Claire Bown’s Post

In galleries and museums –dedicated temples of art — the viewing context makes a huge difference. 1.   We step into the world of the artist and gallery owner. We are immediately and unconsciously hit by the placement of the paintings, the gallery’s walls, the lighting, and the furniture.   2.  We feel a magic in this experience — the hush of the gallery, the texture of a painting under our fingertips, and the actual physical presence afforded by the sheer closeness with the art object itself.   3.  We soak up the ambiance and embraced the total experience.   4.  Now, we’re experiencing online art viewing.  Which do you like best. Online viewing where you can scroll by dozens of images or in person viewing at a gallery, museum, or art show. 

How do you install a salon wall with oversized paintings? Carefully. Notice how there's ample discussion BEFORE it moves. Make sure everyone is on the same page my friends. Do you have a giant salon wall at your museum, send it over to me at matt@museumtrade.org and I'll create a cool article with everyone's contributions. I'm always ready to talk shop, serisouly, anything, ping me at matt@MuseumTrade.org Cheers, Matt –May your bubble be on the level– More awesome Gear & Guides at MuseumTrade.org/gear - Like the 𝗡𝗘𝗪 Isasink tool. Just a tap to keep your walls flat. Designed and Milled in California. #museumwork • #museumworker • #museumworkers #museumsbehindthescenes #museumtrade #preparator • #artpreparator • #museumpreparator #arthandler • #arthandlers • #arthandling #museumgeek #museumnerd #artinstaller • #museuminstaller • #installer #museumtechnician #museumhowto #bluetape #preparatorsofinstagram #museums • #museum #exhibit • #exhibition #artinstaller

How do you install a salon wall with oversized paintings? Carefully. Notice how there's ample discussion BEFORE it moves. Make sure everyone is on the same page my friends. Do you have a giant salon wall at your museum, send it over to me at matt@museumtrade.org and I'll create a cool article with everyone's contributions. I'm always ready to talk shop, serisouly, anything, ping me at matt@MuseumTrade.org Cheers, Matt –May your bubble be on the level– More awesome Gear & Guides at MuseumTrade.org/gear - Like the 𝗡𝗘𝗪 Isasink tool. Just a tap to keep your walls flat. Designed and Milled in California. #museumwork • #museumworker • #museumworkers #museumsbehindthescenes #museumtrade #preparator • #artpreparator • #museumpreparator #arthandler • #arthandlers • #arthandling #museumgeek #museumnerd #artinstaller • #museuminstaller • #installer #museumtechnician #museumhowto #bluetape #preparatorsofinstagram #museums • #museum #exhibit • #exhibition #artinstaller

Last week I visited Museo Tiflológico de la ONCE in Madrid. It is a museum designed for people who are blind or have low vision. Everything is labelled with braille. All items can be touched. There are audio guides. It is an impressive example of how to present an inclusive, accessible exhibition. The low lighting and focus on tactile experiences are helpful for people with different impairments and preferences to enjoy and learn about the items on display. Entry is free of charge. You can find more information about the museum by following this link: https://museo.once.es/ #inclusiveCommunication #accessibleCommunication #inclusiveArts Image description: 6 photos taken inside the museum. 1 - a sculpture of a jug pouring water. 2 - a painting of a man holding a guitar next to some jumbo-sized braille. 3 - a 3D relief map of the city of Toledo. 4 - the front cover of a brochure that says “Ciudad de Toledo - Recorrido Táctil”. 5 - the information sign in front of the map that says “Plano de Toledo. Escala: 1:2000” alongside a QR code, some braille, and an icon of headphones. 6 - a 3D model of the Colosseum.

WHO DETERMINES THE PRICE OF AN ARTWORK? Have You Ever Wondered Why A Painting’s Price Tag Reads $750,000 or $2,500? Whether It Is An Iconic Work By A Renowned Artist Or A Stunning Piece By An Emerging Artist, It Is Important To Know & Understand The Story Behind The Numbers…(a 55 second video)

A friend recently visited our local museum of contemporary art (CMASD) and saw two of the three pieces of art you see below. Excited as she was by the visit, I asked for some details. Her share motivated me to write this post and create the montage below. #1) of course, is Michelangelo’s David, permanently located in Florence, Italy, which once almost anyone sees in person, they will never forget . . . #2) The middle piece, which she didn't clearly recall seeing until I showed her a photo on the museum’s website . . . #3) The simple abstract, which was so enriching, she recalled it well enough to sketch out a rough diagram of it for me! Though she rarely enjoys abstract art, something made it possible for that 3-color 1963 painting by Ellsworth Kelly to stick in her mind in a way she was visibly able to show it to me. . . Wow! What made such a difference? It turns out she was part of a guided tour. What made that tour so memorable was the explanation she heard from the guide that completely altered the way she experienced each piece of art. That’s what good context provides: insight, relevance, meaning, and value. How can we best do this for the people with whom we share things? Here’s a simple, proven, basic three-step process: 1) Offer a visual image (like a sketch or photo) to add clarity. 2) Explain or share what’s invisible: the intention, challenge or unique feature beneath what’s obvious. 3) Ask the person with whom you’re sharing a question like:          How do you see this? What does this mean to you? What’s your own take-away? Just as perception is subjective, so is clarity!  Call or write me if you’d like to help others enjoy greater clarity faster through increased visual thinking. (By the way, #2 above is a 13 ft. 1998 sculpture, “Big Ganesh” by Niki de Saint Phalle.) #visualliteracy  #VisualThinking   #visualstorytelling   #visualcommunication   #VisualFacilitation  #Visualization

