78 Must-See Movies That Everyone Should Watch At Least Once

One of the biggest franchises of all time isn’t showing signs of slowing down any time soon. It continues to release at least one new project every year! Take a trip to a galaxy far, far away to see the original movie that started it all to meet Luke, Leia, Han, Chewie, and the heaviest breather in the universe, Darth Vader. Even if you don’t think A New Hope is the best movie in the franchise, you’ll have to agree it’s the best place to start. 

Robin Williams and Nathan Lane play Armand and Albert Goldman, a gay couple who must contend with the unexpected arrival of their son, his fiancée, and her prudishly conservative parents in this remake of the French farce La Cage aux Folles. It’s both incredibly funny and sweetly moving thanks to the performances of Robins, Lane, and Hank Azaria. Its lasting legacy as one of the great queer films can best be explained by Lane himself: "Homophobia is still alive and well but there's something about that film that touches people because it's ultimately about family, what you do for your family, why you love your family even though they drive you crazy. Then ultimately — not to sound corny — it's about love."

This is the OG time loop rom-com that still holds up after more than 30 years. Bill Murray's cynical weatherman Phil learns to thaw his frozen heart, to the point of becoming a decent person, when he's stuck on the same day, February 3. The movie is mostly about Phil, but Andie MacDowell's Rita is nevertheless a charming, complete love interest. Phil eventually wins her over, not by learning about her in each loop and manipulating her — to be fair, he does try that — but by accepting his circumstance and genuinely growing. Everyone loves Groundhog Day, but it'll have a special place in the hearts of the secretly sensitive cynics among us.

Brokeback Mountain is a movie about the inescapable despair of lifelong repression. Get ready to cry — and cry a lot. The “gay cowboy movie,” as it was called at the time, covers the 20-year relationship between Ennis and Jack, a couple more tragic than Romeo and Juliet, Jack and Rose, and Heathcliff and Catherine combined. That said, the moments of joy and passion between them are as moving and sexy as anything, if understated.

Amadeus famously eschewed historical accuracy to tell the story of a bitter, nearly murderous one-sided rivalry between Salieri and Mozart. Actor F. Murry Abraham recently made waves as Bert in White Lotus, but it was his turn as the obsessive, narcissistic Salieri that brought him to prominence in the '80s. It also won him an Oscar for Best Actor, one of eight Oscars that the movie ended up winning from 11 nominations. One of those nominations was also for Tom Hulce's portrayal of the titular character. So if you're in the mood for an impeccably acted, gorgeously costumed, and historically-inaccurate-but-still-genuine take on the dangers of male envy, Amadeus if for you.

Don't let Ralph Macchio's sweet little face fool you; he is in full teen action-hero mode in The Karate Kid. The movie itself has everything you want in a sports movie: a wise coach in Mr. Miyagi (played by the legend Pat Morita), a training montage, a seemingly unbeatable opponent, and (slight spoiler) an unlikely victory. The Karate Kid is so good it spawned the successful spinoff Cobra Kai over three decades later, which saw the return of Macchio as Johnny and William Zabka as (sort of) reformed villain Johnny Lawrence.

The generational conflict between boomers, millennials, and Gen-Z isn't unique to the age of social media. Take Rebel Without a Cause, a movie all about young people who feel misunderstood. It's also a precursor to works like Euphoria in that it doesn't shy away from the ugly, tragic, and even violent side of adolescence. James Dean wasn't in many movies before his death, just one month before Rebel was released, but his performance as Jim Stark cemented him as an American icon. It's not just a great movie; it's also a relic of one of the great Golden Age movie stars.

Zodiac isn't technically a horror movie, but you might prefer a typical horror movie to the two hours of elevated anxiety you're in for. David Fincher puts his signature on one of the great unsolved American mysteries: the Zodiac Killer who terrorized the Bay Area in the 1960s. Just don't look up any more details about the case when you finish the movie unless you never want to sleep peacefully again.

