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Uncovering the Secrets of Three Ancient Kingdoms: A Riveting Tale of Justice and Freedom - CineRecap.com Article Link - https://lnkd.in/dDESm6zQ ‘Rekod tiga kerajaan lalu jaga kebebasan kehakiman lebih baik’ – Malaysia Today The review from Malaysia Today discusses the handling of judicial freedom by the current government led by Prime Minister Anwar Ibrahim compared to previous administrations. It highlights concerns raised by nine former presidents of the Malaysian Bar Council regarding the pressure on the […] #MovieReviews #WebSeriesAnalysis #StreamingInsights #FilmCritique #EntertainmentNews #StorytellingReviews #OTTContent #BingeWatchGuides #CinemaTrends #FilmAnalysis #StreamingPlatforms #CinematicExperience #MovieRecommendations #SeriesRecap #FilmLovers #StreamingUpdates #MovieInsights #OTTNews #CineCritique #BingeWorthyContent #FilmReviews #OTTUpdates #MovieTrends #StreamingRecommendations #CinematicWorld #FilmDiscussion #SeriesReviews #CinephileCommunity #EntertainmentGuides #MovieExploration

Good news for Turkish films funs in Russia! "Chasing the Wind" ("Rüzgara Bırak"), a new Turkish film is set to premiere in Russia on 6th February, 2025. The romantic drama, directed by Engin Erden, stars Hande Erçel and Barış Arduç in a captivating story about love, ambition, and compromise. The plot follows Aslı Mansoy, a driven CEO, and Ege Yazıcı, a laid-back surfer, as they navigate a clash of values over a significant project in Turkey’s coastal town of Çeşme. The Russian premiere will be distributed by Volga, a Russian theatrical distributor and accompanied by localized promotions. Both lead actors are expected to attend the premiere, generating excitement among their Russian fanbase! Our next markets: World Content Market – Almaty 2025: 4-5 March 2025 World Content Market – Moscow Spring 2025: 8-10 April 2025 World Content Market – Moscow Autumn 2025: 26-28 November 2025 #worldcontentmarket #televisionmarket #digitalcontent #content #b2b #televisiondistribution #TVindustry #TVbroadcasting #Television #Contentindustry #TVcontent #TVseries #Contentdistribution #Contentproduction

🎥 Russia Turns to Bollywood! 🇮🇳🇷🇺 With Hollywood films exiting Russia, Bollywood is stepping up to fill the void, and President Putin is making moves to promote Indian cinema in Russia. 🎬 This cultural collaboration goes beyond just movies; it’s about reigniting a bond that has lasted for decades! Here’s what’s happening: ●Bollywood's Return: Iconic films like Pathaan and Tiger are now gracing Russian screens. Indian cinema is being showcased in 40+ locations. ●Filming in Russia: To attract Indian filmmakers, Russia is offering incentives like lower production costs. This opens doors for Bollywood-Russia collaborations. 🌍🎥 ●Market Potential: Experts predict Bollywood could capture up to 20% of the Russian film market in the next few years, making a lasting impact on the global stage. 💥 This is more than just entertainment; it’s a unique cultural and economic opportunity for both nations. 🌏💫 ✨Follow Apoorv Raj for more such posts. Image source : Studyiq #Bollywood #Russia #Cinema #GlobalCinema #CulturalExchange #FilmIndustry #Entertainment #IndiaRussia #Collaboration #FilmMaking

The rise and fall of Pakistani cinema culture. Since 1948, Pakistan has produced over 14,000 Urdu feature films , more than 10,000 in Punjabi, over 8,000 in Pashto, 4,000 in Sindhi and 1,000 in Balochi .The first film on what is now Pakistan soul was Husn ka Daku by AR Kardar in Lahore in 1929. Pre independence film was Teri Yaad by Duad Chand. In the1960s cinemas expanded from 982 to15,85. After the debacle of East Pakistan , which , along with Karachi , was the stronghold of film making business , we lost hundreds of cinema screens The 1970s kept some sustainability and also saw the establishment of National Film Development Corp to ensure quality films. General Ziaul Haq' s rampant Islamisation , however , took the soul of out of this country's art and culture with cinema suffering the most. Wars and later events stopped displaying of Indian movies . Today , we have 150 cinema screens which are barely surviving in the wake of the ban of Bollywood films in 2019 and a few local productions . The reasons vary from non recognition of cinema as industry , absence of film board and insurance policies . Lack of funds coming from the corporate sector and a general apathy towards leisure time bred by a suffocated society are other factors. OTT has made things more difficulty for the survival of residual cinema culture in Pakistan. Nadeem Mandviwala sums up this in these words : ' closing a cinema is more cost effective than keep it operating' . How can our cinema culture be revived depends on filmmakers , film academia , policymakers and civil society which believe in the nourishment of art and culture in society.

