Theatre's new generation
The leaders who will be changing British theatre
Eleanor Lloyd: theatre producer – profile
'The subsidised sector is facing difficult times, but it would be wrong not to be grateful for what we've already got'
Erica Whyman: deputy artistic director, Royal Shakespeare Company – profile
Laura Barnett: 'What's the best thing about British theatre? Our sense of humour. And the worst? Endless conversations about funding'
Indhu Rubasingham: artistic director, Tricycle theatre – profile
'I have a science background and it just felt like directing was using both halves of my brain: the creative and scientific sides'
Laurie Sansom: incoming artistic director, National Theatre of Scotland – profile
'I directed The Duchess of Malfi when I was in the sixth form. Naturally, I gave myself the main part: it must have been painful'
Vicky Featherstone: incoming artistic director, Royal Court theatre – profile
From grassroots to the gods: why British theatre is changing