There’s so much to love about Die Hard. Alan Rickman as Hans Gruber, “Yippee-Ki-Yay, motherfucker,” and the neverending debate about whether or not this is a Christmas movie. It’s Jake Peralta’s favorite for a reason.

The way In Bruges pulls off its unique mix of genres (crime thriller, action, comedy-drama) is nothing short of marvelous. It also has some of the funniest lines ever delivered courtesy of Irish legends Colin Farrel and Brendan Gleeson. If you don’t mind profanity, that is — In Bruges averages over one f-bomb per minute.

Malcolm X, one of the most influential figures in American history, is played by Denzel Washington, one of the greatest actors ever, all in the hands of THE Spike Lee. If you have high expectations of this biopic going in, Malcolm X will meet and exceed them. It didn't get all the accolades it should have at the time, but history and the many attempted biopics that have come since have proven what a feat it was.

Even if romantic dramas aren’t usually your cup of tea, In the Mood for Love might just convert you. It’s certainly a love story, beautifully acted by Maggie Cheung and Tony Leung, but it also tackles existential questions about ethics, the passage of time, betrayal, and loneliness. It doesn’t give neat answers to any of them, and it's sure to keep you pondering for days.

Jude Law, Ethan Hawke, and Uma Thurman star in Gattaca, but their star power is just one of the draws here. The movie itself is everything you want in your dystopian future/sci-fi fare, complete with serious ethical questions about genetic engineering, which are even more poignant now that the distant future is so much closer.

Sometimes, a movie doesn’t make a huge impact when it comes out, but that might just mean that the right audience hasn’t come along yet. Such was the case with Clue, a widely beloved movie that only became so about 40 years after it came out. The cast is delightful, especially the always excellent Tim Curry.

Boxing movies are their own subgenre within sports drama, and Rocky is probably the most famous boxing movie of all time. Five sequels (eight if you count the Creed movies) don’t lie. The massive success of the first six movies rests mainly on Sylvester Stallone’s muscled shoulders, as he embodies Rocky so convincingly that you won’t mind the by-the-numbers sports story. And, yeah, the training music they use in every movie is pretty amazing. Nobody does a training montage like Rocky Balboa.

The premise of The Apartment promises messiness, and, boy, does it deliver. Jack Lemmon plays Bud, a man who allows his four bosses to use his apartment for their extramarital affairs until he starts to fall for Fran (Shirley MacLaine). Fran is, unfortunately, one of the women having an affair with his boss. The movie isn't without its tragic moments — especially for poor Fran — but uses humor to touch on subjects as relevant today as in 1960. Honestly, if you're not misty-eyed by the end, the last two lines spoken by Bud and Fran will absolutely do you in.

If you met the announcement of this movie with a bit of skepticism — another Spider-Man movie, really?? — you weren't alone. But the truth is, Miles Morales's big screen debut might just be the best Spider-Man movie to date. Animation has none of the practical limits of live-action, and, boy, does this movie take advantage of that. It looks like the pages of a comic book brought to life, backed up by a voice cast that could not be better matched to their roles (particularly Jake Johnson as a cynical, middle-aged Peter Parker, Brian Tyree Henry as Miles's father Jefferson, and Mahershala Ali as Uncle Aaron). 

It's not for me to tell you which of the many, many Pride and Prejudice adaptations is the best one out there. But general consensus is that it's either the 1995 BBC miniseries starring Colin Firth as Mr. Darcy or this one, the 2005 film starring then-emerging movie star Kiera Knightly and future-Tom-Wambsgans Matthew Macfadyen. The reason the movie makes this list is because it's not just an excellent (if not entirely faithful to the last detail) adaptation of Jane Austen's work, but a shining example of romantic period dramas in general. Even the coldest of hearts will be warmed by Darcy trudging across a field at dawn to make his final confession to Elizabeth.

Movie musicals were all the rage during the '30s, '40s, and '50s, but experienced a serious dip in popularity at the end of the millennium that made them all but disappear from the cinematic landscape. There were a few exceptions, but it wasn't until Chicago that the genre would have a well-deserved resurgence. In fact, Chicago was the first musical since 1969 to win Best Picture at the Oscars, and no musical has done it since. 

