J. Paul Getty Trust

J. Paul Getty Trust

Museums, Historical Sites, and Zoos

Los Angeles, CA 41,850 followers

In Los Angeles and around the world, we advance and share visual art and cultural heritage for the benefit of all.

About us

One of the largest supporters of arts in the world, the J. Paul Getty Trust is an international cultural and philanthropic institution that focuses on the visual arts in all their dimensions. Getty serves both the general public and a wide range of professional communities in Los Angeles and throughout the world. Through the work of the four Getty programs—the Museum, Research Institute, Conservation Institute, and Foundation—the Getty aims to further knowledge and nurture critical seeing through the growth and presentation of its collections and by advancing the understanding and preservation of the world's artistic heritage. The Getty pursues this mission with the conviction that cultural awareness, creativity, and aesthetic enjoyment are essential to a vital and civil society.

Website
http://www.getty.edu
Industry
Museums, Historical Sites, and Zoos
Company size
1,001-5,000 employees
Headquarters
Los Angeles, CA
Type
Nonprofit
Founded
1953
Specialties
Museum, Non-profit, Philanthropy, Library, Research, and Conservation

Locations

Employees at J. Paul Getty Trust

Updates

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    41,850 followers

    🎙️ Join us Tuesday, November 19 at 12 pm for an online conversation with professor Matthew Sears as he delves into the rich past of Ancient Thrace and its connections to the Greek and Roman cultures. Register for free at https://lnkd.in/g99ymPqv This program complements the exhibition Ancient Thrace and the Classical World: Bulgaria, Romania, and Greece on view at the Getty Villa Museum from November 4, 2024 to March 3, 2025. 📸 Image: Jug with Thracian Warriors, 440–410 BCE, Greek (Attic). Terracotta. Sozopol Archaeological Museum. Photo: Todor Dimitrov

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    Established in 2023, Getty’s Latin American and Latinx Art Initiative (LALAI) aims to expand the notion of Latin American art and its US diasporas. LALAI’s initial focus is on Central America and its artistic, cultural, and historical connections to Los Angeles. LALAI focuses on 3 broad themes: AfroLatinx and Indigenous perspectives, overlooked regions and artistic traditions, and Latinx art and activism in Los Angeles. Over the last year, the LALAI team has been meeting with artists and colleagues at institutions across Central America to plan future activities. LALAI will activate local and regional networks to advance the study of Central American histories of art and foster new narratives by: ⭐Conducting oral histories and public talks with Central American artists, curators, and scholars ⭐Writing a digital research guide for Getty’s collections related to Latin American and Latinx art ⭐Organizing a symposium in Central America that will include conservation and archival workshops Stay tuned for future LALAI news and updates! Read more here: https://lnkd.in/gWW-aTaH

    • Horizontal group photo of Getty’s LALAI team with the team from the Biblioteca P. Florentino Idoate, S.J. at the Universidad Centroamericana José Simeón Cañas, San Salvador, El Salvador. There are 9 people pictured standing behind a table. The wall behind them in filled with various Salvadoran political posters.
    • A woman in a red dress sits at a bench in a gallery space with turquoise walls and 7 wall mounted text with different values in Spanish.
    • Scholar and LALAI Consultant Natalia Majluf assisting conservator Mario Alvarado at the Archivo Nacional de Panamá, Panama, Panama
    • A horizontal photo of Carlos 'Santiago' Consalvi, director of the Museo de la Palabra y la Imagen, presenting their work. He points to needlework on the wall with a poster behind him explaining the history of embroidery and needlework in Spanish
    • Horizontal photo of a colorful scene street with masked dancers in Antigua, Guatemala. There are 4 dancers and each wear a different color of dress: Green, pink, orange, and gold yellow
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    41,850 followers

    Abbey Road Studios is legendary for producing the music of the Beatles and Pink Floyd. But did you know it is also the world’s first purpose-built recording studio? This historic building is part of London’s vast network of heritage sites. Thanks to the revamped Greater London Historic Environment Record (GLHER), the public can now explore nearly 90,000 online entries detailing the UK capital’s archaeological sites, historic buildings, parks, and more. Learn how this database helps protect heritage sites and about Arches, our open-source data management platform—used by over 100 heritage institutions worldwide: https://gty.art/4etmX90 Visit the GLHER: https://lnkd.in/g6yQ4K9U Historic England Arches Project

    • Front door of Abbey Road Studios
    • Recording studio in Abbey Road
    • Studio 1 in Abbey Road
    • Building housing Abbey Road Studios
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    Join us Saturday, October 12 from 11am—4pm for Getty’s 3rd annual Celebrating Indigenous Peoples’ Day event to learn about Southern California's vibrant Native American communities and cultures. This year’s theme celebrates flora with activities sharing traditional and contemporary Indigenous perspectives and narratives. This event features a full day of family-friendly activities and performances including music, dance, food, live poetry, and film. Learn more and RSVP here: https://lnkd.in/ggn-Mccm