🇺🇦🇨🇦🎥 Please sign and relay this initiative by Nataliya Senyuk. Petition to Toronto International Film Festival: Stop Broadcasting "Russians at War" – A Film That Normalizes Russian Atrocities Against Ukrainian Civilians! ✍️ here: https://lnkd.in/eMPJ8Mvf We urge the Toronto International Film Festival (TIFF) to cancel the broadcast of the documentary “Russians at War” by Anastasia Trofimova, a former broadcaster for Russia Today (RT) and a Russian-Canadian documentary filmmaker. This film, funded by the Canada Media Fund—a public-private partnership between the Department of Canadian Heritage and the Canadian cable industry—sensitizes the public to the Russian aggressor without adequately addressing the horrific war crimes committed against Ukrainian civilians. In just the last five days, Russian forces have killed 75 and injured 366 civilians in public places or inside their homes across the Poltava, Lviv, and Donetsk regions of Ukraine. This film dangerously normalizes the actions of Russian soldiers, downplaying or omitting the atrocities in Mariupol, Bucha, Kharkiv, and other regions where civilians have been targeted. We are deeply concerned that “Russians at War” received $340,000 from the Canada Media Fund. We question whether the Department of Canadian Heritage was aware that the filmmaker violated Canadian sanctions by entering Ukrainian territories illegally occupied by Russia. The Canada Media Fund | Fonds des médias du Canada, which is supposed to promote Canadian democratic values and diversity, should not be funding content that serves as propaganda for the Russian state, especially given the potential ties between some of its funding sources and Russian media. As Canadians who care about preserving our democracy and values, we demand the following: ➡️ TIFF must cancel the broadcast of “Russians at War” by Anastasia Trofimova, as it undermines Canadian and international efforts to hold Russia accountable for its war crimes. ➡️ The Department of Canadian Heritage must investigate whether the Canada Media Fund knowingly violated Canadian sanctions by funding this documentary. ➡️ The Canada Media Fund should clarify how it allocates funds and ensure that Canadian taxpayer money is not used to support content that contradicts our democratic values. We stand for democracy, justice, and the protection of innocent civilians. Allowing the broadcast of this film is an affront to these principles. We urge TIFF to take a stand and reject this dangerous narrative! Hon. Mélanie Joly Pascale St-Onge Canada Ukraine Chamber of Commerce Canada-Ukraine Foundation Ukrainian World Congress - Свiтовий Конґрес Українців #standwithukraine #ukraine #ukrainewar

Cultural policy isn’t just about funding—it’s about values. And when governments start shaping artistic expression, it’s worth paying attention. Danish filmmaker Thomas Vinterberg is calling out Sweden’s cultural minister for taking an increasingly political approach to film funding, prioritizing projects that align with government-defined “Swedish values.” His concern? That art will become a tool for national identity-building rather than a space for creative risk, critical engagement, and international dialogue. This isn’t just a Scandinavian issue. We’ve seen similar rhetoric elsewhere—governments trying to dictate which stories get told and which don’t, often under the guise of cultural preservation or national pride. But when funding bodies impose ideological guardrails, they don’t protect culture—they narrow it. If the role of the arts is to challenge, to provoke, to complicate rather than simplify, then policymakers need to understand that culture thrives on openness, not restriction. And if filmmakers, artists, and cultural leaders don’t push back when these lines are drawn, they’ll only get tighter. Read more: https://lnkd.in/gWVjbvn4 #ArtsPolicy #FreedomOfExpression #Film #CulturalLeadership #CreativeFreedom

"Filmmakers from 42 countries in Africa can apply for the Open Doors programme, which is backed by the Swiss Agency for Development and Cooperation (SDC) of the Federal Department of Foreign Affairs (FDFA). Submissions for the 2025 edition of Open Doors’ three main programmes - Open Doors Projects, Open Doors Producers and Open Doors Directors - are open from November 28 to January 16." https://lnkd.in/eCydFK8t

Exploring the Divided State of Korea Through Cinema Korean cinema has long reflected the country's unique divided status, giving rise to the distinct "division film" genre. 🎥 These films have evolved over time, from early anti-communist propaganda to blockbuster depictions of Korea's turbulent modern history. Delve into the origins and development of Korean division films, and see how they illustrate the social and political changes on the divided peninsula. 📽️ Read the full entry: https://lnkd.in/gAc3ENKW #KoreanCinema #KoreanFilms #DivisionFilms #ModernKoreanHistory

Russian audiences appreciate Indian films for their vibrant action and colorful storytelling, and “Brahmastra Part One: Shiva” exemplifies this trend. The film has made a notable impact in Russia, particularly due to its availability on several Russian OTT platforms. “Brahmastra Part One: Shiva”, an Indian fantasy action film, grossed over $45 million worldwide shortly after its release, establishing it as a box office success. It is the first installment in a planned trilogy that aims to create India’s first original cinematic universe, dubbed the Astraverse. The film’s blend of modern storytelling with ancient Indian mythology has resonated with viewers, contributing to its popularity in Russia. Our next markets: World Content Market - Moscow Autumn: 26-28 November 2024  World Content Market - Moscow Spring: 28-30 May 2025 World Content Market - Almaty: 4-5 March 2025 #worldcontentmarket #televisionmarket #digitalcontent #content #b2b #televisiondistribution #TVindustry #TVbroadcasting #Television #Contentindustry #TVcontent #TVseries #Contentdistribution #Contentproduction