If this first installment hooks you and you end up watching the whole series in a day, you are welcome.

Cher won an Academy Award for Best Actress for her performance as Loretta, a young widow who is ready to marry Johnny (Danny Aiello), a man she's perfectly fond of but doesn't love — after the death of her first husband, Loretta believes that love is only a source of pain. Her plans start to fall apart when she meets Johnny's estranged brother Ronny (Nicolas Cage), with whom she shares fiery chemistry and immediate mutual attraction. It's romantic, sexy, and funny, and Cher is truly phenomenal. If that doesn't convince you, there's also a young, super handsome Nic Cage and the scene-stealing Olympia Dukakis as Loretta's mother Rose.

Airplane! is a spoof of the disaster film genre, particularly Zero Hour (1957). In this parody, a man who is afraid of flying must pull himself together to save the day when the pilots on his flight get sick. It's got a million jokes per minute and some of the funniest lines ever written, including, "I am serious…and don't call me Shirley." Airplane! is by many people's estimation one of the funniest movies ever made, and there's not much else left to say. Sure, comedy is subjective, but it's impossible not to laugh at this one. 

The plot of Avatar is basically Pocahontas but from the perspective of John Smith, which, ew. In that sense, it's nothing you haven't seen before. But nobody watches Avatar for the plot. You watch it for the incredible showcase of CGI and motion capture technology. The visual effects artists behind this movie (and its several existing/future sequels) are all geniuses, and at least half of the box office money should go to them.

Raging Bull is one of Martin Scorsese's most brutal movies, which is really saying something considering his track record. Don't get me wrong — the man is a genius — but the typical Scorsese film has a ton of violence. Robert De Niro stars as Jake LaMotta, a real life boxer who fought as much in the ring as he did out of it. LaMotta's memoir served as the basis for the screenplay and covers his delinquent adolescence, his involvement with the mafia, and his abusive relationship with his wife and brother. It's one of De Niro's best performances and won him his second Oscar.

If you ask most people for a list of "the best movies ever made," The Shawshank Redemption will probably be on it. It's got one of Morgan Freeman's most beloved performances and one of the best movie lines of all time in, "Get busy livin' or get busy dyin'." Beyond that, it's a thoughtful reflection on the effects of a life in prison that's just as resonant today as it was 30 years ago.

Drive is a super slick and stylized action drama in which the main character barely talks — he doesn't even have a name — and the violence is plentiful. It was Ryan Gosling's first foray into the grumpy action hero archetype that he has played many times since, most recently in Gray Man. "Artistic violence" is not a phrase I'd ever expect to use, but it's the best way to describe this movie.

A 16-year-old Judy Garland stars as Dorothy Gale, and trust me, when you hear her sing “Somewhere Over the Rainbow,” you’ll understand why she’s such a legend. The Wizard of Oz might not be the most faithful adaptation of L. Frank Baum’s novel, but that won’t bother you as soon as Dorothy steps out of her black and white house into a world of color (literally). It might be more than 80 years old, but this movie is a classic for a reason. 

Is Citizen Kane the best film ever made? I’m not going to answer that for you because taste is subjective and all that. But it’s certainly a great movie, and there’s a reason they make you watch it in every introductory film class. Orson Welles’s magnum opus (he co-wrote, directed, and starred in it) is the story of a man who wanted it all, got it all, then lost it all, and Charles Foster Kane is the original antihero. Plus, you know a movie is a big deal when a whole other movie is made about the behind-the-scenes drama.

The Princess Bride is one of those movies that you watch as a kid and keep coming back to again and again because of how warm and fuzzy it makes you feel. As you get older, you start to clock the smaller jokes that were sprinkled in to keep the adults interested, making you love it in an entirely new way. In short, it's the original live-action Disney cartoon. 

