KODE

Work of the Week: Asics 'Desk Break' Directed by Peter Franklyn Banks ‘Created in partnership with Golin London and KODE director Peter Franklyn Banks, it’s a powerful reminder that something being standard practice and routine doesn’t inherently make it good for you, and that the best time for change is, as always, now.’ - LBBonline - Little Black Book

KODE Welcomes Director Jon E Price. ‘KODE announces the signing of acclaimed director, Jon E Price. Known for his ability to blend cinematic storytelling with playful craft, Jon’s artistic approach to filmmaking makes him a perfect addition to KODE’s roster.’ - LBBonline - Little Black Book

Celebrating his ongoing collaboration with Kathmandu, here's 'We're Out There' Directed by Stefan Hunt. Director: Stefan Hunt, at KODE DOP: Sam Chiplin EP: Leah Churchill-Brown Producer: Linzee Harris Production: Exit Films 1st AD: Kate North Ash Gaffer: Zac Murphy Grip: Josh Hamill Art Director: Jeremy Fuller Wardrobe: Kirsty Barros Photographer: Pip Cowley Water Cinematographer: Andy Gough HMU: Mat Hornby Post Production: Heckler Music: Matthias T Mueller EP: Carlos Zalapa Edit: Andrew Holmes Colour: Ferg Rotherham Design Director: Gina Wagstaffe Sound: Rumble Studios

We are excited to announce that acclaimed director 💥 Jon E Price 💥 is joining KODE for UK representation. Known for his ability to blend cinematic storytelling with playful craft, Jon’s artistic approach to filmmaking makes him a perfect addition to the roster. "KODE have that inspiring balance of enthusiasm and ambition, making great commercial work, and I’m very excited to join them on this journey.” says Jon. Check out his reel here: https://lnkd.in/dAZvhssm

New work directed by Emily Freda Sharp for Tesco, featuring TV personality Rylan Clark and viral sensation Marnie Green 🍦 Director: Emily Freda Sharp Executive Producer: Sophie FitzGerald Producer: Amber Millington  Production: Black Sheep Studios Production Manager: Xiaoxuan Zhu 1st AD: Rowan Hutchings 2nd AD: Morris Pusey AD Runner: Julia Johnson  Location Manager: Jamie Jamieson DOP: Aman K Sahota  1st AC: Bernin Isaac  2nd AC: Henry Vinten  DIT: Kristin Davis  Video Playback: Dayo Olufemi Grip: Alex Colthart Sound: Alex Milsom Gaffer: Ana Krkljus Sparks: Eliot Henri Morris, Robert Gifford, and Connor Baskerville  Production Designer: Martha Howe  Assistant Art Director: Leelah McEvoy Art Assistants: Alice Horton & Alex Cunningham  Stylist: Cassie Walker Graham Wardrobe Assistant: Lara Attille-Webber Rylan HMU: Bernice Cole  HMU Artist: Beki Goulding  HMU Assistant: Jasmine Bracken Post-Producer: Tina Mwazange Post-Producer: Charley Rowland Offline: Magic Edit Producer: Katie Truelove Editor: Meg Thorne Assistant Editor: Tom Flintham Sound: Wave Studios London Producer: Caroline Jemirifo Sound Designer: Harry Butcher Online: Electric Theatre Collective Producers: Oscar Wendt & Emma Hughes Colourist: Megan Lee VFX & Online Editor: Adam Woolrich Music: Snap! ‘I’ve Got The Power’

New work - Gustaffson 'On Broadway' starring Daniel Ings (The Gentleman, The Crown, Sex Education) and directed by Andy Goddard (Daredevil, Set Fire to the Stars). The film offers a black & white vignette into the life of tortured artist ‘Wilton’ longing for his next performance on a stage. Lead singer Andrew Gower bridges the gap of his two loves: music and film. Director: Andy Goddard Producers: Lottie Lindsay-Beavan & Vanessa Mc Donnell Executive Producers: Nathan Killham & Andrew Gower Production Assistant: Lucie Schmidt Production Studio: KODE DOP: Henry Gill 1st AC: Harry Coleman  2nd AC: Gordon Wong Grip: Adam Simmons Sound Recordist: George Willetts  Gaffer: Maria Kalecinska Spark: Luke Halstead  Production Designer: Molly Martinez Hackney  Art Department Assistant: Ara Falade 1st AD: Phillips Nortey  2nd AD: Carmen Du Preez  Costume: Rosie Stoward MUA: Shelby Cockram Editor: Mike Jones   Grade: Daniel Levy  Colour Producer: Jai Durban & Rachel Bliss Sound Designer: Gez Lloyd & James Everett Sound Producer: Karen Noden Massive thanks to Zena @ Wiltons Music Hall & Emmyland

Following acclaimed collaborations on ‘Escapism’ and ‘Flip A Switch’, Otis Dominique's third video with RAYE has been their most ambitious and complex so far. In an interview with Promonews, the KODE director breaks down the epic seven-minute visual for ‘Genesis’ - which has three nominations at this year's UKMVAs - and offers an insight into his creative chemistry with the singer: https://lnkd.in/eTiVY4zq

New work directed by Nicolee Tsin for BAO London. BAO City, 2024 is a melodrama set in a bustling new restaurant where four groups of strangers’ lives briefly intertwine. An elderly couple reconnects over noodles on their first date. A heartbroken teen finds solace in singing love songs with childhood friends. A lonely man waits for his perfect karaoke moment at his regular table 42 but is interrupted by a group of rowdy coworkers. Through these fleeting encounters, the film explores connection, heartbreak, and the unexpected ways people cross paths in the city. Writer/Director: Nicolee Tsin at KODE Creative Direction & Production: 1314 FAMILY STYLE Co-Production: House of Greenland Creative: Jun Chan Producer: Joshua Gan Casting Director/ Co-Producer: Vanessa Ng Production Assistant: Cristina Nari & Yu Yat Andrew Sin 1st AD: Rayxchung Visual DOP: Et Ng Focus Puller: Tom Xu Clapper Loader: Sheewon Park Gaffer: Brook Williams Spark: Bryan Lim DIT, Editor & VFX: Hector Miller BTS Photographer: Sid the Buddha Stylist: Emmanouela Megkistou Styling Assistant: Linh Hoang Make up: Mari Kuno Hair: Masaki Kameda Music Composition: Vincent Yuen Ruiz & Baptiste Bouli Amstutz Grade: SHARON CHUNG at Wash DFD: Digital Orchard Group

Meet Liz Dolan: KODE's Powerhouse Production Lead With a career spanning almost 30 years, working on award-winning campaigns for the BBC, Sky Creative and ITV. Liz Dolan has well and truly earned the title of powerhouse production lead. Though where did it all begin, and what led her to joining the global production studio, KODE?

Directors Notes caught up with Director Harv Frost to learn about the vision for her short 'Prelude to Ecstasy' for the Last Dinner Party, the process of conceiving the film’s overarching narrative, and embracing the band’s creative spontaneity. Read the full feature here: https://lnkd.in/es4yugSp