What do you call an designer who also excels at paper engineering? A Unicorn...or Andy Reynolds. Join us for a quick chat with a one-of-a-kind artist. ⬇️🦄 #PaperMatters ... https://lnkd.in/eH8bF5Cy
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A true artist should wonder about everything, with one exception. Understanding this can really set your creative spirit free. When I got into 3D, the tools we had were much simpler and limited. In order to create realistic looking renderings, we had to FAKE 80% of our way: Fake soft shadows, light bouncing, color spilling, glossy reflections, etc. etc. This was all done "manually", in a round-about way of "forcing" the 3D software to produce layers we knew we needed in order to achieve our goal. But everything relied on our knowledge of "what's missing", and that relied on our observation. Those who understood that, were obsessively observing the world around them and *wondering*: Why does this look real? What is the light doing? Why do the shadows look like that? Where is this color coming from? etc etc. In answering these questions, an artist would understand what is needed to improve the quality and realism in their work. This reminds of this quote: "When art critics get together they talk about form and structure and meaning. When artists get together they talk about where you can buy cheap turpentine." But what is the one excpetion? While I believe it's important to constantly wonder, there's one thing that if we wonder too much about while we're creating, can paralyze our process: That one thing is wondering why we've decided to do the project we've started doing. And by wondering, I mean second-guessing. While it's good to be self-critical to a degree, over-thinking the decision of "why should I invest my time in this" can quickly become tedious and demotivating. Therefore, I think the best practice for an artist, is to wonder about EVERYTHING, but leave some questions, like "Why am I doing what I'm doing", for other people to answer. "When art critics get together they talk about form and structure and meaning. When artists get together they talk about where you can buy cheap turpentine."
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Here are the basics of drawing, laid out in detail. After reading this post, you will be able to draw the objects around you in 3-D! Click to learn the 9 Laws of Drawing, the 4 Basic Shapes and how to put it all together.
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Freelance Designer, Information Curator and Creative Technologist based in Hamburg. Creating the today of tomorrow.
Wow, a new layer of creativity just got simulated! The process. AI images used to be instant prototypes, and are notorious for being soulless button-push paintings. Paints-UNDO, apparently trained on thousands of stepbystep videos, brings back the process of creating images: Illyasviel's project creates a process video from an image. Although the "soulful" process of creating an image is simulated, it still provides interesting insights into the creation of an image. It works not only for drawings but also simulates the "drawing" of a photo. -- By the way, soulless art at the touch of a button is also available on CogniWerk.ai, with full control and without stress ;) #ai #aianimation #aicreative #aidesign #artprocess #aiart
Undo your digital painting! We often see digital artworks and wish we could see the step-by-step process behind them. Now, we (kind of) can! AI legend Illyasviel, known for ControlNet, ICLight, Fooocus, and more, has created a fun project called Paints-UNDO. As the name suggests, this workflow takes your image and animates the drawing process, mimicking the steps you would take to create it traditionally. Currently, it works best with non-photorealistic images (which makes sense, right?). This workflow is a bit GPU-intensive, requiring a minimum of 12GB of VRAM. It operates within a Gradio environment, but I'm sure a Comfy node will be available soon. If you have the necessary hardware and want to have some fun, I highly recommend reading the instructions thoroughly. The project comes with a lot of features that you'll want to explore. Git - https://lnkd.in/dEnT_WYq
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The mysteries of science are wrapped up in beautiful complexity and it is our job as artists to help peel back the layers of this beauty so that it may be seen by the wider world. Just as famed sculptor Michelangelo said about his creative process it is our duty as well to see the angel in the marble and carve until we set him free. To not only create but to also make palatable the complexities of science. With the advent of the first week of the VI4 program (ArtLab Studio) a team of my peers (The wonderful Chloe Kim and Vibha Duraikkannan) and myself were tasked to answer the Prompt: “Developing a personalized cover art creation process - what do you do?” Here’s what we all had to say on the matter. 🎉 Chole: “For me, I like to read and fully understand the content of a research study and highlight the main points. Based on these core ideas, I try to connect them to myself or ideas that are personal to me. Examples include favorite tv shows or aspects of my Korean culture. From there, I plan out sketches, throw out ideas, and eventually finalize them into cover art.” 🎉 Vibha: “Going into this experience, my cover art creation process involves first reading through the abstract and/or the paper and noting down any immediate visuals that come to mind. Then, I try to describe the core of the research in a sentence and build a tree diagram around this with anything that comes to mind. I try to be as unrestrictive as possible in this stage to stretch my creativity. Using the ideas I gained from this exercise, I start drawing thumbnails until I have 3 solid concepts that I would want to explore further. At this point, I usually try to get an outside opinion on which thumbnail to fully flesh out. From there, my rendering process includes paper sketches that I eventually transfer into Procreate, where I add color to my work.” 🎉 Darrison: “When creating art pertaining to science I always make sure to read the article I am working with from front to back, looking up unfamiliar terms and going on mini tangents to expand my knowledge on the subject. Once my own “research” session is over I summarize the article, and any needed outside information, in my own words as if I were explaining to a friend. Using this definition I pick out key points and topics of the article to focus on and start jotting down ideas of how I can express this visually. Once I find myself particularly happy with a sketch I continue developing it with clean lines, colors, and other effects until I find myself satisfied.” We all are so excited to see how we will grow as artists as we help to make cover art for Cell Press so be sure to check back weekly to see how we have progressed!
