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Soutra Gilmour

March 2024

  • Compelling performances … Samuel Barnett and Victoria Yeates in Ben and Imo at the Swan theatre, Stratford-upon-Avon.

    Ben and Imo review – Britten and Holst’s collaboration slides into cruelty

    Mark Ravenhill’s reimagining of the duo’s work on Gloriana exposes imbalances in the partnership but ultimately is a tragedy of thwarted ambition

November 2023

  • Sam Tutty (Dougal) and Dujonna Gift (Robin) in Two Strangers (Carry a Cake Across New York), credit Marc Brenner PROD-4420

    Two Strangers (Carry a Cake Across New York) review – charming romcom is a treat

    Two-hander musical matches its wide-eyed hero and sardonic heroine with just the right mix of sugar and sour

October 2022

  • Masters of shrug and eye roll … the orchestra in The Band’s Visit.

    The Band’s Visit review – entrancing musical about nothing and nowhere

    When an Egyptian orchestra accidentally tips up in a sleepy Israeli backwater, lives are changed in the quietest of ways

April 2020

  • Love’s Labour’s Lost by Deafinitely Theatre, David Tennant as Richard II, The Winter’s Tale at the Barbican and Josette Simon as Cleopatra.

    Lockdown culture
    Play on! 12 of the best Shakespeare productions to stream

  • Tamsin Greig

    Tamsin Greig on Twelfth Night: 'The self-judgment of women is awful'

March 2020

  • Phoebe Waller-Bridge and Andrew Scott at the Screen Actors Guild awards in Los Angeles in 2020.

    Fleabag's Phoebe Waller-Bridge and Andrew Scott up for Olivier awards

    TV co-stars compete for acting prizes at this year’s theatre awards, whose nominations are led by the musicals & Juliet, Fiddler on the Roof and Dear Evan Hansen

August 2019

  • Sydney Mancasola (Bess McNeill),  Duncan Rock (Jan Nyman) and company in Breaking  the Waves.

    The week in classical: Breaking the Waves; Eugene Onegin – review

    Missy Mazzoli’s opera based on Lars von Trier’s film Breaking the Waves triumphs in its European premiere

July 2019

  • The Turn of the Screw Garsington Opera 2019 Sophie Bevan (Governess)

    The week in classical: The Turn of the Screw; Noye’s Fludde – review

    Even in broad daylight, Garsington’s The Turn of the Screw is a brilliantly chilling affair

April 2019

  • Susan Bullock, Marie McLaughlin, Lesley Garrett and Janis Kelly, with Ashirah Foster Notice, far left, in ENO’s world premiere production of The Ripper: The Women of Whitechapel.

    The week in classical: Jack the Ripper: The Women of Whitechapel; Bach's St John Passion – review

    The drama in Iain Bell’s new opera giving voice to Jack the Ripper’s victims comes largely from its stellar cast. Plus, a spectacular St John Passion

January 2019

  • Celia Imrie (centre), Tracy-Ann Oberman (second right) and company in Celebration, one of two plays 
in Pinter Six.

    The week in theatre: Pinter at the Pinter; Time Is Love/Tiempo es Amor – review

    The surprises continue in an extraordinary Pinter season. Plus, the rise and rise of Sheila Atim

July 2018

  • Olena Tokar and David Junghoon Kim in Roméo et Juliette at Grange Park Opera, West Horsley.
Director - Patrick Mason
Conductor - Stephen Barlow
Designer - Francis O’Connor
Lighting Designer - David Plater
Movement - Lynne Hockney

Juliette - Olena Tokar
Ro<br>romeo-juliette-040 Juliette: Olena Tokar, Roméo: David Junghoon Kim

    The week in classical: Roméo et Juliette; Cave; The Turn of the Screw review – midsummer loving

    Out and about with Gounod and Britten. Plus a new work by Tansy Davies

June 2018

  • THE TURN OF THE SCREW by Britten, ,Elgan Llŷr Thomas as Peter Quint and Anita Watson as The Governess, with Daniel Alexander Sidhom and Elen Willmer as Miles and Flora.

    The Turn of the Screw review – Britten's opera chills the spine as darkness falls

    This superb production creeps into every corner of the outdoor space, as the battle for children’s souls intensifies

August 2017

  • Christian Cooke and Judith Roddy in Knives in Hens

    Knives in Hens – words illuminate life in the dark ages

  • Laura Carmichael and Stockard Channing in Apologia

    Apologia review – Stockard Channing’s withering heights

February 2017

  • Tamsin Greig as Malvolia (right), with Doon Mackichan as Feste

    Twelfth Night review – Tamsin Greig is brilliant in a show full of fun

    Simon Godwin’s inventive gender-fluid production of Shakespeare’s most perfect comedy has a vital elan and some great performances

March 2016

  • Danny Sapani as Tshembe and Elliot Cowan as Charlie in Les Blancs by Lorraine Hansberry @ Olivier, National Theatre. Directed by Yael Farber.

    Les Blancs review – a near-perfect production of an imperfect play

    White liberalism and postcolonial freedom-fighting clash in Yaël Farber’s sensuous production, but Lorraine Hansberry’s play is a product of its time
  • Laura Carmichael, Uzo Aduba and Zawe Ashton in The Maids.

    The Maids review – TV star power can’t revive Genet’s murderous romp

    Uzo Aduba, Zawe Ashton and Laura Carmichael make a striking cast, but the declamatory dialogue is heavy-handed
  • Uzo Aduba, Laura Carmichael and Zawe Ashton in The Maids

    The Maids review – Uzo Aduba is ferocious in Genet's lost landmark

    Aduba, Zawe Ashton and Laura Carmichael star in Jamie Lloyd’s highly impressive, deeply political production

December 2014

  • Un ballo in maschera

    Un ballo in maschera; Phantom Voices – review

    Star names Joseph Calleja and Dmitri Hvorostovsky light up an otherwise underwhelming Un ballo in maschera, writes Fiona Maddocks

July 2014

  • the crucible

    The Crucible review – an engrossing, fiery evening

    Arthur Miller's play resonates without any updating in Yaël Farber's powerful staging, writes Susannah Clapp

About 57 results for Soutra Gilmour
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