City Of Huber Heights’ Post

Music supervisors! If you’re searching for a powerful, emotional ballad about self-acceptance, look no further than my song ‘Echoes’ 🙏🏻 It’s perfect for a dramatic sequence ❤️ #Publishing #MusicBusiness #MusicForMedia #Music #MusicForFilm #MusicForTV #musicforsync #powerfulsong #musicbusiness #songwriter #emotionalmusic #Advertising #Promos #musicsupervisors

When a music review fails to understand the music itself. 💡🤨 I've recently stumbled across a national newspaper's review of Tate McRae's sophomore album (titled 'Think Later' for all of those wondering). While the review aimed to provide constructive criticism — in all fairness, it did raise a few excellent points about the negative impact of TikTok — it was rooted in... misunderstanding of the new generation's sound. 'Think Later' isn't groundbreaking by any means, but does it need to be? I reckon it should be appreciated for what it is — a fun body of work that holds its own, especially in the highly competitive music landscape right now. The album's lead single 'Greedy' has scored the RCA Records-signee a Top 5 hit on the Billboard Hot 100 chart, after all. One of the main things that the review fixated on was the lack of USP. Fair play. Well, it certainly could be a fair observation, but the success (here come the "industry plant" allegations) of McRae's latest record shows that there's a real hunger for the exact sound that she brings, whether it's unique and original or not. And, honestly, is it *that* bad to stick to a formula that works commercially? Short answer: No. In a time where it's hard to make a living from music as it is, it'd be stupid not to follow the structure that helps you appeal to as many listeners as possible. If you're brave enough and genuinely want to not conform to that, go ahead. If you want to create music that fits the mould and have fun while you're at it, it's just as great and important. And I'll forever stand on this hill. Herein lies another issue. The newspaper attributes McRae's success to TikTok virality. Is that actually the case, though? I get the reasoning for the comment (the whole concept of the so-called "TikTok sound" is a conversation for another day), but McRae has already proven that she isn't a TikTok artist — she had a few big hits in the past, e.g. 'you broke me first' which debuted in 2020 and has amassed over a billion streams ever since. So, she isn't a one-hit wonder now, is she? Well, she's certainly not a TikTok artist, either, for she made her mark before TikTok became the phenomenon that it is today. I'm certainly not a die-hard fan of McRae's. I like her new album, I know a couple of her previous songs, and... that's pretty much it. However, what I don't like is when those tasked with guiding us through the vast landscape of music exhibit a rather limited perspective on what is emerging on the horizon. I won't name the publication, nor the person who wrote it. But in an observation filled with sweet ol' irony, I'd like to highlight that the same publication published two separate reviews on 'Think Later', with one giving it 2/5 stars and the other — 4/5. Funny, no? Just some food for thought... With that in mind, I leave you with a song that I've had on repeat for days when it first came out. It's a good 'un. #musicopinion #tatemcrae

THIS is an instant confidence booster! Who doesn’t want a way to boost your confidence AND nail your next presentation or important conversation? Read on… Don’t stumble. 📻 Instead, use walk-in music. I love to listen to an upbeat tune like “Uptown Funk” by Mark Ronson and Bruno Mars listen. 👉 Here’s the why: 🗣️ Walk-in music gets everyone relaxed, including you! People will start chatting. This is exactly what you want, AND it’s fun! 👉 Here’s the how: 🎵 Pick your favorite tunes: My playlist is what I listen to on the treadmill, and it’s always upbeat, and covers a range of music - on purpose. 💃🕺 Decide when to use it- ideally I play it 15 minutes in advance, and I like it LOUD. Here’s the results: ✅ One of my favorite clients said she couldn’t ratchet up the volume because she was in an office setting, so she played it for herself in advance. 🦁 What did she choose? Katy Perry’s “Roar”. ✅ How did she feel? She nailed her presentation! 🙏 Trust me, whatever music you choose, this works! What songs get you fired up? https://lnkd.in/gH3E9NRA #Presentation #Confidence #Music #RealEstate #IREMOC #BOMAOC

Feeling immensely grateful to do what I love every day - helping clients share their unique stories with the world through captivating visuals. It's an honor to be part of their journey, turning visions into reality and making meaningful connections through the power of storytelling. Here's to many more inspiring collaborations ahead! 🌟 #Gratitude #VisualStorytelling #Branding #Marketing #MarketingAgency #CreativeAgency #Storytelling #MediaProduction

