Long Day’s Journey Into Night: a grand masterpiece and an ordinary family drama
The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review
December 2019
Clive James and Jonathan Miller had confidence in the wits of their viewers
John Mullan
As funny public intellectuals who were also well-known faces on British television, they represent a lost era, says John Mullan, professor of English at University College London
Brief letters
Will motoring make me steer to the right?
Brief letters: Celebrity biographies | Motor voter | Attendee debate | White Friday | Jonathan Miller
The playful pair who pricked the grim respectability of postwar British culture
Nicci Gerrard
Jonathan Miller and Clive James were irreverent public intellectuals who effortlessly demolished the walls between high and low art
The theatre and opera director, television producer, presenter, writer, comic and doctor had a special interest in the human mind – and a special example of one, too
Sir Jonathan Miller, writer and director, dies aged 85
Theatre director also had career in medicine and was member of Beyond the Fringe
Theatre director and writer Sir Jonathan Miller – a life in pictures
Sir Jonathan Miller obituary
'A genius!': Joanna Lumley, John Berry and Lesley Manville hail Jonathan Miller
November 2018
La Bohème review – surefire revival touches the heights
Jonathan Miller’s 1930s Paris-set production goes to the heart of Puccini’s masterpiece, with a near-ideal Natalya Romaniw making her ENO debut as Mimi
August 2018
Gloucester Crescent by William Miller review – growing up with London’s literati
Gloucester Crescent by William Miller review – my dad Jonathan Miller and me
From Beyond the Fringe to Nanette: five shows that changed the face of comedy
William Miller: how I failed to get away from my famous father
February 2017
Rigoletto; Philip Glass at 80 – review
ENO returns to Jonathan Miller’s classic production. Plus, wall-to-wall Glass
March 2015
King Lear review – Jonathan Miller’s production is revelatory
King Lear review – Jonathan Miller keeps it all in the family
