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I think Dior needs to organize a sit-down seminar for people in the industry who criticize Maria Grazia Chiuri. The seminar should begin with the fact that Dior has tripled its profits since Mrs. Chiuri joined the company, followed by a presentation on the brand's best-sellers. After that : 1. A group discussion about a best-selling bag (book tote) made out of fabric that not only does well on its own but is also part of seasonal collections, attracting additional clients. 2. An overview of the Dior logo print that seamlessly transitions from accessories to ready-to-wear pieces without appearing tacky. This also applies to the use of the Dior actual logo. Maria Grazia Chiuri is skilled not only in design but also in merchandising. When certain styles reappear after a few seasons, it indicates their success and justifies their return. Additionally, Dior classics such as bar jackets are offered in a variety of fabrics and details season after season, meeting the demands of women who appreciate them. The Pre-Fall/Winter 2024 collection, presented in NYC, was inspired by Marlene Dietrich. While the inspiration may not be directly connected to Dietrich's appearance (which is not novel today), it captures her spirit. Chiuri admires independent women and is shaping a new Dior for those who create their style, spend their own money, and disregard critics who find the current Dior designer uninspiring. The collection comprises 77 looks, all of which are wearable. The runway pieces do not require a showroom version; they appear just fine as is. Some may argue that the collection's pieces, such as Look 44 (silver skirt and wool pullover) or Look 35 (white shirt and gray pants), are standard looks any designer could've made. However, no one does it as chic as Dior. And for those who seek "wearable newness," look at look 19: a trendy short coat, full short skirts, and tall boots. I love this collection. #wwd #vogue #bof #dior #fashion #fashiobusiness

The “fun” in runway fashion is looong gone 🌸🐉 What do you see when you think of early 2000s Dior, Moschino and Fendi? Crazy layers? Sexiness? Y2K aesthetic? It’s what I imagine as the most fun era of runway fashion One of my fav collections ever is: Dior Ready-To-Wear, Spring 2005 Colour clashes, bold accessories, punk-inspired but with clear influence from vibrant Japanese street style & Fruits magazine 🤩 What’s so great about it - is the almost DIY look, Like you could recreate something similar from thrifted pieces & some fabric markers And that’s why it’s so fun Aspirational style but not unattainable INspirational (Besides the severely unattainable model look from the 2000s) Does anyone else have a favourite era of fashion? Maybe 80s punk, Y2K, or 70s Studio 54 vibes? 👇 It was fun (how many times can I say fun in one post?) to illustrate this iconic look from my fav Dior collection Adorned with some cool dragons inspired by my Vietnam trip Nothing I love more than portrait drawing & playing with colour clashes to experiment! PS I still actually love a lot of runway fashion every year, but a gal can’t help but reminisce on old times 😝 #illustration #fashion #adobe

ANALYSIS: Historically fashion has always thrived on revivalism, nostalgic inspirations and resurgence of specific trends every two decade, a concept called the “20-Year Rule”. Legacy fashion houses such as CHANEL, Saint Laurent and Christian Dior Couture, regularly dive into their own archives, exhuming old motifs, silhouettes and prints, and repurposing them into new collections. We find out the underlying reasons behind this and the incontestable significance of archival fashion. #fashionbusiness #archives #fashiontrends By Niyoshi Shah

Scarce, collectable and free! Bottega Veneta bid farewell to all social media platforms in 2021 and introduced a unique approach by publishing a "fanzine" that delves into the inspirations behind each seasonal collection. The latest release, the 4th edition, comprises four volumes neatly packaged in a cardboard box. This edition's content is intricately linked to the theme of the seasonal campaign, resembling the artistry seen in Le Monde d'Hermès, with captivating photographs from renowned Magnum Photos photographer Alec Soth. Setting it apart from its Hermès counterpart, Bottega Veneta's fanzine embraces an element of scarcity, offering exclusive stickers as a symbol of prestige for fortunate recipients who manage to acquire a copy. Distributed in limited quantities, free of charge, and exclusively available at select brand stores and a handful of esteemed art bookshops, one can't help but speculate on the distribution strategy and potential resale value on the secondary market! I think, it´s a fine example of an efficient marketing strategy archetype including some level of "meanness" to it (it´s free but you still won´t get one unless you are close enough to the brand).