I recently did an interview with the North American Concert Promoters Association (NACPA), where I shared some insights on the Route 91 Harvest Festival, which occurred on October 1, 2017. It’s taken some time, but I’ve started to open up about that event and the strategies for preparing for critical "moments of truth." My presentation, titled "Inspect What You Expect: Who Are You in the Moment of Truth?" delves into this topic further and outlines some techniques I found useful in preparing your teams for moments of truth that are difficult to explain.

Curious how we use data in our concerts? 🤓🎶 We are able to analyze which popular artists in key locations, whose electoral margins are often decided by the size of a concert venue, will increase civic impact the most. To learn more check out this video where Emily White discusses our findings via SNF Agora Institute at Johns Hopkins University, moderated by Megan Ihnen! Shoutout to everyone who helped make this project happen including Eliza O'Reilly, Jasmine Lafita, Tomoya Furutani, #EmiHakutani, & Jackson Shapiro!! 🙌

Pete Barter’s story is one that many music educators can relate to. Like many of you, he didn’t get into music thinking about managing schedules or chasing payments. His passion was simple—playing drums, creating, and sharing that love with others. But 𝐭𝐡𝐞 𝐫𝐞𝐚𝐥𝐢𝐭𝐲 𝐨𝐟 𝐰𝐨𝐫𝐤𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐦𝐮𝐬𝐢𝐜 𝐢𝐧𝐝𝐮𝐬𝐭𝐫𝐲 𝐦𝐞𝐚𝐧𝐬 𝐛𝐚𝐥𝐚𝐧𝐜𝐢𝐧𝐠 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐢𝐭𝐲 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐜𝐡𝐚𝐥𝐥𝐞𝐧𝐠𝐞𝐬 𝐨𝐟 𝐞𝐚𝐫𝐧𝐢𝐧𝐠 𝐚 𝐥𝐢𝐯𝐢𝐧𝐠. Being a musician isn’t just a job; it’s a calling. It’s in those moments when a student finally masters a tricky rhythm or a performance captures something special. HOWEVER, the joy of teaching can sometimes be overshadowed by practical demands of running a music school. SAMii was born out of this very struggle. Not just to manage payments or schedules, but to help music educators stay connected to their reason for teaching in the first place. It's about making room for you to mentor and inspire your students without feeling constrained by the things that might otherwise take your focus away from the joy of teaching music. Think of SAMii as a tool to help clear the path. It’s there to make sure that the energy you pour into your students isn’t lost in the noise of logistics. Because at the end of the day, music education isn’t just a profession; it’s an opportunity to shape lives. Check out our website at https://www.samii.au/. You can register for free and explore the platform anytime. If you need assistance, send us an email at info@SAMii.com or give us a call at 1300-384-583. #MusicEducation #MusicTeaching #SAMii #InspireThroughMusic #MusicEducators https://lnkd.in/gWw3vpkT

MusicSA today unveils its 2024 annual survey Insights. We are excited to share the results of MusicSA’s 2024 survey of the South Australian contemporary music industry. Conducted for the first time this year, the survey provides a detailed snapshot of the local industry, highlighting both its strengths and areas needing improvement. Key Insights: Industry Networks: There's a strong demand for a more connected industry and better information on grants, funding, and investment. Regional Investment: A significant need for dedicated investment in regional areas was identified, emphasizing the importance of professional and industry development outside metropolitan regions. Local Music Businesses: Most respondents are professional musicians, highlighting a shortage of music businesses to support our strong artist base. Live Music: Multiple barriers to live music attendance were identified, including a lack of familiarity with local artists and increasing costs. The survey findings will guide MusicSA's advocacy and industry development programs, ensuring we meet the shifting needs of our vibrant music community. Read the full survey results: https://lnkd.in/gSWxfXSh #MusicSA #AnnualSurvey #ContemporaryMusic #SouthAustralia #MusicIndustry #IndustryDevelopment

An amazing professional AND an amazing human being! You can read more about Dominick Amendum in my feature in #UNCG Magazine! #UNCGway #UNCGalumni