When Chris (Daniel Kaluuya) visits his white girlfriend’s (Allison Williams) family for the weekend, he’s understandably worried about how he’ll be received as a Black man…and telling you anything else would be robbing you of an excellent plot twist, so I’ll stop there. Jordan Peele won an Oscar for his screenplay and established himself as a horror auteur with Get Out, a movie that more than lives up to the hype. You can watch it five times, and you still might not catch all of the details he crammed into every frame. Daniel Kaluuya leads an excellent cast that includes Allison Williams and LaKeith Stanfield, but the film’s secret weapon is Lil Rel Howery, whose scenes as Rod help you catch your breath amid all the tension.

A boy finds an alien in his shed and becomes its friend. It’s a fairly simple premise, but in Steven Spielberg’s hands, it becomes one of the most beloved films of all time. Part sci-fi adventure, part coming-of-age story, E.T. is one of those movies that you’d watch over and over again if it didn’t make you cry so much. Plus, it features an adorable 7-year-old Drew Barrymore and practical effects that hold up pretty well even today.

Casablanca is one of those movies that everyone knows about, even if they’ve never seen it. But everyone should! It’s got a little bit of everything, from action and suspense to comedy and romance. Humphrey Bogart delivers two of the most iconic lines in film history, and his chemistry with Ingrid Bergman is the kind of magic that people have been trying to recreate for 80 years.

Vertigo might be the most Hitchcock-y movie Alfred Hitchcock ever made. It’s got all of the filmmaker’s greatest hits: mounting suspense, a tortured police officer, a climactic plot twist, and of course, the archetypal Hitchcock blonde. If you’ve ever been curious about Hitchcock’s whole vibe, this is probably the best place to start.

Looking to escape her arranged marriage, Jen Yu (Zhang Ziyi) steals a 400-year-old sword from Li Mu Bai (Chow Yun-fat) under the guidance of her resentful tutor Jade Fox (Cheng Pei-pei). It only gets more complicated from there when Mu Bai and his friend Yu Shu Lien (THE Michelle Yeoh) go after Jen and try to get her to return the sword. The movie touches on themes of revenge, redemption, and gender roles with three incredible female characters. The sword fight between Jen and Shu Lien is one of the best things you’ll ever see. 

Look, musicals aren’t for everybody. But if you only watch one, it absolutely has to be Singin’ in the Rain. This musical romantic comedy starring Gene Kelly tells the story of a silent film star who needs to figure out his next move when films start incorporating sound in the 1920s. It’s funny, romantic, and practically impossible to recreate — sincerely, I hope Hollywood never tries. And if that’s not enough for you, it also features an absolutely luminous Debbie Reynolds in her breakout role. 

The only reason The Fellowship of the Ring is on this list over the other two movies in Peter Jackson's original LOTR series is that one does not simply start a trilogy in the middle. 

Based on the title, 12 Angry Men might seem like the absolute worst way to spend 96 minutes. In reality, it’s a concise, compelling courtroom drama in which a jury has to decide whether or not a man will be convicted for murder. The film takes place almost entirely in the jury room, which really serves to show off the film’s screenplay and the performances of the cast. Sometimes, the simplest things are the most effective, and 12 Angry Men certainly proves that.

It is simply a crime that Eddie Murphy didn't win every award under the sun for his performance as Rudy Ray Moore, aka Dolemite. This biopic saw one comedy legend pay homage to another.

Marilyn Monroe’s enduring popularity is due in large part to her tumultuous private life, but Some Like It Hot is a great reminder of her charisma and talent. In a Golden Globe-winning performance, she plays Sugar Kane, a singer who befriends two male musicians who are secretly dressed up as women in order to run away from the mafia after witnessing a crime. Iconic leading lady aside, it’s also just a near-perfect rom-com and considered one of the funniest movies ever made, which is made even more rare by the fact that it’s not super problematic over six decades later.

Romantic comedy is a criminally underrated genre in terms of critical acclaim, which is really confusing when a movie like When Harry Met Sally... exists. It is quite possibly the best rom-com ever made, and proves how clever and funny and even philosophical they can be. Nora Ephron’s genius screenplay shines even brighter as delivered by Meg Ryan and Billy Crystal, whose chemistry is just *chef’s kiss*. They play two imperfect but charming friends who fight their attraction for years because of how much they mean to each other. It is the original friends to lovers story and has the power to convince even the staunchest rom-com haters.

