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Polly Findlay

May 2022

  • Claire Rushbrook and Daniel Ryan looking sadly at each other in Middle

    Middle review – marital and midlife reckoning brings gags and gripes

    Gentle comedy leavens David Eldridge’s sequel about a couple mired in the swamps of regrets and resentments

October 2021

  • Saoirse Ronan and James McArdle in Macbeth at the Almeida theatre.

    The week in theatre: Maryland; The Tragedy of Macbeth; White Noise

  • Unresolved business … Ken Nwosu as Leo in Suzan-Lori Parks’ White Noise at the Bridge theatre, London.

    White Noise review – an enormous provocation of a play

June 2020

  • Pete Postlethwaite as Macbeth in 1997

    Foul is fair: stunning shots of Shakespeare's Macbeth – in pictures

    As the RSC’s production starring Christopher Eccleston is broadcast on BBC Four, take a look back at some of the most arresting stagings of the ‘Scottish play’

April 2020

  • Patsy Ferran and Arthur Darvill in Treasure Island.

    Lockdown culture
    'Thank goodness they made Jim Hawkins a lady!' Patsy Ferran on Treasure Island

    As the National Theatre’s 2014 staging of the classic adventure is streamed online, its star remembers her breakthrough year

February 2020

  • Caryl Churchill’s A Number at the Bridge Theatre 16. l-r Roger Allam (Salter) and Colin Morgan (B2). Photo credit Johan Persson

    The week in theatre: A Number; The Visit; Alone in Berlin – review

  • Roger Allam and Colin Morgan in A Number.

    A Number review – Caryl Churchill's clone fable counts cost of progress

May 2019

  • Roger Allam and Justine Mitchell in Rutherford and Son.

    Rutherford and Son review – Roger Allam is magnificent in Edwardian classic

    Allam shines as the tyrannical capitalist patriarch at the heart of Githa Sowerby’s powerful story of a society in transition

June 2018

  • Lia Williams, centre, in The Prime of Miss Jean Brodie, at Donmar Warehouse

    The Prime of Miss Jean Brodie review – words are weapons in smart take on Spark

    Lia Williams is superb in David Harrower’s adaptation of the classic novel, directed by Polly Findlay

May 2018

  • Director  Polly Findlay

    Polly Findlay: ‘It’s a thrilling time to be working in theatre’

    The director on staging The Prime of Miss Jean Brodie, why she’s not on social media, and her next ‘project’

March 2018

  • Christopher Eccleston as Macbeth

    Macbeth review – Eccleston is every inch the rugged soldier

    Christopher Eccleston and Niamh Cusack star in an RSC production that moves at a lick but sometimes lacks subtlety

October 2017

  • When the party’s over … Sam Troughton and Justine Mitchell in Beginning, by David Eldridge, at the National Theatre, London.

    Beginning review – sozzled loners seek a connection in the tech age

    David Eldridge’s new play is a poignant real-time examination of relationships with two damaged people reaching out at the end of a party

September 2017

  • Erica Whyman

    RSC chooses female directors for all plays in summer 2018 season

    Royal Shakespeare Company’s artistic director says decision to name first ever all-woman lineup was not a deliberate act

July 2017

  • Olivia Williams and Olivia Colman.

    Mosquitoes review – sparring sisters collide in Lucy Kirkwood's science stormer

    Olivias Williams and Colman give a spellbinding account of sibling strife in this wonderfully ambitious play set during the Higgs boson breakthrough

December 2016

  • Ken Nwosu (Osvald Alving) and Niamh Cusack (Helen Alving) in Ghosts, directed by Polly Findlay.

    Ghosts review – Niamh Cusack is compelling in deft, dark Ibsen

    The melodrama is kept at bay in Polly Findlay’s fine production of David Watson’s new version

November 2016

  • Niamh Cusack in Ghosts

    Ghosts review – Niamh Cusack is outstanding in intense Ibsen

    Seemingly located in the only fjord in range of Weatherfield, Polly Findlay’s powerful revival features some fine performances

June 2016

  • Rosalie Craig, centre, with the ensemble of As You Like It in rehearsals for the National Theatre production in 2015

    Theatre blog
    Portraying animals is more than just acting the goat

  • ‘A new star’: Siobhán McSweeney (in The Alchemist.

    The Alchemist review – Jonson is turned to gold

  • The Alchemist; Mark Lockyer as Subtle and Ken Nwosu as Face.

    The Alchemist review – Polly Findlay finds gold in moral anarchy

  • Chest-battering sounds... Rebecca Benson in Let The Right One In.

    Big audio dynamite: how theatre is moving at the speed of sound

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