Historic Buildings & Places’ Post

Founded on this day in 1759, The British Museum indeed holds a vast and significant collection of artefacts worldwide, including controversial items like the Elgin Marbles and the Rosetta Stone. The debate over whether such artefacts should be returned to their countries of origin is complex and contentious. "On one side, supporters of repatriation argue that these artefacts were often taken during periods of colonialism or occupation and should be returned as a matter of justice and respect for cultural heritage. Returning them would also allow countries to reclaim important pieces of their history and identity." On the other hand, museums like the British Museum argue that they serve as global repositories and provide valuable educational opportunities for people worldwide. They often cite preservation and access to an international audience as reasons for keeping these artefacts in their collections. The issue involves considerations of historical context, legal ownership, ethical responsibilities, and the practicalities of preserving and displaying these artefacts. It's a topic that sparks passionate debate and doesn't have a straightforward answer. As for my personal experience, I haven't visited the British Museum myself, but I understand its importance in preserving and showcasing cultural artefacts from various civilizations. What's your take on this issue, should we return artefacts and antiquities to their countries of origin? #ancientegypt #ancientgreece #antiques #artifacts #bloomsbury #britishhistory #britishmuseum #egypt #greece #historyfacts #london #marble #museum #rosetta #sloanesquare #specimens

Who controls the past controls the future. Who controls the present controls the past. ATTN NASHVILLIANS WHO WANT TO ACTIVELY SHAPE OUR FUTURE… are you also controlling the past?? Are you controlling your present?? If you haven’t already signed up, this is an incredibly powerful way to take this moment in time to directly impact the way we move in the future… to combat the censorship and revisionist history some other (ahem) groups are pushing. Historians know that it’s not just about interrogating the voices we do hear, but also interrogating the cause of absent voices. And asking “If the voice were present, what would it say? How would it impact the story that’s being told?” Too much of history education is already reduced to excerpts and quotes taken out of context, and truly voices are at real risk of erasure. Come hear their stories before they’re lost to history so that we can impact a more thoughtful, inclusive future. Also Tamyra Gordon MSEd is just really fantastic and you should support her work. 💥

#NewArticle Museographic narrating of dissonant heritage in Tianjin’s former international concessions Maria Gravari-Barbas, Sandra Guinand, Yue Lu & Chensi Shen Concessions—defined as the urban elements built by Western powers while ‘occupying’ various parts of the Chinese territory—have recently been granted heritage status by the Chinese national and local authorities. However, in many respects, they are ‘dissonant’ heritage sites since they are the result of the several-decade-long ‘colonial’ presence in Tianjin of nine foreign powers. The aim of this study is to understand how former international concessions are featured in museums and interpretation centres in present-day Tianjin.  https://lnkd.in/e6mdmK5M

🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 MUSEUM OF NATIONAL HERITAGE ::Literature 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Museum Of National Heritage defines itself as our traditional cultural preservation.When our traditional continuation be a part of historic flavour.So Traditional Cultural Flow is the main stream of National Heritage.That depends upon our Natural Comonents.That would be character of Heritage.So and so----- By A.De🌱 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴

Have you ever wondered what cultural heritage truly means and the different forms it takes? From the Tangible—like historic monuments and artifacts—to the Intangible—such as traditions, performances, and oral histories—our heritage tells the story of who we are. In this episode, we’ll dive into how museums bring these treasures to life, categorizing objects as Organic, Inorganic, or Composite based on their material makeup. We’ll also explore the preventive measures taken to preserve these irreplaceable pieces of history for future generations. So, whether you're an art enthusiast, a museum-goer, or simply curious about how we protect our shared past, this is the episode for you. Let’s get started!"

Artwashing the Past discusses the acquisition of cultural objects by museums and private collectors. The essays are grouped around a number of themes: Returning antiquities to their country of origin Breaking up the past Remaining questions over disputed antiquities Selling the past Sourcing antiquities Collecting histories matter Curating and collecting the past Protecting the past: does the approach in England work? Protecting the past: international agreements Debating cultural property Available from Rowman & Littlefield https://lnkd.in/dbgfuhuH

🦉 Dead animals, but make it educational. This summer, I explored the big questions around taxidermy in museums in a series of posts—and now, they’re all in one place, just in case you missed it! In my blog, I unpack: 🧠 The ethical debates behind these displays. 📖 How taxidermy shapes the stories we tell in museums. ⚖️ The balance between preservation and exploitation. Curious? See the comments for the link! Taxidermy may seem like a relic of the past, but since I don’t know a single museum in the UK that doesn’t have SOME form of taxidermy on display, the questions it raises are more relevant than ever to modern museum practices. #Museums #Taxidermy #Heritage #MuseumEthics

Declaration on the protection of archives, libraries, museums and heritage places during armed conflicts and political instability ICA, ICOM, IFLA & ICOMOS Statement 🏛️ As we celebrate the 70th anniversary of the 1954 Hague Convention, ICA International Council on Archives, the International Council of Museums (ICOM), the International Federation of Library Associations and Institutions (IFLA) and the International Council on Monuments and Sites (ICOMOS) express their deep concern about the escalating destruction of life and cultural heritage. 🛡️ The 4 founding organisations of Blue Shield International reaffirm the essential role of #Libraries, #Museums, #Archives and #HeritagePlaces in the survival of societies and the promotion of #Peace in the context of an alarming global increase of armed conflicts. 📃 Read the statement inhere: https://buff.ly/4e46w3c [Available in English, Spanish and French]

🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴 MUSEUM OF NATIONAL HERITAGE:LITERATURE 🌴🌴🏠🌴🌴🏠🌴🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Museum of National Heritage states on the version where phenomenological base is strong enough.Phenomena directly influences evidences of history.So history changes due to phenomenological perspectives.This phenomena leads scenario and scenario arranged and organised by Archaeologist or an explorer for history formation.In this way we never feel how history composed for Nation and the track which followed for history making that would become heritage. We then feel National Heritage is nothing an orderly arrangement of scenic management. By A.DE🌱 🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🏠🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴

Scaffolding is an art form all of its own