Clueless is just one of many teen movie adaptations of classic literature — in this case, Jane Austen’s Emma. Cher (Alicia Silverstone, who was perfectly cast) is our '90s-era Emma Woodhouse who has to re-examine her selfish ways as her relationships become increasingly complicated. It’s sweet and satirical at the same time and full of quotable lines and memorable outfits. The relationship between Cher and her former step-brother Josh (the ageless Paul Rudd) is totally not creepy when you remember that it’s based on Emma and George Knightley.

This is probably one of your mom’s favorite movies, and for good reason TBH. Baby (Jennifer Grey) is staying at a fancy mountain resort with her family when she meets Johnny (Patrick Swayze), one of the resort’s dance instructors. When Johnny’s dance partner can’t perform with him, Baby offers to substitute for her, and you can guess where this is going. Though it’s not technically a musical (nobody sings), it does feature a lot of dance numbers, and let me tell you, it’s not called Dirty Dancing for nothing — lots of gyrating pelvises and heaving bosoms on display here. The final scene features perhaps the most iconic dance move of all time (that lift!). 

The rare sequel that blows its predecessor out of the water, Aliens is first and foremost a showcase for Sigourney Weaver as Ellen Ripley. Ripley is 100% that bitch, and this movie makes sure you know that. The sole survivor of the previous movie’s alien attack, she’s now completely traumatized and anxious, but guess what? Those damn aliens won’t leave her alone, so she has to fight them again. 

It’s almost impossible to say anything about the multiple plot threads in Pulp Fiction without giving it all away, so all you really need to know is this: If you’ve ever been curious about Quentin Tarantino’s whole ~vibe~ as a filmmaker, Pulp Fiction is probably where you want to start.

Jesse (Ethan Hawke) meets Céline (Julie Delpy) on a train in Europe, and they decide to get off on the same stop in Vienna, where they spend the night talking and walking around aimlessly. It’s a pretty simple setup that, thanks to the dialogue and performances, ends up being one of the most romantic movies ever made. As long as you suspend your disbelief regarding stranger danger, Jesse and Céline’s night in Vienna is the sort of adventure that we all wish we could have.

The Silence of the Lambs is the only horror film that has ever won Best Picture at the Oscars, and it’s not hard to see why. Clarice Starling (Jodie Foster) and Hannibal Lecter (Anthony Hopkins) build a mutually beneficial relationship throughout the movie, as much as that’s possible for an FBI agent and a cannibalistic serial killer. Their tense, creepy dynamic keeps the movie in the vein of psychological horror, but don’t you worry: The movie finds time for the occasional jump scare with a splash of blood and skin thrown in.

Come on, it’s The Lion King. If you’ve somehow not seen it, fix that right now.

Galaxy Quest is about the cast (Tim Allen, Sigourney Weaver, Alan Rickman) of an old TV show, also called Galaxy Quest, who resent that their careers have been whittled down to convention appearances. Everything suddenly changes when a group of aliens, called Thermians, ask them for help fighting an enemy warlord. See, the Thermians watched their show and think that it’s a historical document, and that the actors are real space travelers. The movie is ostensibly a Star Trek parody, but it’s such a loving parody that no Trekkie would be upset by it. In fact, several Star Trek cast members have spoken about how much they love it. Sigourney Weaver’s casting is also particularly genius, since she’s playing a woman who is once again beset by aliens but could not be more different from Ripley.

Guillermo del Toro’s knack for blending fantasy with just a little bit of horror is fully on display in Pan’s Labyrinth. Set in Spain during the early Francoist period, Ofelia (Ivana Baquero) and her mother Carmen (Ariadna Gil) move in with Carmen’s horrible new husband Captain Vidal (Sergi López), who not only sucks but also supports a dictator. He’s the worst. When a fairy comes to Ofelia and guides her through a labyrinth, she begins an adventure reminiscent of Alice in Wonderland that parallels the ongoing real-life rebellion her stepfather is fighting. It’s visually stunning, emotionally resonant, and yeah, also very violent. 

