Charles Pigott’s Post

Mies van der Rohe is the architect that brought to architecture the philosophy "Less is more"... and here's how this is connected with quantum physics and manifesting abundance... According to Newton, if we need to increase the output, then we need to increase the input. This is a way of thinking that the majority of the humanity has adopted and we've connected the struggle and hustle with success.... and I'm speaking about the physical hustle. The world as we see it in the physical is made of matter, yet for hundreds of years, we failed to understand that the manifestation of a desire, is the formation of the atoms and it's connection with our inner state. What's more we ignored that our thoughts produce emotions, that is energy in motion. And energy in motion is frequency and so now we understand from physics why our thoughts can directly influence the formation/materialisation of our dreams. Because if our thoughts are of higher frequency, then our energy is higher and then the spinning of the atoms in the quantum field is faster, making it easier for them to give form to our dreams. Yet, lower frequencies, connected with much physical struggle, are connected to lower energy and so, slower atoms spinning, which delays the manifestation process. Summing up, Mies van der Rohe, understood that thinking and acting out of simplicity (simple structures/clean lines/geometry), and exposing with authenticity our the inner selves outwardly (the building structure elements are visible/large glass panels on facade for views), is the way to a harmonious and happy life... because Rohe knew the value of being honest, authentic and confident! *Credits for the inspiration of a big part of my designs goes to Mies van der Rohe Christos Efthymiou Founder, CEO, Principal Architect Pleiadian Architects #rohe #modernism #minimaldesign #modernvilla #architecture

Perceptive Transcendence: Architectural Transformations from Circle to Square in a Pantheistic Realm In delving into the narrative of "a classical sphere of thinking" in architecture, we embark on a journey that transcends mere physical structures, delving into the realm of philosophy, symbolism, and the very essence of existence itself. At its core lies the exploration of complex geometries derived from primary symbols, particularly those rooted in the mathematics of area and the transformation of the circle into a square. Central to this narrative is the notion of architecture as a transformative force, not just shaping physical spaces but also moulding perceptions and realities. This perspective embraces a pantheistic worldview, wherein the divine is perceived as immanent within the natural world, and every aspect of existence is imbued with spiritual significance. The circle, with its infinite and continuous form, symbolizes unity, wholeness, and the cyclical nature of existence. It represents the interconnectedness of all things and the eternal rhythm of life. Meanwhile, the square, with its straight lines and precise angles, signifies stability, order, and rationality. It embodies the human impulse to impose structure and organization upon the chaos of the world. Through the transformation of the circle into the square, architecture becomes a vessel for the manifestation of these fundamental principles. It is not merely about constructing buildings but about engaging in a dialogue with the cosmos, translating abstract concepts into tangible forms. The complex geometries that emerge from this process are not arbitrary but rather reflective of deeper truths embedded within the fabric of reality. This narrative invites us to reconsider our relationship with the built environment, encouraging us to perceive architecture not as a static entity but as a dynamic interplay between form and function, symbolism and meaning. It challenges us to see beyond the surface level of design and construction, inviting us to contemplate the deeper layers of significance encoded within every structure. In embracing this classical sphere of thinking, architects become not just designers but also philosophers, artists, and spiritual seekers. They are tasked with the profound responsibility of shaping not just spaces but perceptions, guiding humanity towards a deeper understanding of itself and its place within the cosmos. #ArchitecturalPerception #PantheisticDesign #GeometryInArchitecture #TranscendentalSpaces #CircleToSquare #PhilosophicalArchitecture

