PEPA RUEDA’s Post

The challenge of art forgery is present within the institutional (museum) system as the collective expertise is capable of failure to determine what is a fake artwork. Read Hephaestus Analytical latest informative post.

Thinking about the future: Going beyond high watchmaking. "Knowledge is the most precious asset of humanity, even though human beings often forget that. Any initiative whose goal is the preservation and sharing of this knowledge must be celebrated – especially when we are talking about two centennial institutions of the calibre of Vacheron Constantin and the Metropolitan Museum of Art." ____ #essentialalgarve #art #culture #globalart #knowledge #MetropolitanMuseumArt #VacheronConstantin #LouvreMuseum  (Co-financiamento: Cresc Algarve 2020, Portugal 2020 e União Europeia através do Fundo Europeu de Desenvolvimento Regional) #openmediagroup

3D scanning technology is transforming the art experience.

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Artificial Rome #INTERPLAY is a generative installation in the heart of the Humboldt Museum in Berlin. Artificial Rome is the mastermind behind INTERPLAY in Berlin, and is celebrated for our groundbreaking approach to art. Through this daring artistic endeavours, INTERPLAY delves into the exploration of human perception, pushing the boundaries of artistic expression. Artificial Rome and Humboldt Museum, envisions a revolutionary transformation of the museum experience. We created a generative installation within the atrium of the Humboldt Forum in Berlin. The seventeen-metre-tall artwork, displayed on a towering screen sculpture spans across three floors of the museum. The permanent installation is visible from every angle inside the atrium. The frames change so that they appear differently at any given time. This means that visitors can experience an ever-changing simulation of the elements every time they pass through the atrium. Find out more and book tickets https://lnkd.in/eUSjpPYE Explore https://lnkd.in/eiPP7-gn Artificial Rome #Art #Artists #artificialrome #interplay #ExperimentalArt #HumanPerception #ArtisticExpression #MuseumTransformation #PneumaticTransmission #FutureTechArt #InteractiveInstallation #CommunicationRevival #AlgorithmsInArt #ConnectivityArt #ContemporaryArt #TransformativeExperience #AIImmersiveArt #VFX #Culture

This is something that all museums and collections need to consider. How to make the whole collection accessible to the public and/or researchers. While virtual museums certainly are a good start, one often wants to experience the works live also. Real estate and physical exhibitions however is costly so funding could be a challenge. #collections #art #museums #arthistory

Do you think all the world’s art is on show in museums and galleries? Where do you think that collections of art sit when not on show? A lesser talked about issue within the art world is the mass storage of collections in warehouses around the world. Whilst it is a shame we don’t get to see all the magnificent works of art, a more pressing issue is the environmental impact of storing so many works. Due to conservation concerns, these warehouses are climate controlled to ensure the stored pieces do not deteriorate over time. It takes a substantial amount of energy to keep these warehouses running efficiently (and this energy is more often than not from non-renewable sources). These high energy demands take up a huge chunk of the carbon footprint of museums and galleries. Whilst transforming these facilities into an open storage gallery for public view is a step in the right direction for connecting “lost art” with the art community, from a long term sustainability perspective, there needs to be more transparency about the current management of collections behind the scenes.

#soloshow #exibition #aterniger #aternigerproject #february2024 #ATERNIGER #BlackInArt #ChromaticExploration #AbstractArt #TheColorBlack #ArtisticExpression #ContemporaryPainting #MeaningsOfBlack #UrbanArt #AbstractInterpretations • ATERNIGER 2 exhibition, Bistrița-Năsăud Museum Complex. • Black is strong, silent, and elegant; it is matte black, glossy black, introspective, and mysterious. It is sober, balancing, and can be the starry sky on restful nights; black is a color that has undergone many changes over the centuries, as Michel Pastoureau noted. Black asserted itself as a color at the famous exhibition at the end of 1946 at the Maeght gallery in Paris, where 25 works by artists such as Pierre Bonnard, Henri Matisse, George Braque, Georges Rouault, Henry Van de Velde, Pierre Soulages, and others were exhibited. For me, it is a haiku, embodying all the meanings perceived through the eyes of the beholder. The ATERNIGER exhibition explores the depths and expressive dimensions of black, offering viewers a captivating journey through diverse stylistic approaches, placing them center stage, in the heart of the piece, or in the universe, exploring it. By integrating works done in a realistic style, I aimed to bring a personal and introspective element to the entire project. Thus, the realistic achievements become a window to my own self-representation, bringing to the forefront elements of identity and human experience that harmoniously merge with the abstract language of black. This juxtaposition creates a profound connection between abstract and real, inviting viewers to explore the subtle nuances of artistic expression in a vast spectrum of interpretations and emotions. In this dialogue, dynamic images are the connecting and transitioning element, elements from the real space that overlap and juxtapose, enveloping and unveiling urban exploration areas that have triggered over time in my conceptual and then real studio, today's project on display, entitled ATERNIGER.

Aye! We're so excited SF Chronicle's Datebook named our next major exhibition, CALLI: The Art of Xicanx Peoples an exciting exhibition for Summer 2024!!! Read the full article here: #CALLI #XicanxArt

🚨 UPCOMING EXHIBITION 🚨 We’re incredibly excited to announce The Art of Subversion. This first-of-its-kind exhibition will feature a provocative blend of street art, tattoo-inspired art, and functional glass art. The term ‘subversion’ is defined as “the undermining of the power and authority of an established system or institution.” With that, the goal is to initiate a broader conversation about how artwork is understood in our contemporary world. For decades, street art was seen as no more than vandalism, and only recently has it gained recognition for its cultural value. Similarly, while the traditional medium of tattoo art has been around for centuries, it has only been in the last few years that our society has shaken the stigma associated with the art form. The same cannot exactly be said for functional glass art, more simply known as ‘sm💨king 🅿️ipes’… I mean, I can’t even type the words normally here without getting this post flagged!! As with tattoos, the art of 🅿️ipe making and the medium of glass blowing has a profound history, yet it is an outsider in the art world. We hope this exhibition can help shift our collective perspective of these underrepresented forms of artistic expression. ••• WHEN: Friday, September 13, 5 - 8 PM WHERE: Rehs Contemporary 20 West 55th Street NYC ••• #streetart #tattooart #art #arte #contemporaryart #functionalglass #rehscontemporary #artexhibit #artexhibition #newyorkgallery