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Frederick Ashton

June 2024

  • Reece Clarke and Marianela Nuñez in Les Rendezvous

    Ashton Celebrated review – Royal Ballet turns traditional into timeless

  • Sparkling repartee … Harrison Lee, Isabella Gasparini and Leo Dixon in Les Rendezvous.

    The Royal Ballet: Ashton Celebrated review – a world where everything is just delightful

June 2023

  • Samira Wiley in Blues for an Alabama Sky.

    The best theatre to stream this month
    The best theatre to stream this month: Blues for An Alabama Sky, Macbeth and more

    Our roundup of drama to enjoy at home includes the National Theatre’s Pearl Cleage revival and David Tennant taking on the Scottish king for the first time

May 2023

  • Wayne Eagling teaches Francesca Haywood the Hamlet Prelude in Frederick Ashton: Links in the Chain.

    Frederick Ashton: Links in the Chain review – fascinating study of a master choreographer

    Lynne Wake’s film about Ashton, available online, is a compelling glimpse into the way his great works are reinterpreted by new generations of dancers

March 2023

  • Everything will turn out fine … Luca Acri, Gary Avis (Stepsisters), Vadim Muntagirov (Prince) and Marianela Nuñez (Cinderella) in Cinderella.

    Cinderella review – Royal Ballet fairytale is a shiny sugar-rush

    Ashton’s three-act ballet combines escapism, clever classicism and panto, and this new version gets better as it goes along
  • Cinderella at the Royal Opera House

    You shall go to the ballet! Cinderella at the Royal Opera House – in pictures

    As the Royal Ballet celebrates the 75th anniversary of Frederick Ashton’s fairytale, we go behind the scenes and take a first look at the magical production
  • Lynn Seymour as Ophelia and Rudolf Nureyev as Hamlet during rehearsals for Robert Helpmann's ballet Hamlet at the Royal Opera House, 1964.

    Lynn Seymour obituary

    Ballerina who inspired new works from Kenneth MacMillan and Frederick Ashton and loved to dance with Rudolf Nureyev

November 2022

  • A swirl of skirts … Yasmine Naghdi and Mayara Magri in Prima by Valentino Zucchetti from A Diamond Celebration.

    The Royal Ballet: A Diamond Celebration review – pick ’n’ mix gala with some sparkles

    A grab-bag of nine pieces, from Wheeldon to Tanowitz, make up a celebratory programme delivered with customary aplomb by the Royal’s dancers

May 2022

  • Sarah Lamb and Vadim Muntagirov in Scènes de Ballet.

    Scènes de ballet/A Month in the Country/ Rhapsody review – an outstanding Ashton triple bill

    In a showcase of works from across their founding choreographer’s career, the Royal Ballet prove their mastery of his technical and dramatic complexity

April 2022

  • A caged bird … the Royal Ballet in A Month in the Country, based on the play by Turgenev.

    Royal Ballet triple bill review – daredevil effervescence and virtuosity

    Steven McRae returns from injury to the role he’d made his own in Frederick Ashton’s Rhapsody, while two other Ashton works make up an evening of playful combinations and beautifully delineated emotions

June 2021

  • Francesca Hayward and Cesar Corrales in Morgen by Wayne McGregor from Beauty Mixed Programme by The Royal Ballet.

    Royal Ballet: Beauty Mixed Programme review – rose petals and a lust for water

    A wild variety of pas de deux fuel this mixed bill, from kitschy Strauss to a duet with a table, plus part of Sleeping Beauty

March 2021

  • Painting of Tamara Karsavina.

    Saved: portrait of the queen of dance who changed the course of ballet

    Donors contribute to buy painting of Tamara Karsavina, co-founder of the London ballet school

November 2020

  • Nicol Edmonds, Melissa Hamilton and Reece Clarke in Monotones II from The Royal Ballet: Live, Within The Golden Hour @ Royal Opera House. (Opening 13-11-2020) ©Tristram Kenton 11-20 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Lockdown culture
    Royal Ballet Live: Within the Golden Hour review – sheer, ravishing class from top to pointed toe

    Francesca Hayward, Natalia Osipova and Marianela Nuñez are among the many stars in this exquisite mixed bill of classics and more recent work

October 2020

  • Marcelino Sambé and Anna Rose O’Sullivan’s pas de deux from La Fille mal gardée.

    The Royal Ballet: Back on Stage review – freedom to soar again

    After seven months away from the spotlight, the entire company release their pent-up energy in a jubilant and moving three-hour gala of greatest hits

February 2020

  • Alina Cojocaru and Juliano Nunes in Nunes’s Journey at Sadler’s Wells.

    Alina Cojocaru review – goosebumpy delight and gems amid disjointed evening

    The English National Ballet’s luminous lead principal here creates her own show, ranging from Frederick Ashton to Arvo Pärt and two superb short films

October 2019

  • Lauren Cuthbertson and Reece Clarke in the Royal Ballet’s performance of Concerto.

    Royal Ballet mixed bill review – a trio of 60s flashbacks

    Lauren Cuthbertson and Reece Clarke’s masterclass in clarity is the highlight in a night of Macmillan, Ashton and Petipa
  • Everyone Keeps Me by Pam Tanowitz at the Linbury theatre.

    Cross Currents/ Monotones II/ Everyone Keeps Me; Danse Élargie – review

    Pam Tanowitz’s dazzling new work for the Royal Ballet sat perfectly alongside Ashton and Cunningham
  • Beatriz Stix-Brunell in Everyone Keeps Me by Pam Tanowitz from Merce Cunningham Centennial @ Linbury, ROH. (Opening 10-10-19) ©Tristram Kenton 10/19 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Royal Ballet review – sublime surprises from Cunningham, Tanowitz and Ashton

    Pam Tanowitz’s gloriously rich Everyone Keeps Me is performed alongside bracing and serene revivals from Merce Cunningham and Frederick Ashton

May 2019

  • Margot Fonteyn at a window in Granada, Spain, in 1953.

    Prime mover: Margot Fonteyn centenary – in pictures

    One hundred years after her birth, join us as we step back in time to celebrate the life of the Royal Ballet’s prima ballerina assoluta

January 2019

  • A scene from Asphodel Meadows, part of a Royal Ballet double bill.

    Royal Ballet: Asphodel Meadows/The Two Pigeons review – beauty and whimsy

    Liam Scarlett’s 2010 work is as lyrical as ever, while strong performances and a live pigeon can’t save Frederick Ashton’s cutesy romcom
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