's co-artistic director Pedro Machado explains why, in their new work, Notturnino, his company are making it up on the spot

October 2011

  • Candoco Dance Company – review

    Candoco's performers look at home within a first-rate work, and we can simply watch the perpetual motion, slipknot formations, off-the-cuff accents and accidents – and marvel, writes Sanjoy Roy

October 2010

  • Candoco

    Candoco Dance Company - review

    Candoco's ambitious programme reveals the effort and brutality involved in striving to embody an unforgiving ideal, writes Sanjoy Roy

April 2010

  • Cinderella

    Dance picks of the week

    English National Ballet: Cinderella | Birmingham Royal Ballet: The Sleeping Beauty | Candoco: Renditions

March 2009

  • Pick of the week: Dance

  • Pick of the week: Dance

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