Art Basel

With over two decades of museum expertise, she brings institutional ambitions to Art Basel Miami Beach’s sector dedicated to large-scale artworks:

Jimena Croceri, Alma Allen, and Iván Argote will each present artworks that transform an ancient medium:

‘The most important thing for me is to make connections between artworks and places,’ she says:

Art Week Tokyo is back! 🇯🇵 From November 7-10, 2024, the fourth edition of Art Week Tokyo is transforming the city into a vibrant celebration of art, architecture, food, and heritage. 👉Hop aboard the AWT Bus to explore the city’s art scene! 👉See the AWT Focus exhibition at the Okura Museum of Art! 👉Drop by the AWT Bar for edible creations and artist cocktails! 👉And don’t miss the AWT Talks Symposium headlined by Adriano Pedrosa, curator of this year’s Venice Biennale! Learn more at artweektokyo.com

Combining Indigenous murals with Candomblé-inspired installations, a new generation is merging activism with heritage:

Art Basel Miami Beach’s new director has her eye on consolidating the show as the great connector of art in the Americas — and beyond:

In our series spotlighting the behind-the-scenes world of the four shows, three global artists share their thoughts on seeing their work at the fair throughout the years:

A highlight of the Meridians sector, the monumental installation portrays female ideals and critiques societal expectations:

Coming soon to the UBS UK headquarters: ‘No. 1238 Mesh’ (2023) a site-specific artwork by Bangladesh-born London-based artist Rana Begum. Commissioned by the UBS Art Collection, this installation from the artist’s ‘Mesh Cloud’ series has been created specifically for the ground floor northwest corner of 5 Broadgate. Set against the artist’s interest in precise minimalism, the mesh series created from powder-coated galvanised steel mesh reveals the artist’s exploration into the uncontained. Here, see Begum discuss her artistic practice and how the interplay between light and color informs her work, blurring the boundaries between painting, sculpture, and architecture.

The digital pioneers speak to Serpentine’s Hans Ulrich Obrist ahead of the unveiling of The Call, a radical reinvention of choral tradition in the age of machine learning: