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National Theatre Wales

February 2024

  • Nathaniel Leacock, Rebecca Hayes, Carys Eleri and Geraint Rhys Edwards in Feral Monster.

    Feral Monster review – turbulent teen musical at breakneck speed

    There’s no shortage of smart ideas in Bethan Marlow’s drama of adolescent awakening in rural Wales, but they whiz by before they really develop

October 2023

  • Circle of Fifths, produced by National Theatre Wales.

    ‘Deeply shocked’ National Theatre Wales may close in six months after funding cut

    The Arts Council of Wales has withdrawn its long-term financial support of the English-language theatre company

March 2022

  • A young woman with a mic puts her arm around a young man holding a laptop with a video screen above hefr head

    Petula review – a schoolboy’s quest is out of this world

  • Petula Dewi Wykes photo by Jorge Lizalde 1772

    Petula review – giddy intergalactic voyage ends with a bump

October 2021

  • Kully Thiarai during rehearsals of We Are Still Here,  by the National Theatre Wales.

    Arts supremo Kully Thiarai: ‘Break the rules! They need breaking’

    The creative director of Leeds 2023 on seeing ‘beyond the chapati pan’ of her working-class background and how British theatre reflects diversity now

June 2021

  • The slow-motion magic of the everyday … Shôn Dale-Jones in Possible, presented by National Theatre Wales.

    Lockdown culture
    Possible review – as intimate as livestreamed theatre can be

    Shôn Dale-Jones’s autobiographical show tells the story of his lockdown through texts, WhatsApp group chats and Zoom calls with loved ones

March 2021

  • The Festival of Britain site in 1951

    The Guardian view on the 'festival of Brexit': judge it on its results

    Editorial: Festival UK 2022 has announced its participants – and there’s no sign of tub-thumping jingoism

August 2019

  • FOR ALL I CARE<br>National Theatre Wales
FOR ALL I CARE at Summerhall,  Edinburgh International Festival Fringe, Scotland UK 04/08/2019
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    For All I Care review – the spirit of Nye Bevan breathes life into NHS tale

    This vivid production shows both sides of the care system through the eyes of a nurse and a patient

May 2019

  • National Theatre Wales Cotton Fingers Production Image 6 featuring Amy Molloy Photo Credit Craig Fuller

    Cotton Fingers review – nuanced abortion drama

  • Amy Molloy as Aoife in Cotton Fingers.

    Cotton Fingers review – abortion ban travelogue ends painfully

January 2019

  • Fire Garden at the National Theatre. South Bank, London, England, UK<br>CTW7P9 Fire Garden at the National Theatre. South Bank, London, England, UK

    Stage of the nation: what does it mean to be a national theatre?

    The national theatres of Great Britain, Scotland, Wales and Ireland have all caused a stir about what they represent. How should they reflect a country’s identity?

December 2018

  • Jonny Cotsen in English by National Theatre Wales

    National Theatre Wales to showcase homegrown talent after backlash

    Programme for 2019 features array of Welsh artists amid accusations of English bias

November 2018

  • Rhys Ifans as Ebenezer Scrooge in A Christmas Carol at the Old Vic

    More than 200 Welsh actors criticise National Theatre Wales's output

    Highly critical letter to NTW chair Clive Jones attacks lack of shows and homegrown performers

September 2018

  • Gareth Llŷr Evans

    The National Theatre Wales row risks ignoring what audiences think

    Gareth Llŷr Evans
    An open letter signed by 40 Welsh playwrights criticising NTW doesn’t take into account audiences’ responses to the company’s recent shows
  • National Theatre Wales’s production Storm.1 Nothing Remains the Same

    National Theatre Wales is neglecting Welsh talent

    Lisa Parry
    Audiences crave new Welsh plays but NTW is marginalising our stories. It’s time for a debate about what our national theatre should be
  • Michael Sheen in The Passion

    National Theatre Wales accused of favouring English artists

    Playwrights and actors write letter claiming NTW is ridding itself of its theatrical identity

July 2018

  • Ginny Holder in National Theatre Wales’ Come Back Tomorrow

    Come Back Tomorrow review – an emotional love letter to the NHS

    As part of the NHS70 celebrations, Roy Williams’ play takes the temperature of the nursing profession, showing us two women, three generations apart but equally angry

June 2018

  • Jonny Cotsen in English by National Theatre Wales

    A is for 'ah well', F is for fish and chips: show delivers A-Z of Englishness

    English, created by National Theatre Wales and Quarantine, is a brainstorm about language and identity

February 2018

  • The gods must be crazy … Storm.1: Nothing Remains the Same by National Theatre Wales.

    Storm.1: Nothing Remains the Same review – a symphony of creation and ruin

    National Theatre Wales’s multimedia adaptation turns Ovid’s Metamorphoses into an environmental parable of cosmic scale and elemental power

September 2017

  • Steelworker turned actor Sam Coombes in We’re Still Here.

    We’re Still Here review – Port Talbot’s men of steel

    A powerful production about the Tata steel plant crisis resonates with the strength of real people’s lives
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