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Noises off

Matt Trueman rounds up all the latest from theatre blogs worldwide
  • Curtain call on the last night of The Producers at Theatre Royal in Covent Garden

    Noises off: It's time to blog off

    Matt Trueman: The burgeoning blogosphere has outgrown this theatre roundup, so after five years of trawling the net we bid you farewell
  • Tragic and comic masks

    Noises off: Is comedy more true to life than tragedy?

    Matt Trueman: A critic's claim that comedy is more believable than tragedy stirs strong feelings – and is British theatre too naturalistic?
  • John Gielgud as King Lear

    Noises off: how do you define acting?

    Matt Trueman: Boundaries between conventional acting, performance theatre and improvisation continue to blur – but one actor seems to have no problems making it up as they go along ...
  • Yael Farber's Strindberg adaptation Mies Julie, at the Assembly Hall, Edinburgh.

    Noises off: a 'bloody weird' fringe, and killing a sacred cow

    Practitioners are praising this year's Edinburgh gathering as unusually well-organised, while bloggers rail against overly serious theatre
  • John Fleming's blog

    Noises off: The fringe finds its Banksy, and where all the money really goes

    Matt Trueman: A guerrilla poster artist and a raft of bloggers are taking aim at the Edinburgh fringe's increasingly corporate outlook
  • Edinburgh Fringe performer Meow Meow on Portobello beach

    Noises off: Is the Edinburgh fringe really too expensive for artists?

    Matt Trueman: As one theatre company says it is using a Brighton Fringe production to fund its show in Scotland, an online debate is raging about payment for creativity
  • Young athletes at the 2012 Olympic Games opening ceremony

    Noises off: The alternative torch relay, and reinventing the art of theatre

    Matt Trueman: With Richard DeDomenici's one-hander having completed its run, bloggers turn to the future of collaborative theatre

  • Sweeney Todd, the Demon Barber of Fleet Street, at the Chichester festival theatre

    Noises off: Is there any theatrical rev left in revivals?

    Matt Trueman: Theatre bloggers weigh in on the advantages – and risks – of bringing back old hits
  • The Tanks, Tate Modern

    Noises off: do institutions kill art? And radical theatre lives!

    This week the blogosphere asks whether creativity can survive in an institution and gets inspired by rural touring theatre, writes Matt Trueman
  • The Drawer Boy, by Canada's Michael Healey

    Noises off: Canadian playwrights and jukebox musicals

    Matt Trueman: As Americans and Brits examine themselves for signs of drama xenophobia, the future of the musical is put under the spotlight
  • 4.48 Psychosis by Sarah Kane, performed by TR Warszawa

    Noises off: Oi, sponsors, leave our stage alone

    Today's funders ask: 'How can you help us to deliver our vision?' Someone ought to tell them: 'Surely it's the other way round'
  • Advance notice … the legendary theatre critic Kenneth Tynan.

    Noises off: is criticism really changing?

    Matt Trueman: With every demand for a 'new critical standard', another voice promotes reviewing values that haven't changed in 50 years
  • Show trial … Rude Mechs' restaging of Einstein on the Beach.

    Noises off: reviving live performance, and shortening the Fringe

    Matt Trueman: Bloggers debated this week whether the restaging of groundbreaking theatre events risked turning them into exhibits
  • Philip Seymour Hoffman

    Noises off: From Salesman to selling out

    Matt Trueman: With Broadway prices for Death of a Salesman stratospheric, the impact of market forces on theatre is obsessing bloggers
  • Keith Fleming and Gail Watson in Barflies by Grid Iron

    Noises off: Outcry over Creative Scotland review

    Theatre community lambasts Creative Scotland's latest funding review, as it sets out plans to make award-winning companies Vanishing Point and Grid Iron compete for sponsorship
  • Ulrich Muhe and Katharina Schüttler in Sarah Kane's Aneantis in 2005

    Noises off: Theatre that makes us see differently

    Matt Trueman: Young directors are being packed off to Berlin on a crash course in dynamic theatre, and bloggers debate the ethics of an Anne Frank musical

  • The Importance of Being Earnest

    Noises off: why there's no such thing as new writing – or an all-black play

    Matt Trueman: Bloggers are smashing old orthodoxies this week, from ideas of what theatre should be to myths about race and acting
  • Love, Love, Love by Mike Bartlett at the Royal Court theatre

    Noises off: Has the Royal Court theatre lost its edge?

    Matt Trueman: A blogger accuses the theatre of pandering to rather than provoking the middle classes, while audience etiquette hits the headlines

  • Death of a Salesman

    Noises off: Should playwrights bow to directors' changes?

    Matt Trueman: Arthur Miller stuck to his guns when asked to change the title of Death of a Salesman. Should modern writers do the same?
  • The Radicalisation of Bradley Manning

    Noises off: Will social media change the face of theatre?

    Matt Trueman: Bloggers battle over the best way to bring theatre to an internet audience – and how to create 'liveness' online
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