Building an art collection is a wonderful journey that allows you to express your unique taste and appreciation for creation. Immerse yourself in the world of art ◦ Discover different art styles, creative forms and get to know different eras. Explore different techniques and art movements. Read art magazines, curatorial books and blogs to understand how to appreciate a work of art, what to understand and feel in paintings. ◦ Online galleries offer so many different types of artwork, from abstract expressionism to delicate watercolors and stunning photorealistic artwork. Let your taste become refined ◦ Based on your experiences, discover styles and techniques that you like. Knowing what you like will make your art search more targeted and enjoyable. Set a budget ◦ Determine how much you want to invest in your collection. Having a budget helps you make informed decisions and prevents you from overspending. #collectart #artcollection #collector #rafinedart Ph.: Leonardo Bistolfi, Galeria d'Arte Moderna

Public Art Installations Have you ever noticed big sculptures, colorful murals, or playful installations while strolling through a city? That's public art – like a gift for everyone to enjoy. It's not confined to museums; it's on the streets, making art accessible to all. Public art includes giant sculptures standing tall in parks, vibrant murals on buildings, and interactive installations inviting you to play. These artworks tell stories about the place they're in, reflecting its history and culture. Public art is like a superpower that transforms ordinary spaces into something extraordinary. It's a gift from artists to the community, sparking conversations, bringing people together, and adding creativity to our daily lives. So, next time you spot a colorful mural or a unique sculpture, know that it's not just art – it's a shared experience for everyone in the city to enjoy. Explore your surroundings and discover the wonderful world of public art!

Coming soon! Mohd Al-khuzairie In “Remote” - A compelling three-artist theme exhibition that invites visitors to explore diverse visualizations and interpretations of the concept of remoteness. Each artist will present a unique perspective through an array of drawings, paintings, and sculptures, creating a multifaceted dialogue around the theme. The term “remote” commonly describes something that is situated at a distance, either physically or metaphorically. This exhibition delves into the multiple dimensions of remoteness, offering varied artistic expressions that engage with the theme in profound ways. Through their works, the artists will interpret “remote” in contexts that range from geographical isolation to emotional detachment, technological mediation, and beyond. In the context of nature, “remote” typically refers to locations that are far removed from densely populated areas or urban centers. These places are often characterized by their untouched beauty and tranquility, providing a stark contrast to the hustle and bustle of city life. The sense of peace and unspoiled wilderness found in remote natural areas underscores their separation from human activity and development. This isolation preserves their pristine landscapes and ecosystems, which are cherished for their inherent calm and natural beauty. This exhibition will explore these varied interpretations, encouraging viewers to reflect on the multifaceted nature of remoteness. Whether through the serene depiction of secluded natural landscapes, the abstract representation of emotional distances, or the critical examination of our increasingly virtual existence, the artists will challenge us to reconsider our relationships with space, place, and connectivity. Each artwork will serve as a lens through which the audience can contemplate the nuanced implications of living in a world where the concept of “remote” is continually evolving. #artadvisory #artfund #modernart #contemporaryart #asiacontemporaryart #visualart #collectibles #artcollector #artmuseum #curatedexhibition #sgart #sgartcollectors #artseasonsgallery Theresa T.

Coming soon! Mohd Al-khuzairie In “Remote” - A compelling three-artist theme exhibition that invites visitors to explore diverse visualizations and interpretations of the concept of remoteness. Each artist will present a unique perspective through an array of drawings, paintings, and sculptures, creating a multifaceted dialogue around the theme. The term “remote” commonly describes something that is situated at a distance, either physically or metaphorically. This exhibition delves into the multiple dimensions of remoteness, offering varied artistic expressions that engage with the theme in profound ways. Through their works, the artists will interpret “remote” in contexts that range from geographical isolation to emotional detachment, technological mediation, and beyond. In the context of nature, “remote” typically refers to locations that are far removed from densely populated areas or urban centers. These places are often characterized by their untouched beauty and tranquility, providing a stark contrast to the hustle and bustle of city life. The sense of peace and unspoiled wilderness found in remote natural areas underscores their separation from human activity and development. This isolation preserves their pristine landscapes and ecosystems, which are cherished for their inherent calm and natural beauty. This exhibition will explore these varied interpretations, encouraging viewers to reflect on the multifaceted nature of remoteness. Whether through the serene depiction of secluded natural landscapes, the abstract representation of emotional distances, or the critical examination of our increasingly virtual existence, the artists will challenge us to reconsider our relationships with space, place, and connectivity. Each artwork will serve as a lens through which the audience can contemplate the nuanced implications of living in a world where the concept of “remote” is continually evolving. #artadvisory #artfund #modernart #contemporaryart #asiacontemporaryart #visualart #collectibles #artcollector #artmuseum #curatedexhibition #sgart #sgartcollectors #artseasonsgallery Theresa T.