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Undo your digital painting! We often see digital artworks and wish we could see the step-by-step process behind them. Now, we (kind of) can! AI legend Illyasviel, known for ControlNet, ICLight, Fooocus, and more, has created a fun project called Paints-UNDO. As the name suggests, this workflow takes your image and animates the drawing process, mimicking the steps you would take to create it traditionally. Currently, it works best with non-photorealistic images (which makes sense, right?). This workflow is a bit GPU-intensive, requiring a minimum of 12GB of VRAM. It operates within a Gradio environment, but I'm sure a Comfy node will be available soon. If you have the necessary hardware and want to have some fun, I highly recommend reading the instructions thoroughly. The project comes with a lot of features that you'll want to explore. Git - https://lnkd.in/dEnT_WYq
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Director of The Long Island Museum Of Contemporary Art™ & Art Therapy For Long Island Inc a 501(c)(3) 800 piece collection 4 sale $30,000,000
INSPIRATION - This is one of Dowling’s most complicated and mysterious pieces. It includes thousands of elements and many layers of abstract illusionistic components. Two of these are challenging to spot, but when you do, you will realize one of them is the mother of one of the most successful child stars ever to have come from Long Island. The other was a local artist whom Dowling knew for a short time and whose graphic works he admired. This is another of Dowling’s composites that went through many iterations. This piece took almost a decade to create as Dowling will often become snowblind when working on certain pieces. He will not feel they are complete until he has his epiphany moment. Only then does he know the piece is complete. Lunatic Hitchhiker features an adorable hitchhiker Dowling gave a ride to while RVing around the country and taking his marathon walks. Technique These Miracle in the Making pieces were made between 1983 and 2024 and depending on the computer processing power at the time, now can look rudimentary, however, at their respective time in production were state of the art often taking days to complete. The process is quite complicated in that each work of art starts with a photograph that in the beginning of John's creative journey started with actual film, enlargers, chemical process, and terms like “Ruby Lift” that most artists don’t even know about as a way to mask light from images in the darkroom that were “cut” by hand. As cameras became digital and the darkroom became software like Photoshop, Dowling started to use montages and compositing to further enhance his illusions starting with multiple images and textures in traditional darkrooms. In fact, Dowling first set of paintings were used as textures for his montages and later started to sell on their own. What makes Dowling’s work so unique is his use of digitally painted abstract layers that cause each viewer to have different perceptions of what they are observing. It is a unique technique that leads viewers to have false affirmations of what they see, as well as challenges to the conscious mind to see what actually exists. The term for this psychological effect is scotomisation. These shapes, patterns, and illusions often lead to the viewer working to find objects in his pieces and to moments when the individual has a “eureka moment” or epiphany. PRODUCT DETAILS- This print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world is a printing process where millions of ink droplets are “sprayed” onto high-quality high-gloss metallic paper or aluminum and then adhered to special optical glass or acrylic. With a great degree of detail and smooth transitions of color gradients, Dowling’s prints appear more realistic than other reproduction prints. More on my website: JohnJosephDowlingJr.com
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Confused on some of the terminology in the artworld? Here are 6 Art Terms simplified👇🏽 1️⃣ Medium: Definition- The medium in art refers to the materials an artist uses to create a piece. It could include oil paint, watercolors, charcoal, or digital tools. For Collectors: Understanding the medium provides insight into an artwork's texture, durability, and aesthetic qualities. Different mediums contribute to unique visual effects. 2️⃣ Palette: Definition- The palette is the range of colors an artist uses in a particular artwork. It can also refer to the physical surface upon which an artist mixes colors. For Collectors: Recognizing an artist's palette helps you appreciate the chosen color scheme, its impact on mood, and the overall visual harmony. 3️⃣ Contrast: Definition- Contrast involves the juxtaposition of different elements in a composition, such as light and dark, color, or texture. It creates visual interest and emphasis. For Collectors: Identifying contrast enhances the understanding of how an artist guides the viewer's attention and conveys meaning through visual differences. 4️⃣ Scale: Definition- Scale refers to the size of elements in relation to one another and the overall dimensions of the artwork. Artists use scale to create emphasis and convey a sense of proportion. For Collectors: Recognizing scale helps you appreciate the impact of size on the viewer's experience and the artist's intended message. 5️⃣ Iconography: Definition- Iconography involves the use of symbols, images, or motifs with established meanings. Artists often incorporate iconography to convey specific messages or themes. For Collectors: Understanding iconography allows you to interpret the symbolism in an artwork, providing insight into the artist's intended narrative or cultural references. 6️⃣ Perspective: Definition- Perspective refers to the illusion of depth and three-dimensionality in a two-dimensional artwork. Artists use techniques like linear perspective to create realistic spatial relationships. For Collectors: Recognizing perspective techniques enhances the appreciation of an artwork's spatial dynamics and the artist's skill in creating a convincing sense of space. For valuable insights into the world of art collecting, follow me for key information and expert tips.
