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Rebecca Lenkiewicz

May 2022

  • Hilton McRae (Captain) and Lindsay Duncan (Alice) in The Dance of Death.

    Dance of Death review – lethally dull Strindberg staging

    A strong creative team featuring Lindsay Duncan and Hilton McRae cannot bring this dreary revival to life

January 2016

  • Rhys Rusbatch (Peter) and Mariah Gale (Wendy) in the RSC’s Wendy and Peter Pan in Stratford

    Theatre blog
    Plan your week’s theatre: top tickets

    David Tennant reprises his Richard II, the London international mime festival begins and The 39 Steps goes out on a national tour from Northampton

October 2015

  • Maxine Peake as Dana in How To Hold Your Breath by Zinnie Harris at the Royal Court in London, earlier this year, directed by Vicky Featherstone.

    The debate
    Do strong female roles in theatre make audiences feel uncomfortable?

    Mark Shenton and Liz Hoggard
    Royal Court director Vicky Featherstone says audiences are less at ease with female leads than with male ones. Is she right?

September 2015

  • Jane Wenham: The Witch of Walkern at Watford Palace theatre

    Jane Wenham: The Witch of Walkern review – a heady brew of sex and sorcery

    Fear, prejudice and passions bubble under the surface of Rebecca Lenkiewicz’s atmospheric new play about accusations of witchcraft in a Hertfordshire village

July 2015

  • Sirine Saba as Aisha and Scott Karim as Riz in The Invisible.

    The Invisible review – passionate legal-aid drama needs cross-examination

  • Rebecca Lenkiewicz.

    Rebecca Lenkiewicz: this government is 'determined to crush the poor'

January 2013

  • The Turn of the Screw, at the Almeida, London

    The Turn of the Screw – review

  • Rebecca Lenkiewicz

    Playwright Rebecca Lenkiewicz: 'I had evil thoughts as a child'

December 2012

  • Phyllida Lloyd's all-female Julius Caesar

    Women in theatre: why do so few make it to the top?

    An all-female Julius Caesar has just hit the stage, but it's a rarity in theatre. In a special report, Charlotte Higgins asks leading figures why women are still underrepresented at every level of the business – and what needs to change

January 2011

  • rebecca hall

    Twelfth Night; Tiger Country; The Painter – review

    Peter Hall directs his daughter Rebecca in a sweet Twelfth Night while son Edward puts Hampstead back on track with Nina Raine's sharp hospital drama, writes Susannah Clapp

December 2010

  • new Arcola Theatre under refurbishment

    Arcola and Bush theatres move on to bigger London stages

  • Faeries

    Faeries – review

November 2010

  • Charged – review

    Charged, at the Soho theatre, London, is a powerful meditation on female experience not only behind bars but on the streets, in rehab, as mothers and as part of the police force – and it isn't easy viewing, writes Maddy Costa

March 2010

  • Zinnie Harris, playwright

    Arts diary
    Tricycle theatre to tackle women's role in politics

    London's Tricycle theatre will feature a five-week season of new politically themed plays by 12 writers, all but one of them women, writes Rosie Swash

August 2009

  • Ghosts at the Arcola theatre

    Ghosts

    Arcola, London
    Bijan Sheibani's plucky production reveals what a challenging – bordering on impossible – play it is to perform, says Kate Kellaway

August 2008

  • In praise of ...
    In praise of ... Rebecca Lenkiewicz

    Editorial: The first woman to have a play staged on National Theatre's largest stage, the Olivier

June 2008

  • Turning the tables

    Rebecca Lenkiewicz once worked as a table dancer in a Soho club. Now she is the first woman ever to have a play performed on the main stage at the National Theatre

February 2006

  • A great one-hander

    Theatre: Robert Lepage is at the height of his powers in his new solo show inspired by Hans Christian Andersen's onanistic tendencies, says Susannah Clapp.

January 2006

  • The Soldier's Tale

  • Out of a crisis comes drama

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