We’re two weeks away from Jazz Under the Stars 🎶🎷 Join us Friday, July 19 for an extraordinary night with the Grammy-winning, genre-defying New Orleans icons, The Dirty Dozen Brass Band. Celebrating 45 years, their sound, self-described as a “musical gumbo,” is renowned globally, promising an unforgettable sonic journey. Reserve tickets today: https://lnkd.in/eqQ3Edfa Presented by GSRM Law Sponsored by Fifth & Third Bank Spirits Sponsor: Lipman Brothers Media Partner: WFSK Jazzy88
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For my #ottawacreatives you should definitely check out our Dev Series tomorrow evening at 5pm! Read on to learn more!
Join us on Saturday Nov 11th starting at 5pm for an in depth look at, and open talkback session with, two enrapturing works in progress: The Coven by Shanice Pereira & Small Tortures (i love you) by Ludmylla Reis at the Arts Court Studio. As an added bonus, following our presentation we invite you to stop by next door at the Arts Court Theatre at 7:30! As we are pleased to support the closing double billed evening featuring two MORE incredible new works supported by TACTICS: la.bel by Eve Beauchamp in association with @levity.theatre and the highly acclaimed Nuit by @tripthelighttheatre Learn more here: https://lnkd.in/ecTPFCgG
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The judgment from this case is well worth reviewing in full for anyone with an interest in belief discrimination cases, but at 77 pages, if you want a streamlined summary of the key points to keep you going, then do please have a look at my article on the Cloisters website.
Judgment was handed down today (6 March 2024) in the EAT case of Seyi Omooba v (1) Michael Garrett Associates Ltd (t/a Global Artists) and (2) Leicester Theatre Trust Ltd. Chris Milsom and Tom Coghlin of Cloisters successfully resisted all grounds of appeal on behalf of the First and Second Respondents respectively. The case provides welcome guidance for distinguishing cases where treatment is because of a belief / its objectionable manifestation and cases where there is a truly separable reason. The case also considers the potential for “automatic” harassment findings following breaches of the ECHR, costs awards taking into account the means of third parties, and the use of documents once a hearing has ended. Current Cloisters pupil Adam Pincott has summarised the key points from a lengthy and important judgment.: https://lnkd.in/dK4FuMBq
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Develop those skills
On the 5th of August, the Michaelhouse Jazz Band showcased their talent at the "All Stars Shine: A Showcase of KZN Schools Talent" concert held at The Playhouse Theatre. Among several skilled school and community ensembles, I am proud to say the Michaelhouse boys delivered an impressive performance, receiving enthusiastic applause. Gqamile Mbuyazi and Luneziwe Mshengu's vocal prowess stirred the crowd, evoking cheers and applause midway through their songs. The concert ended in a finale featuring all the participating ensembles performing a mass item. Michaelhouse extends its gratitude to Natalie Rungan and The Playhouse Theatre for their gracious hosting and the opportunity to perform in such an iconic South African venue.
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This ad is simply magic.
