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Doug Aitken’s epic art finds a home in a transformed auto repair shop in California
As Doug Aitken features in the Wallpaper* 300, our guide to creative America, we revisit the surreal signage and sun-blasted landscapes of his portfolio of work, exclusively published in our November 2019 issue
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Alex Hartley’s eerie ode to Carlo Scarpa in Venice
Alex Hartley’s theatrical new installation ‘Closer than Before’ at Victoria Miro Venice is a haunting take on architectural destruction in Venice
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Looming large: Conrad Shawcross on his great summer of immersive installations
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The jungle look: artist Alex Hartley conjures a dystopian modernist folly
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Science and art prove a potent combination in the hands of Conrad Shawcross
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Singling out the solo booths to see at Frieze Los Angeles
Over 70 galleries will descend on Paramount Pictures Studio for the second edition of the West Coast art fair (14-16 February), anchored by an ambitious programme of special projects, film screenings, talks, and institutional collaborations
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John Kørner tackles the British sports of cycling, running and drinking
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Doug Aitken’s new show embraces real time
The American artist chimes in on the digital debate Coming soon: Wallpaper* collaborates on an exclusive project with Doug Aitken in our November 2019 issue, on sale 10 October
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Stan Douglas’ riff on alternative realities has us seeing double
Coinciding with the announcement that the Vancouver artist will represent Canada in the 2021 Venice Biennale, his galleries in New York and London are staging a dual survey of his ambitious video installation Doppelgänger
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Fallen fruit: Victoria Miro presents John Kørner’s ‘Apple Bombs’
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Looming larger than ever: ’Düsseldorf Photography’ at Ben Brown Fine Arts
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Sarah Sze takes over London’s Victoria Miro galleries with a two-pronged show about time and space
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American artist Sarah Sze pulls apart her creative process
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Imitation of art?: Elmgreen & Dragset at Victoria Miro
The artists Michael Elmgreen and Ingar Dragset are best known for grand-scale immersive installations tackling big issues. In End Station they built a fake New York subway station, an entire social housing block for Celebrity – The One and Many, the homes of an art collector and an architect in serious decline, and perhaps most famously, a fake Prada store in the Texas desert. The sublime is not their concern. Neither, on the whole, do they do minimal or personal. ‘Self-Portraits’, the duo’s new show at Victoria Miro’s Mayfair branch, is both. And it’s ever so simple.
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’Go to Hell or Atlanta, Whichever Comes First’: Kara Walker’s debut London show
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Engineer, philosopher, roboticist: inside the fine-tuned mind of Conrad Shawcross
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Eye spy: Stan Douglas goes undercover at London’s Victoria Miro
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Do Ho Suh’s spatial explorations launch at Victoria Miro in Venice
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Dabbling in bronze for the first time, Idris Khan takes a solemn turn
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Do Ho Suh creates the after-glow of time and place with fabric rooms and ritual rubbings
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Human traces: Idris Khan explores the horrors of war in haunting new show
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Frieze Art Fair London 2014: the Wallpaper* edit
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Idris Khan’s ’Beyond the Black’ at Victoria Miro
