Ahead of a London show, the choreographer talks about his new Sufjan Stevens musical, community in dance, and how election results can affect his moves

Despite her work being described as the greatest dance theatre of the century, Tanowitz can still be found ‘backstage, throwing up’ before shows. Will her new production, based on a Hebrew love poem, help her finally embrace success?

When the Ukrainian invasion began, the ballet great left a show at the Bolshoi in protest. Here he reconsiders his past ties with Russia and the silence of the cultural elite in the country of his birth

In her new memoir, New York City Ballet’s first Asian-American soloist speaks out about racism and sexual bullying in ballet. Now she wants to overhaul the industry from within