TICK followed TOCK followed TICK followed TOCK followed TICK Today marks the 25th Anniversary of Guinness ’Surfer’ (1999) Directed by Jonathan Glazer “Back in 1999 no one was asking for a black and white ad with horses sharing a choppy sea with surf dudes soundtracked by electronic dance music and passages from Moby Dick. Why would they? There’s no frame of reference for it. The uncomfortable truth (for some) is people don’t know what they want until you give it to them. 'Surfer' is a film of instinct, emotion and gut feel born from inarguable logic. It’s not a film that’s trying to please people with what we think they want.” - Andy Jex, CCO, TBWA\London Happy St Patrick's Day! Sláinte! Director: Jonathan Glazer Production Company: Academy Films Produced: Nick Morris Yvonne Chalkley (Agency Producer) Account Executive: Gavin Thompson Creative Director: David Abbott Copywriter: Tom Carty Art Director: Walter Campbell Directors of Photography: Ivan Bird, Don King (water), Lee Allison (aerial) Production Designer: Ben Myhill Editor: Sam Sneade, Sam Sneade Editing, London Sound Design Wave Studios, London Sound Designer: Johnnie Burn Music Production Company: Soundtree Music Limited Music Supervisor: Peter Raeburn VFX: The Computer Film Company, London VFX Designers: Dan Glass / Adrian de Wet / Paddy Eason / Tom Debenham VFX Artists: Gavin Toomey / Alex Payman / Joe Pavlo VFX 3D Supervisor: Dominic Parker Starring: Chadwick "Dino" Lanakila Ching(surfer) Louis Mellis (voiceover) Music - “Phat Planet” by Leftfield
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Muslims have been killing each other and all not Muslim since time immemorial! The idea of Israel Genocide in Palstine is the fable of Islamic Victimization. A Question of Genocide: Armenians and Turks at the End of the Ottoman Empire Search in this book https://lnkd.in/eUPPYq6E Online ISBN: 9780190254315 Print ISBN: 9780195393743 Publisher: Oxford University Press BOOK A Question of Genocide: Armenians and Turks at the End of the Ottoman Empire Get access Arrow Ronald Grigor One hundred years after the deportations and mass murder of Armenians, Assyrians, and other peoples in the final years of the Ottoman Empire, the history of the Armenian Genocide remains a victim of historical distortion, state-sponsored falsification, and the deep divisions between Armenians and Turks. This book presents a reconstruction of what happened and why. While the word “genocide” still divides communities, there is no longer any serious doubt that the Young Turk government ordered and carried out in 1915–1916 mass deportations and massacres targeted toward designated ethnoreligious groups.
Member of the 19th Knesset | Author | International lecturer | Founder & CEO of Yad L'Olim
FATHER OF A HOSTAGE: DON’T MAKE A DEAL Watch and listen to Eli Shtivi. His son Idan was kidnapped from the Nova festival. His graphic testimony at a Knesset hearing yesterday is hard to listen to. But you MUST watch and listen to it…
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For this year's celebration, it will be a little more comfortable... 🤩 One hundred years after the first season, the Welttheater Einsiedeln will be staged as an open-air theater for the 17th time in 2024. For the 100th anniversary, there will be covered grandstands for the audience for the first time. These are currently being erected by our crew members in front of the baroque monastery church ⛪ 🛠️. They are nimble. Every move is perfect, and the grandstands are growing day by day, as you can see in the following video 😊 #eventstructures #eventbau #temporarysolutions #eventsolution #buildingbigmoments #buildingmemories #sustainability #connectingyou
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We're loving this feedback for #beechlove and the euphoric 'Fire & Smoke'. https://lnkd.in/ew2aNPAP Find out more about #synclicensing at https://lnkd.in/eEncJW-v. #musiclicensing #musicsupervision
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Broadway was first nicknamed the “Great White Way” back in 1902 due to the bright lights of the marquees, billboards, and posters. The Olympia was the first Broadway theater to use electric lights in 1895. But the theater scene is not where the internationally known, north-south thoroughfare got its name. Broadway is a translation from the Dutch phrase brede weg, or "broad road." Here’s a fun fact: Broadway follows the “Mohican Trail” created by the Lenape. #propertymanagement #propertymanager #propertycare #propertymaintenance #homemaintenance #nyc #residential #manhattan #history #broadway
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To cities everywhere: more of THIS:
Chicago, it’s #TheaterSeason! Now more than ever, Chicago theaters need our support. And with over 150 shows to enjoy all over the city, there are plenty of ways to celebrate! 🔗 Visit TheaterSeason.com for more information.
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These are the instruments we have prepared for you. Our Orchestra steps out of the theater and encounters contemporaneity. It’s a harmony of past and future, know-how and avant-garde. A new time, revealed in its endless compositional possibilities. 🔗 https://lnkd.in/eFPxMrx9
