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Secret diary of a playwright

Playwright and lecturer Steve Waters lifts the lid on the life dramatic
  • Nina Kristofferson in Medea at Oxford Playhouse

    The importance of being a failure: why playwrights must suffer rejection

    Steve Waters: Failure for playwrights comes via rejection letters, bad reviews and audience walkouts. But when a play hits the spot, there's no feeling like it for both playwright and audience
  • Come and Go by Samuel Beckett

    Short plays: the key to dramatic perfection?

    Steve Waters: Festivals such as Cambridge's Hotbed offer the ideal setting for the unfairly underrated dramatic fragment
  • Stratford-upon-Avon

    Bard memories: why Shakespeare's Stratford deserves a second chance

    Steve Waters: Stratford-upon-Avon felt like a theme park when I visited as a boy. Thirty years on, though, I can see why Shakespeare's birthplace has greater significance than I first thought
  • Mario Monti

    Postcard from Europe: playwriting as an Italian job

    Steve Waters: At a conference near Bari, I discovered the humbling differences in theatre culture that exist between Italy and Britain
  • Cinderella at the Tobacco Factory, Bristol

    My dirty secret: I like devised theatre

    Steve Waters: It seemed to be doing playwrights like me out of a job – but perhaps the battle between different performance traditions is finally over
  • Field of dreams … a farmer and his dog cross snow-covered fields in Wensleydale, North Yorkshire.

    'Tis the season … for a playwright's creativity to lie fallow

    Steve Waters: After the distractions of the Christmas run-up, Boxing Day gives on to a week of calm renewal. At least in theory

  • Nicolas Sarkozy, David Cameron

    My fight to save Europe – and British theatre

    I can't wait for the chance to collaborate with three other playwrights from across the continent. Maybe David Cameron could learn something
  • George Osborne gives his autumn statement

    The difficulty of making drama out of this winter of discontent

    In part five of our Secret diary of a playwright series, Steve Waters wonders why, in these tough economic times, playwrights seem afraid to offer an alternative, more positive vision of the future
  • The Kitchen Sink by Tom Wells at the Bush theatre

    Tied to the kitchen sink: should theatre space remain sacred?

    In part four of our Secret diary of a playwright series, Steve Waters ponders the notion of theatres as homes and adjusts to the Bush theatre's new venue
  • David Hare, one of the few contemporary playwrights to sometimes make the literary pages.

    Literary fiction and a playwright's secret pen envy

    Steve Waters: Few references to contemporary drama make it into the nation's supplements. Where exactly does this aversion come from?

  • Bertolt Brecht, photographed in 1931, referred to his rehearsals as 'chaos, according to plan'.

    Wait until dark for inspiration to shine

    In the second part of our Secret diary of a playwright series Steve Waters bemoans the elusiveness of the Muse, who sometimes visits in the dead of night
  • 66 Books

    Secret diary of a playwright: I'm OK – I think

    In the first of a new series, writer Steve Waters reflects on self-help, status anxiety and the perils of collaboration
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