🔶 Did you know? The sale of this $3 billion #brand is soaring at a stunning 22% annually, all thanks to its #packaging color! 📈 🧡 Enter the world of Hermès where the iconic orange hue isn't just a color but a symbol of #luxury and craftsmanship. Here's the fascinating story behind it: 🌟 Pre-WWII Era: Hermès stumbled upon its signature orange shade by chance. Originally using cream-colored boxes, a post-war shortage led them to utilize rejected orange boxes. Surprisingly, customers fell in love with the hue, associating it with Hermès' dedication to excellence. 🔍 Fast Forward to Today: - Pantone now features 'Hermès Orange' in its official color palette. - Hermès has trademarked the shade, using it across its packaging, bags, and accessories. - The color instantly evokes the brand's essence, transcending the need for logos. 💡 Color Psychology Insights: Orange symbolizes energy, warmth, and creativity, perfectly mirroring Hermès' French heritage. It captivates attention while exuding approachability, blending tradition with modern flair. 🔶 Next time you spot that distinctive shade, pause to acknowledge how a simple color choice evolved into an iconic brand asset. Share your thoughts below on other brands with similarly powerful color identities! Want to get your packaging sorted? Check it out!! https://printsmith.co.in/ #Hermès #branding #luxury #colorpsychology #packaging #fashionindustry #fashion

The fall couture shows in Paris were held earlier than the usual July dates to avoid clashing with preparations for the Olympic Games, but the season still offered some Parisian high jewelry houses a chance to shine brightly. In Paris, the 67-piece Hermès collection, Les Formes de la Couleur (the Shapes of Color), was the largest the house had produced — and arguably its most playful. A freestyle brushstroke, for example, was rendered as a mono-earring called Fresh Paint, with green tsavorite garnets simulating pigment. And while the house has nearly 75,000 shades in its silk color library, the collection was the first time it had used so many primary colors and rainbow palettes for jewelry. “It took us a long time to do a lot of diamonds and colored gemstones,” said Pierre Hardy, the creative director of Hermès jewelry since 2001 and of high jewelry since its introduction in 2010. “With leather, silk and makeup, one sees how color informs the world of Hermès, but for jewelry we’d never experimented with that kind of mix before.” The designer described his creative process as “liberating color from minerality, cuts and facets to let it be more supple, almost liquid or diffuse, like makeup on the body.” Read More: https://lnkd.in/gmj7c7fD Photo Credit: Hermès #GemologicalScienceInternational #GSICertified #GSI #GSICertification #Gemstone #Jewelry #Gemstones #DesignerJewelry #GemLab #GemstoneTesting #Gemology #GemstoneGrading #Gemologist #Diamonds #ColoredGemstones #PreciousStones #FashionJewelry #ParisCoutureWeek

Designing Through the Decades: A 26-Year Reflection on jewellery Artistry! After 26 years of designing, my approach to jewellery has truly evolved. When I first started, my designs were simple and experimental, driven by a curiosity to explore various techniques and styles. Over the years, I’ve learned that design is not just about creating something beautiful—it's about telling a story and crafting a personal connection. In the beginning, my process was largely about finding my voice and experimenting with different materials. I focused heavily on trends and what was popular at the time. As I gained more experience, I began to understand the importance of incorporating personal touches and deeper meanings into each piece. Today, my design process is more refined and intentional. I take the time to understand the client's vision, merging their story with my creative expertise. I’ve become more focused on timeless elegance, ensuring that each piece I create is not only aesthetically pleasing but also meaningful and unique. It’s been a journey of growth—from learning the basics to mastering the art of personalization. My designs have matured, reflecting a deeper understanding of what makes jewellery truly special: the blend of artistry, craftsmanship, and emotional connection. Here's to continuing this journey and creating more pieces that tell stories and hold cherished memories. #JankiChoksi #jewelleryDesign #26YearsOfDesign #jewelleryEvolution #Customjewellery #CreativeExploration #Naturelnspired #DesignWithPurpose #ThinkBold #CareDeeply #FutureOfDesign #ArtistryInMotion Bvlgari Cartier Tiffany & Co. Boucheron Graff Piaget Chopard CHAUMET LVMH CHANEL Gucci Louis Vuitton Prada Group Kering Fendi Van Cleef & Arpels Harry Winston Buccellati Chow Tai Fook Jewellery Group REIKO MORRISON