Reinterpreting Space through Perspective Reflection and Book matching This research explores a design methodology that reimagines architectural space using the concept of book matching, typically associated with materials like stone and timber, but applied here to spatial perspectives. The process begins by identifying the vanishing point in an image of an architectural space, such as the classical staircase depicted here, reflecting either the upper or lower portion of the scene. This reflection is then rotated by 90 degrees, creating an entirely new spatial interpretation that transcends the familiar. The metaphorical and philosophical implications of this approach are profound. While traditional bookmatching seeks symmetry, this process introduces an imperfect mirror—a reflection that reveals both order and disruption, much like the dualities of heaven and hell. The symmetry found in these reflections speaks to a desire for harmony, yet the inevitable imperfections invite chaos, producing a visual tension between perfection and disorder. The result is a space that appears flawless in its mirrored alignment but is, in reality, transformed by the subtle deviations of the material and form. This process transforms classical, well-known architecture, such as the staircase in the image, into something new and almost unrecognizable. The reflection and rotation open a fresh philosophical dialogue—a space that was once grounded in tradition becomes a gateway to new, avant-garde spatial understanding. It suggests a duality where the old and the new coexist, revealing a higher form of architectural innovation that bridges historical and contemporary narratives. By employing this methodology, architects can reimagine the boundaries of space, pushing the visual experience of classical architecture into new territories. The methodology offers a path to make old architecture appear new through a transformative lens that embraces reflection, rotation, and reinterpretation, creating a visionary dialogue between the past and the future. #Bookmatching #ArchitecturalInnovation #PerspectiveReflection #SpaceReimagined #VanishingPoint #ArchitecturalPhilosophy #SpatialTransformation #ImperfectSymmetry #ClassicalArchitecture #DesignMethodology #HeavenAndHell #VisualTension #AvantGardeArchitecture #OldMeetsNew #ArchitecturalReflection #Lutyens

Unveiling Architectural Harmony: Fractal Analysis of Classical and Renaissance Façades Source: MDPI #fractalanalysis #Hausdorffdimension #reliefmethod #complexity #Classicalarchitecture #Renaissancearchitecture #tectonicculture

"Architectural Transcendence: Unveiling Meaning in 'I Am a Monument' and Beyond" In the realm of architecture, the phrase "I Am a Monument" echoed a departure from the traditional emphasis on space and structure. Architects like Robert Venturi and Denise Scott Brown championed a shift towards valuing signs and symbols over the "heroic and original." This perspective, often misconstrued as a call for pastiche or ironic provocation, carries a deeper critical and ethical meaning. Venturi and Scott Brown argued in favour of the "ordinary and ugly," challenging the prevailing notions of architectural modernism. Venturi, in particular, rejected both "the duck" (buildings that overtly represent their function) and the "decorated shed," advocating for an architecture rooted in phenomenology and experience. For him, a space that fulfils its intended purpose, like a church conducive to prayer, surpasses the superficial identification of a building based on symbols. The anagram "Mum Emanation" and others like "Unanimate Mom" and "Mama Omen Unit" play on Venturi's famous sentence, opening avenues for transcending the origin of Post-Modernism. Rather than seeing text as arbitrary, these anagrams suggest a profound interplay between language and meaning in architecture. In the larger context, the quote by Frank Lloyd Wright emphasizes the pivotal role of architecture as the "mother art," shaping and preserving the soul of a civilization. It underscores that without a distinct architectural identity, a society loses its essence and connection to its heritage. Ultimately, these reflections on architecture and the atman (the inner self in Hinduism) converge, highlighting the importance of transcending superficial interpretations. Through this lens, architecture becomes a medium to express profound cultural values, challenging conventional norms and fostering a deeper understanding of the built environment. #ArchitecturalTranscendence #MeaningInArchitecture #IAMAMonument #ArchitecturalPhilosophy #PostModernism #AtmanInDesign #ArchitecturalEssence

Have you ever thought about how architects design those impressive, suspended tall buildings or complicated structures of prehistoric religious buildings? The answer lies in a Military-like cooperation between math and architecture. Geometry is a hidden gem that has made our world’s aesthetically appealing and efficiently built environment possible. This blog post will try to discuss the interesting connection between these two fields of study. Here is how we shall expose the reflection of geometry in architecture, contemporary designs, future trends, and even the trends of the past. Whether you are interested in building design, are a fan of geometric architecture, or are an architecture student, you will get a slice of information on the definite aspects of geometry and architecture. #GeometricArchitecture #ArchitecturalDesign #GeometryInArchitecture #FunctionalDesign #ArchitecturalBeauty #SymmetryInDesign

