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Gate theatre, Dublin

May 2024

  • Marty Rea, Imogen Doel, Hazel Doupe, Risteárd Cooper and Niamh Cusack in Circle Mirror Transformation.

    Circle Mirror Transformation review – Annie Baker’s drama class is a lesson in power-play

    Directed by Róisín McBrinn, this 2009 play is an absorbing study of group dynamics, deepened by intricate dialogue and superb acting

April 2024

  • Ghaliah Conroy holds the lamp while Sarah Morris reads from a book titled Practical Midwifery

    The Pull of the Stars review – Emma Donoghue adapts her Spanish flu novel for an all-female cast

    Set in a 1918 maternity ward, the play offers moments of tenderness amid its commentary on political and social upheaval

October 2023

  • Quake  by Janet Moran.

    Dublin theatre festival goes from Quaker reflections to high-speed romance

    This year’s shows include a meditative new play from Janet Moran and an ironic variation on the romcom by Nancy Harris

December 2022

  • Camille O’Sullivan as Édith Piaf, with Kwaku Fortune.

    Piaf review – Camille O’Sullivan fully inhabits the doomed chanteuse

    Pam Gems’ play may have dated, but the tragic arc of Édith Piaf from street urchin to torch singer is still compelling, told through music that rings with drama

July 2022

  • Physically expressive in every mode … Owen Roe in The Steward of Christendom.

    The Steward of Christendom review – shattering portrait of a scarred man

    Owen Roe is riveting in Sebastian Barry’s deconstruction of a family set against the tensions of Irish independence

May 2022

  • Sarah Morris and Brian Gleeson in the Gate Theatre production of the Irish premiere of Constellations by Nick Payne Photo by Ros Kavanagh

    Constellations review – a stirring love story with infinite possibilities

    This intricate production of Nick Payne’s high-concept romance poses existential questions with elegance and levity

April 2021

  • Depths of feeling … Judith Roddy and Stephen Rea in The Visiting Hour.

    Lockdown culture
    The Visiting Hour review – Frank McGuinness’s moving care-home drama

    Stephen Rea and Judith Roddy give beautifully nuanced performances as a father and daughter meeting during the Covid-19 pandemic

November 2019

  • Tries to share her sister’s punishment … Lisa Dwan in Pale Sister.

    Pale Sister review – Colm Tóibín and Lisa Dwan's twist on Antigone

    The acclaimed writer’s version of the Greek tragedy focuses on her sister Ismene, with plenty of modern relevances

October 2019

  • Mephisto (A Rhapsody), Gate Theatre, Oct 2019 Leo Bill as Aymeric Dupre

    The week in theatre: Mephisto [A Rhapsody]; A Day in the Death of Joe Egg; The Man in the White Suit – review

    A stirring Faustian tale put actors under the moral spotlight; a Joe Egg revival is brave but bleak, and The Man in the White Suit fades fast

March 2019

  • Seán McGinley and Marie Mullen in The Children at the Gate, Dublin.

    The Children review – Lucy Kirkwood's taut tale of human and atomic meltdown

    Three nuclear physicists are reunited in this engrossing drama about ageing, marriage and sexual rivalry, directed by Oonagh Murphy

January 2019

  • Cate Blanchett in When We Have Sufficiently Tortured Each Other.

    The week in theatre: When We Have Sufficiently Tortured Each Other and more – review

    Cate Blanchett and Stephen Dillane can’t save a clunky S&M study of sexual politics

October 2018

  • HAMLET at Dublin Theatre Festival, Oct 2018 Ruth Negga

    Hamlet/Richard III review – Ruth Negga plays the Prince with priceless precision

  • Raucous, funny and defiant ... Sarah Morris and Leanna Cuttle in The Lost O’Casey.

    The Lost O’Casey review – unflinching look at Dublin's housing crisis

June 2018

  • The Snapper

    The Snapper review – Roddy Doyle's baby banter brought to vivid life

    The author’s adaptation of his comic novel about an unplanned pregnancy is filled with nostalgic touches and noisy energy

May 2018

  • Alfred Molina, left, and Alfred Enoch as Mark Rothko and his assistant in Red. Photograph by Johan Persson

    The week in theatre: Red; Effigies of Wickedness – review

  • Tom Murphy in 2010

    'Fearless' Irish playwright Tom Murphy dies aged 83

January 2018

  • Ivan Beavis as Harry Hewitt and Doreen Keogh as Concepta Riley in Coronation Street in 1961

    Doreen Keogh obituary

  • Selina Cartmell, artistic director of the Gate in Dublin

    Waking the Feminists: the campaign that revolutionised Irish theatre

September 2016

  • Lisa Dwan No’s Knife

    Lisa Dwan: ‘Beckett made these wounds universal’

    As her new play No’s Knife, adapted from a number of Samuel Beckett’s prose pieces, opens at the Old Vic, Lisa Dwan talks to Belinda McKeon about the danger of politicising work for your own ends
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