ModelFarm

Using LED volume screens—a technology famously used on Matt Reeves’ The Batman and Disney+ series The Mandalorian—was another first for the filmmakers. “They are a challenge to work with, but the team at ModelFarm was fantastic to deal with. They created a whole world on screen that brings such a beautiful style to the film and really brings Kiah’s visual style to life.” https://lnkd.in/gG7DGR4r

ModelFarm is on the lookout for the following roles for an immediate start for some exciting feature films. Important to note these are not remote positions. Also you need to be Australian or have working rights in Australia. - VFX Production Coordinator (Brisbane) - VFX Nuke Compositors Mid and Senior (Brisbane and Adelaide) Please send through your resume/LinkedIn link and for the Comp roles also a link to your latest reel to careers@modelfarm.com.au

ModelFarm is on the hunt for mid and senior Nuke Compositors to join us either in our Brisbane or Adelaide studio to work on some incredible feature films. This is an in-studio role, so not remote. Contract length is up to mid 2025. Looking for Australian applicants or those with a right to work in Australia. Send your resume and reel through to hello@modelfarm.com.au

Great to see this hitting the big screen. Fantastic project to be involved in

https://lnkd.in/gH9VXBC5

Come on in, the water's fine! Screen Queensland Studios, Brisbane has transformed with a 700,000L tank, LED volume screens from ModelFarm and creature effects from Formation Effects for production BEAST OF WAR. Mark Coles Smith, Sam Delich and Boy Swallows Universe's Lee Tiger Halley will play WWII soldiers hunted by a great white shark in this historical thriller. Learn more about our studio network: https://lnkd.in/disQbae8 #MadeinQueensland

This is such a novel format of story telling. LEGO is the perfect medium to bring a unique snippet of musical history to life. Featuring VFX from ModelFarm Brisbane and Adelaide!

We're excited to share with you a VFX breakdown unveiling ModelFarm’s creative process for the Sony's The Equalizer 3 feature.  Watch to see how ModelFarm created bullet impacts, flashes and general carnage on filmed plates but also several fully synthetic shots built from photogrammetry source. We also take a look at some of the blood splatter, head shots and knife extensions as Denzel makes his way through the local mafia.

If you're at Siggraph Asia next week in Sydney, come by at watch our founder Shane Aherne on Thursday's Birds of a Feather Panel. Should be a good one with undoubtable some great insights into starting your own VFX studio in Australia. Direct link here to the panel details https://lnkd.in/gwhPcr82