It was hard to pick just one Pixar movie, but WALL-E is the winner due to sheer originality. The first 20 minutes don't have any dialogue, and the hero doesn't speak a single word for the whole movie. Sweet, sweet WALL-E is the last remaining robot of his kind after the destruction of Earth until he meets EVE, another robot sent to search the planet for signs of sustainable life. Things really kick off when WALL-E, having bonded and basically fallen in love with EVE, follows her back to her ship. Amid their courtship, the movie tackles themes of consumerism, environmentalism, and nostalgia in a way that's understandable for kids and engaging for adults. A perfect film. 

If you only ever watch one comic book movie, it should be The Dark Knight. It changed the game for what a superhero movie could be, and nothing before or after it has come close. Heath Ledger’s turn as the Joker is obviously legendary, but Christian Bale makes a case for himself as the best onscreen Batman as well.

In 1981, Monica and Quincy meet as children and both want nothing more than to be professional basketball players. The movie follows them over many years as they go from rivals to friends to lovers, but tensions arise when they realize that Monica is going to have to work much harder than Quincy to achieve her dream. Monica is a particularly refreshing character because she’s a romantic lead who is every bit as ambitious and stubborn as her male counterpart. As the title implies, Love & Basketball is both a romance and a sports movie, and frankly, we don’t have enough of them.

In 2007, the Coen brothers made No Country for Old Men, and it would have been indisputably the best US film to come out that year if not for Paul Thomas Anderson’s There Will Be Blood. No Country ended up winning Best Picture that year at the Oscars, though both films got eight nominations. You can decide for yourself if that was the right call as you watch Llewelyn Moss (Josh Brolin) try to outrun the hitman (Javier Bardem) coming after him.

There Will Be Blood is about Daniel Plainview (Daniel Day-Lewis), a man whose ruthless greed takes him from penniless miner to oil tycoon over the course of 30 years. Plainview’s dismissal of religion will put him at odds with Eli Sunday (Paul Dano), a preacher who is just as ambitious as he is. For all of the comparisons made between There Will Be Blood and No Country for Old Men, the former actually has more in common with Citizen Kane. It’s much bloodier, though, so you might only be able to watch it once.

When her family moves to the suburbs, 10-year-old Chihiro finds herself in a magical realm where a witch turns her parents into pigs. She then must navigate an unknown world of gods, witches, and spirits to save her parents. Spirited Away is one of Hayao Miyazaki’s most beloved movies and makes the case that animation is not just for children. Its massive international success was also a huge win for Japanese animation, and many consider it the best animated film ever made.

“Romantic drama” is a pretty saturated genre, but Eternal Sunshine of the Spotless Mind stands out because of its unique premise. After a fight with his girlfriend Clementine, Joel learns that she has had all memories of their relationship erased through ~science~. When he decides to do the same, he’s forced to relive their entire relationship. Kate Winslet and Jim Carrey are practically unrecognizable in this movie, in Winslet's case because of a rotating collection of wigs and spot-on American accent. Jim Carrey looks like himself, but plays such an introverted, somber man that you’ll have a hard time accepting he’s the same man behind Ace Ventura. 

When the near-destitute Kim family starts working in the home of the much wealthier and incredibly classist Park family, it’s only a matter of time before something terrible happens. The tension between both families builds unrelentingly for two hours, but it’s practically impossible to predict where Parasite will go. Bong Joon-ho won a million awards for writing and directing it, and it’s one of those movies that you can’t stop thinking about for days after watching it.

