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In this Facilitation Stories episode Nikki Wilson talks to Rosie Cripps about Social Presencing Theater, a practice that uses the body, and few words, to support people to work through difficult issues. Enjoy this episode here: https://lnkd.in/dkZu9m6Q

Can I promote a play on here? I'm so thrilled to be a part of the incredible cast of "An Experiment with an Air Pump" at The Island Theater. Opening night is just 4 days away, with performances May 3-12. We've been working hard to make sure we do this script justice—one that fearlessly explores issues of ethics and gender and art and science, and demands its audience do the same. I'm biased, sure, but it really is a great one! If you're in the Jacksonville area, come out to The Island Theater this weekend or next to support me and us and the performing arts. Tickets are on sale now at www.theislandtheater.com.  (FYI this show is not for children.)

In their most intellectually challenging work to date, Capital Stage delivers a knockout via Fairview by Jackie Sibblies Drury. Read the review at Theatre Habit: https://lnkd.in/gwyYWiMS

I've been looking for writing or resources around the theater organizations' responses to the rise and adoption of the internet in the late 90s. It seems to me that it must have fundamentally changed how we made theater, but I can't find much about that adaptation or what the general vibe was while it was happening. So I'm turning to y'all: Were you working in or leading a theater organization around 1997-2002? How did your organization respond to the internet? What were the questions that it brought up at the time? Was there a lot of skepticism about it? Did it actually change how we worked as arts administrators in the drastic way that it seems? Can't wait to hear your stories! #TheaterEvolution #DigitalArtsHistory #ArtsLeadership #InternetEra #TheaterAdministration

This Wednesday, online at 6.30pm with Action for Children's Arts we have Adam Power-Annand and Gilly Baskeyfield, M6 THEATRE COMPANY LIMITED talking about children's communication and Adam's book That's My Story!: Drama for Confidence, Communication and Creativity in KS1 and Beyond. For more info get in touch!

Introducing the world premiere of Sarah Dickenson's The Commotion Time, produced by Exeter Northcott! 📜 Local history takes centre stage in this landmark drama, featuring an ensemble of local performers alongside professional actors. 🎭 February 1547. When the authorities introduce reforms set to drive division into the heart of the community, the people take action in the only way left to them; marching to Exeter to challenge the king and finally be heard. As well as being Exeter Northcott’s welcome return to home-produced drama, The Commotion Time will also be the first production directed for the theatre by our new Creative Director, Martin Berry. Created in association with Poundstock Gildhouse. Find out more 👀 https://lnkd.in/ewSGm34i