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Designer | Artist | A Team who can help you in content creation world #artist #designer #editor #ai #business
Abstract Art is a genre of visual art that breaks away from traditional representation, focusing instead on color, shape, form, and texture. Rather than depicting the physical world as it appears, abstract art explores the expressive potential of pure visual elements. This art form invites viewers to interpret and engage with the work on a deeper, more emotional level, often leaving space for personal meaning and subjective interpretation. Key Characteristics of Abstract Art: Non-Representational Forms: Abstract art does not aim to represent specific objects or scenes from the real world. Instead, it employs forms, shapes, and colors in an expressive or symbolic manner, challenging viewers to find meaning beyond literal interpretation. Focus on Emotion and Expression: Abstract art often emphasizes the emotional or psychological state of the artist, using bold colors, dynamic brushstrokes, and unconventional compositions to convey feelings, ideas, or moods. This allows the artist to explore inner emotions and intellectual concepts without the constraints of realism. Variety of Styles and Techniques: Abstract art encompasses a broad range of styles, from the geometric precision of Cubism to the fluidity of Abstract Expressionism. Some artists employ clean lines and sharp shapes, while others use chaotic, spontaneous marks to create their works. Use of Color and Texture: Color plays a significant role in abstract art, often used to evoke emotion or create contrast. Artists may use texture to add depth and complexity to the piece, layering paint or experimenting with unconventional materials to create a tactile surface. Viewer Interpretation: Abstract art encourages personal interpretation. Each viewer may experience the work differently, depending on their own emotions, memories, and perspectives. This open-ended nature is what makes abstract art unique—there is no single "correct" way to understand it. #art #graphic #illustration #nft #visualart #digitalart
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Director of The Long Island Museum Of Contemporary Art™ & Art Therapy For Long Island Inc a 501(c)(3) 800 piece collection 4 sale $30,000,000
THE DOM AND THE SUB INSPIRATION - The Dom and the Sub is based on a chapter in Dowling’s Novel “Chapters of Love”. While he was walking 8-10 miles a day and living in an RV, Dowling updated the memoirs he had been writing since he was 10 years old. In one of the chapters “The Sub and the Dom”, he shares his experiences from relationships with both submissives and dominatrixes. This multi-exposure composite evokes feelings of both of those experiences. The young man is the sub and the woman the dom. While a very similar version of this composite appears earlier in this collection, the color, additional layers, textures, and engraving are very different in the Dom and the Sub from those in the Sub and the Dom. This is the same composite with a different rendition of the images. (ChaptersOfLove.net) Technique These Miracle in the Making pieces were made between 1983 and 2024 and depending on the computer processing power at the time, now can look rudimentary, however, at their respective time in production were state of the art often taking days to complete. The process is quite complicated in that each work of art starts with a photograph that in the beginning of John's creative journey started with actual film, enlargers, chemical process, and terms like “Ruby Lift” that most artists don’t even know about as a way to mask light from images in the darkroom that were “cut” by hand. As cameras became digital and the darkroom became software like Photoshop, Dowling started to use montages and compositing to further enhance his illusions starting with multiple images and textures in traditional darkrooms. In fact, Dowling first set of paintings were used as textures for his montages and later started to sell on their own. What makes Dowling’s work so unique is his use of digitally painted abstract layers that cause each viewer to have different perceptions of what they are observing. It is a unique technique that leads viewers to have false affirmations of what they see, as well as challenges to the conscious mind to see what actually exists. The term for this psychological effect is scotomisation. These shapes, patterns, and illusions often lead to the viewer working to find objects in his pieces and to moments when the individual has a “eureka moment” or epiphany. PRODUCT DETAILS- This print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world is a printing process where millions of ink droplets are “sprayed” onto high-quality high-gloss metallic paper or aluminum and then adhered to special optical glass or acrylic. With a great degree of detail and smooth transitions of color gradients, Dowling’s prints appear more realistic than other reproduction prints. More on my website: JohnJosephDowlingJr.com
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