Everyone remembers where they were when they announced the wrong winner for Best Picture at the Oscars in 2017. The movie that (rightfully) walked away with the trophy that night was Moonlight, a coming-of-age story about Chiron, who we follow from childhood (Alex Hibbert) to adolescence (Ashton Sanders) to adulthood (Trevante Rhodes). Chiron grapples with his masculinity, sexuality, and Blackness through his relationships with his father figure, his love interest, and his mother. It all leads to a final scene that’s devastating, hopeful, and romantic in equal measure.

One of the posters for Bridesmaids said, “Chick flicks don’t have to suck!” and, “These are smart, funny women” in big bold letters, as if those two statements are hard to believe. Potentially sexist marketing aside, Bridesmaids is, in fact, a female ensemble comedy that very much does not suck. Annie’s (Kristen Wiig) life isn’t going great — personally or professionally — but she has to put on a brave face when her best friend Lillian (Maya Rudolph) gets engaged and asks her to be the maid of honor. Annie does her best to plan Lillian’s wedding events but is overshadowed at every turn by Helen (Rose Byrne), whose wealth and outward perfection make her seem like the better MOH. Things get ugly between them, and the movie doesn’t shy away from profanity, raunchiness, or toilet humor.

Zombies! On film! What a concept. In all seriousness, you’ve probably seen at least one of the many, many zombie movies that are out in the world, but you haven’t seen one as smart and unique as Train to Busan. Taking place almost entirely on a zombie-infected train, Train to Busan has a cast of characters who represent the very best and very worst of humanity as they run out of time (and space!) to escape the zombies. Don Lee charmed the world as Gilgamesh in Eternals, and he brings the same heart to his breakout role here.

Yes, you must immediately watch Paddington 2, no need to watch the first one. Ostensibly a movie for children, it’s definitely a film you can enjoy at any age. It has everything, from an innocent man (bear) framed for theft to Hugh Grant in a truly dizzying assortment of costumes. If that’s not enough to entice you, consider this: Paddington 2 unseated Citizen Kane as the best-reviewed movie on Rotten Tomatoes.

There are a few reasons why Black Panther is the only MCU movie on this list. Firstly, it’s visually stunning in a way that a lot of MCU movies just aren’t (sorry). Secondly, you can watch it without having seen all of the movies that came before — it’s not technically an origin story, but it might as well be. Thirdly, it has a believable, understandable villain in Killmonger (Michael B. Jordan) and connects to real-world issues. 

Giant stars three Hollywood legends: Rock Hudson, Liz Taylor, and James Dean, so you should watch it even if it's for no other reason than to understand why they were so popular. It's about the Benedicts (Hudson and Taylor), a couple trying to raise a family and a cattle ranch in Texas despite Jett's (Dean) many attempts to interfere in their lives. It's surprisingly progressive for a film made in the 1950s, bucking against period-typical racism, sexism, and segregation. This is one of James Dean's only three credited film appearances, and he was so good in it that he earned a posthumous Oscar nomination.

The Good, the Bad and the Ugly is an enormously popular "Spaghetti Western,"  thusly called because it is a Western made by an Italian filmmaker and was filmed in Italy. Yes, that is true. Spaghetti Westerns also tended to be more dark than regular Westerns, featuring characters with murkier motivations and more bloodlust. The Good, the Bad and the Ugly is also widely remembered for its iconic score by Ennio Morricone. 

This is technically cheating because The Godfather Part II is a sequel that you can't really watch without seeing its predecessor. You could, but you shouldn't. But once you do see the first part, you can sit down to continue enjoying (or being disturbed by) the criminal activities of the Corleone family. Part II is both a sequel and a prequel, since it follows two timelines: it splits its runtime between Al Pacino's Michael in the present day and Robert De Niro's Vito (Michael's father) in the past. 

Martin Scorsese is an indisputably amazing filmmaker, but his favorite subjects seem to be genuinely awful men — see: Wolf of Wall Street, Raging Bull, and Goodfellas. Goodfellas is not just one of his best movies, but it's also one that features almost all of his directorial trademarks including main character narration, violence (so much), and classic rock songs in the soundtrack.

P.S. Please don't yell at me; I know he's made plenty of movies about other things.