    • A square graphic advertising Getty’s upcoming Celebrating Indigenous Peoples’ Day event. The background is a pastel yellow color with Celebrating Indigenous Peoples’ Day in large, all caps light blue font adorned with six orange poppy flower illustrations. The center of the flyer reads: “Free outdoor family festival. Music, films, poetry, art & performance. Saturday, October 12, 2024 11am–4pm at Getty Center.” This event is organized and hosted by Getty Research Institute.
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    Happy California Native American Day! We celebrate today with art and a statement by Weshoyot Alvitre: “I wanted to create something that will educate the public but also reflect back to us, as the original caretakers of Los Angeles’s unceded lands. My art shows the relationship and responsibility Getty has with the greater natural landscape of LA, of Tovaangar: Tongva/Gabrielino traditional homelands. In “Protect our Relatives,” I ask the public to identify one of our most visible relatives: White Sage. We consider White Sage medicine: something that should never be commodified or sold. Many don’t know that sage being sold is often gathered by illegal poaching or harmful methods of acquisition. White Sage, which only grows along the southwestern part of California and Baja, is threatened. While not officially on the endangered list, White Sage’s habitat continues to decline from poaching, habitat loss, and destruction from development and climate change. There’s a continued increase in the severity and frequency of wildfires, as well as increased habitat loss from drought and changes to the natural biomes from pollution and human encroachment. As detrimental as it currently is to SoCal residents, this has impacted tribal peoples and plant relatives for much longer: starting at colonization, through Mexican and US occupation, up to present day. Protect our relatives: the health of the land is the health of our people. If you see White Sage growing on trails, please do not pick it. You can also support by boycotting the sale of White Sage. The best way to build a relationship with the plant is to grow your own and maintain it.” Curious to learn more? Join us for the Celebrating Indigenous Peoples' Day event at Getty Center on October 12 from 11am - 4pm. Get your own print of Weshoyot’s art that includes an illustrated CA native plant guide. Herb Club LA will also be leading a Getty garden tour showing how to identify CA native plants. This event features a full day of family-friendly activities and performances including music, dance, food, live poetry, and film. More info and RSVP at link in bio: https://lnkd.in/ggn-Mccm

    • A vertical illustration artwork by Indigenous Tongva artist Weshoyot Alvitre. The central image of the artwork is a growing brand of White Sage plant which is a light green color with simple leaves and a distinct fragrance. Behind the main image is the iconic white architecture of the Getty Center. The top of the image has large text overlaid reading, “Protect our Relatives”. At the central bottom of the image, is a white text banner with the words in black text: "Tongva Lands”. There are 4 other California native plants illustrated in the image including a Live Coast Oak in the bottom right corner, pink flowers in the bottom left corner, a California Sycamore tree, and white flower blossoms of a yucca plant.
    • White text overlaid a plain black colored background that is a quote from artist Weshoyot Alvitre’s artist statement. The text on the image reads, “I hope my art will create dialogue between those living in Los Angeles and broader Southern California, and provide both education and renewed responsibility of the overall city population to the health and sustainability of White Sage. In shifting the narrative, I ask visitors to think about how they can best care for these spaces as respectful guests on our homelands.”
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    Brazil's 18th-century churches often feature stunning wooden gilded surfaces that are easily damaged by neglect or harsh cleaning. In collaboration with Universidade Federal de Minas Gerais (UFMG), the Getty Conservation Institute is developing a gel cleaning system designed to safely clean gilded wood and other delicate decorative surfaces. The gels are also easy to make, inexpensive to source, and environmentally friendly. Using polysaccharides, this innovative method offers a promising alternative for the baroque churches of Brazil. Learn more: gty.art/4cJIVTa

    • The Igreja Matriz de Nossa Senhora de Conceiçāo (Mother Church of Our Lady of Conception)
    • Sculptural details found in the Mother Church of Our Lady of Conception
    • A rococo-style sculpture soiled by bird droppings
    • A thin transparent gel used to clean wooden gilded surfaces
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    Secrecy has played a role throughout human history and continues to capture the popular imagination. Some of the most seductive aspects of the Byzantine Empire—such as the relics of the imperial palace and the military uses of Greek fire—have been shrouded in mystery for centuries. A new book, “The Secrets We Keep: Hidden Histories of the Byzantine Empire” by Roland Betancourt, provides a brief history of secrecy in Byzantium and examines the role of the art historian in uncovering the truth, demonstrating how visual evidence can not only reveal new findings but also purposely conceal answers. Learn more about this intriguing publication: https://bit.ly/4d6VDf5 #ArtHistory #Scholarship

    • Book cover for “The Secrets We Keep: Hidden Histories of the Byzantine Empire” by Roland Betancourt. The cover features a golden ornate relic or artifact with intricate details. The title is overlaid in bold, white serif font centered on the image.

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