Exploring Complexity in Architecture Recently, I had the pleasure of a conversation with Christopher Mead, an architectural historian, and his wife, Michele Penhall, a photography curator. Over canapés and an evening view of the Sandia Mountains, we delved into the theme of complexity in architecture—particularly through Mead’s insights on Japanese architecture. Mead coined the term "hypospace," meaning the "space beneath time," reflecting the location of the actual detonation of the bomb over Hiroshima and, by extension, how the event compressed 3-D space into a single point in time for the Japanese. Mead’s recent publication, The Hypospace of Japanese Architecture," explores the profound impact of Hiroshima and challenges modern Western architectural paradigms. His ideas resonate with my coaching and consulting practice, where I guide organizations to navigate complexity to embrace and leverage interdependence. Curious to learn more about our inspiring conversation and Mead's groundbreaking work? Click the link to explore the full article! https://lnkd.in/gvxKgwqc #complexity #resilience #architecture #Japanesearchitecture #paradox #crossculturalinfluences

"Architectural Lexicon: Unveiling the Brutalism of SOURCES and QUOTES in the Language of Smithson's Creations" In the realm of architecture, SOURCES and QUOTES are akin to the foundational elements shaping the new brutalism of language and architectural drawing, particularly in the context of visionaries like Alison and Peter Smithson. SOURCES, in architectural terms, embody the roots and origins of design inspiration. They are the raw materials, both tangible and conceptual, from which architectural ideas arise. In the brutalism of language, SOURCES act as the concrete from which the structure of meaning emerges. Alison and Peter Smithson, pioneers of the New Brutalism movement, drew inspiration from diverse SOURCES – be it industrial landscapes, utilitarian structures, or urban textures. These SOURCES served as the point of origin for their bold architectural statements. On the other hand, QUOTES can be seen as the direct expressions, the exact words, drawn from the SOURCES. In architectural drawing, QUOTES are the lines and shapes directly transcribed from the architect's vision to the blueprint. Alison and Peter Smithson, in their pursuit of a new architectural language, quoted elements from the urban environment, creating a dialogue between the existing fabric and their innovative designs. While SOURCES and QUOTES share a symbiotic relationship, they differ in their nature. SOURCES are the wellspring of creativity, the origin of architectural thought. In the new brutalism of language, SOURCES are the rough textures and unfiltered inspirations. QUOTES, on the other hand, are the refined expressions, the articulated forms that emerge from these SOURCES. The Smithsons' architectural drawings, akin to a carefully composed quote, encapsulate the essence of their vision with clarity and impact. In essence, SOURCES lay the foundation, while QUOTES construct the narrative. Together, they form the brutalist language of architecture, speaking a raw and unapologetic dialect that challenges conventional norms, much like the ground-breaking work of Alison and Peter Smithson. #ArchitecturalLanguage #NewBrutalism #SOURCESandQUOTES #SmithsonInfluence #ArchitecturalInnovation 🏢📐✨

In a landscape marked by evolving perceptions and newfound reverence for architectural legacy, the research paper "Perceptions and Reuse of Concrete Building Structures" provides a compelling investigation into the changing tides of concrete's popularity in the United Kingdom. Exploring the intricate interplay of cultural shifts, aesthetic preferences, and sustainability concerns, the paper navigates the complex factors influencing attitudes toward concrete. From the turbulent reception of Brutalist architecture in past decades to its current recognition as an essential part of the nation's architectural legacy, the narrative reflects a profound journey of societal transformation. Read more: https://lnkd.in/dD2JFcsr #IEREKPress #Archive #ConcreteRenewal #ArchitecturalHeritage #SustainableConstruction #sustainabledesign #culturalheritage #previouspublication #research #architectural #sustainability