Hitchcock is known for the suspense in his films, and Psycho has that in spades, but don’t get it twisted: This movie is straight up horror, complete with jump scares. The shower scene alone will have you looking twice every time you step into your bathroom. You’ll spend the first half of the film getting to know Marion Crane (Janet Leigh) and trying to shake off the feeling that something bad is about to happen to her. Without spoiling anything, Marion’s money problems will seem pretty insignificant before long. Psycho might be light on gore, but it’s a slasher film through and through.

Saving Private Ryan follows a pretty typical story exalting the values and bravery of the American military: A group of US soldiers led by Captain John Miller (Tom Hanks) go behind enemy lines to rescue Private James Ryan (Matt Damon). What really makes this movie worth watching is the realism of the battle scenes, which contain as much carnage as any horror movie. Fair warning, though, there is no shortage of explicit human suffering on display in this movie. If you're somewhat queasy, it might not be for you.

There are many, many excellent sports movies out there, so why should you watch A League of Their Own? Because it's the most fun (with one possible exception, see below). Geena Davis, Rosie O’Donnell, and Madonna play the plucky members of the Rockford Peaches, and Tom Hanks plays their grumpy, fallen idol-type coach. It's also where the line, “There’s no crying in baseball!” comes from.

Will Ferrell was at the height of his comedic powers in Talladega Nights, which is the funniest sports movie ever made. Equal parts parody and loving homage to NASCAR culture, it'll have you fully invested in the story of Ricky Bobby (Ferrell), an absolute fool who learns the value of family over winning. Without spoiling too much, the scene where Ricky stabs himself in the leg is quite possibly the funniest thing Will Ferrell has ever done.

Thelma & Louise is an unapologetically, explicitly feminist movie, which was kind of rare for the time period (the '90s, lol). Geena Davis and Susan Sarandon play a pair of ride or die besties who are sick and tired of being mistreated and essentially say "fuck it" to their mounting problems.  

The plot of The Truman Show is pretty simple to describe. An insurance salesman (Jim Carrey) slowly discovers that his entire life has been a reality TV show controlled by a television network. If you couldn't tell, this is a science fiction movie with a healthy helping of meta-commentary on our obsessive media consumption. You could read a lot into The Truman Show, so the real fun lies in over-analyzing it once you've seen it.

A crew, consisting of two astronauts and a robot named HAL 9000, is sent to Jupiter to investigate a mysterious artifact. It's technically not a horror movie, but the ending to 2001 may be the most unsettling one on this list. Thank you, Stanley Kubrick. In his hands, HAL isn't just an evil robot, it's THE evil robot.

At the risk of sounding like a millennial in the 2020s — boo me, I dare you — The Breakfast Club hasn't aged terribly well, and frankly, it's kind of depressing. That's why it is not the John Hughes movie you should watch despite it being his most well-known film. The one you should watch instead is Ferris Bueller's Day Off. It's much funnier, more re-watchable, and has the more memorable characters. But if you really need that dose of teen angst, don't worry: Ferris's best friend Cameron (Alan Ruck) is alarmingly depressed for much of the movie, and the heart of the film lies in watching Ferris try to help his friend realize he has a lot to live for. 

Harrison Ford is still playing Indiana Jones (but he could not wait for Han Solo to die), so it's worth investigating why he likes this character so much. In his first outing as the character, he shows off all the charisma that turned him into a movie star. 

You might think that the beginning of this movie, which sees the protagonist contemplate suicide, is a bit dark for a Christmas movie. But George Bailey’s (Jimmy Stewart) journey to appreciate his own life is straight out of A Christmas Carol, so it’s worth a shot if you’re in the mood for some inspirational holiday viewing.

Your choice of James Bond movie probably depends on who your favorite Bond is. If it's Daniel Craig, then you can do no better than Casino Royale. Even if he's not your favorite Bond, it's hard to argue with a movie that provides the closest thing to an origin story for 007. 

The five sequels to Jurassic Park have had seriously diminishing returns, but nothing can take away how cool that damn T-Rex looks in the OG movie from 1993.