OPENS SEPT 6 | Experience LaToya M. Hobbs’s groundbreaking monumental series “Carving Out Time” when “Currents 39” opens this fall! Marvel at five ambitious, 8-by-12-foot scenes that depict the artist's day-to-day life and address universal themes of legacy, parenthood, and representation. Be immersed in Hobbs’s artistry in two forms: the carved wooden panels and prints created from them, exhibited for the first time together in “Currents 39,” and join us in celebrating the acquisition of the prints. Learn more and start planning your visit at mam.org/latoya-hobbs. Image: LaToya M. Hobbs (American, b. 1983), “The Studio” (detail), from the series “Carving Out Time,” 2020–21. Woodcut. Purchase, with funds from the Lucia K. Stern Trust, Kevin Fahey and Ray Grzebielski Fund, Cory and Michelle Nettles, the African American Art Alliance, Brewers Community Foundation, Angela and Virgis Colbert, Print Forum, and Gregory and Lisa Wesley M2023.282.5a-c. Image courtesy of LaToya M. Hobbs, Artist and Ariston Jacks, Photographer
Milwaukee Art Museum’s Post
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Taking a 7yr old and 5yr old to a museum to see the Dutch masterpieces was an inter-city adventure and a great lesson for me, perhaps for different reasons than you might think! Yes it was loud, fast and chaotic...the whole tour lasted about 45 minutes as they glossed over the classics and found joy in the animals, the naked breasts and of course, running up and down the staircases. But in the few moments that we actually looked and talked about the art, there was gold. Here's a sample of the full blog: 1: Kids don’t care about Rembrandt and maybe we shouldn’t either? "It's only a painting mum. Who cares" I loved this conversation, because, of course that is their first reaction! Why bother looking at this painting when there are things to climb on, run round, and explore in the real world. A great point well made - lets not take the art too seriously! 2: It’s not about the art. They wanted the story behind the art. Why did he paint this? Who is the dead man? Who are the other men? Why are they there? Where are the girls? Why is there no blood dripping? Why are they cutting him open? This is the point of the art. It's not a fact to be learned and repeated, but a way of thinking about ourselves and the world. It's a training ground for asking questions, seeing our humanity reflected and finding out about our past. 3. We all see art through our own perspective 4. We probably shouldn’t look at art for too long To read the full blog, head to paingeeks.community to join our free community or become a Super Geek and access all our videos, workshops and other community resources.
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Art House SF welcomes our first full-time employee! Her name is Peppy and she's a Pomeranian puppy from Latvia. Even though we're not part of the Frameline festival this year in SF, we do think that Peppy looks great on the red carpet :) On a more serious note, what do art dealers like me really do? Let's unravel this mystery. 1. Art gallerists vs. art dealers. Most art galleries in the US no longer buy art from artists. They exhibit art and if it sells, share 50/50 with the artists. This is called a "consignment model". Galleries take less of a risk, but they also invest less in artists. 2. Primary vs. secondary market art dealers. Primary-market art dealers buy art directly from contemporary artists and then resell it. A popular model in the early 20th century, but not anymore. Primary-market dealers often work with lesser-known artists, promote them, and build long-term relationships. Secondary market dealers resell artwork of famous, well-known artists. The few I know usually work in the $50k+ price range, and they'd like to call their art "investment art." I'm a primary art dealer. I purchase work from artists directly, which means: a. I believe in them b. We're able to offer affordable prices (no middlemen, no hype) c. I'm committed to them longer-term Hope that helps. What questions do you have about the art market?
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Learn more about how Timothy Hokett creates a canvas of resilience and revolution with each and every piece of art! https://lnkd.in/dhVmb2Yh #theblackmancan
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One element of my research work explores the different – or similar - ways we perceive and understand the world around us. As a result, I love when I see resonances between works of art from different times and places, as artists manage to express something essential and enduring in the world around them. The first image below is from a current MOMA exhibition of works on paper by Georgia O’Keefe, called “To See Takes Time (https://lnkd.in/ea46NDDX). The painting, “Night Star III”, dates from 1917, when she was exploring aspects of the Texas landscape and sky. It immediately brought to my mind the second image, which is the cover from Nina Simone’s 1971 album “Here Comes The Sun”. For me, both evoke a sense of light emerging from the darkness, as well as the recurring, circular pattern of time occurring in natural cycles. This can be a comforting counter-balance to the linear arc of birth, maturity and death dominating many Western cultures and systems, which often fails to provide a deeper and enduring sense of meaning. Many Indigenous cultures hold a circular notion of time and it can help to foster a healthier relationship with nature, where we aim to design and live in systems that respect natural cycles instead of one-way, extractive ones focused on satisfying short-term desires… #art #time #circularity #georgiaokeefe #ninasimone #worldview
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Leading expert in making your other WALLS JEALOUS! Let me help transform your home and heart with beautiful, textural art that makes a statement and gifts you moments of calm and self introspection.
Here are my top 5 reasons why I think it’s crucial to fill your walls with art! It’s not just about filling your walls because it matches your couch! There’s so much more to it! https://lnkd.in/gPtRn3Ew
Why it is crucial to fill your walls with art! — DONNA GIRAUD FINE ART
donnagiraudart.com
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artdaily.cc And once again, we can clearly perceive the direct connection between humanity, art, and nature. Creativity is a profound and enchanting process in the human experience. It is the magical spark that transforms thoughts into tangible expressions, weaving the fabric of our innermost dreams and emotions into the world. This beautiful journey of imagination and innovation allows us to connect deeply with ourselves and others, bringing forth art, ideas, and solutions that inspire and elevate our collective spirit. Creativity is such an intriguing term to delve into, a concept that invites us to explore and understand its profound impact. It is the essence of human ingenuity, the force that drives us to envision the unimaginable and bring it to life. Through creativity, we unlock the potential to transform the ordinary into the extraordinary, shaping our world and leaving an indelible mark on the tapestry of human history. Personally, I never cease to marvel at how the esteemed process of creation has flourished since ancient times. And this is precisely how ArtDaily presents it to us in this fascinating article. By Franz Lidz At Paint Rock, centuries of Native American artistry. Pictographs at Paint Rock, a half-mile-long bluff in central Texas, March 22, 2024. Glyphs and pictographs at the site represent generations of settlement by Indigenous peoples. (Dimitri Staszewski/The New York Times) NEW YORK, NY.- Paint Rock, an ancient ceremonial site in Central Texas, is a sort of outdoor gallery of rock art that documents hundreds or even thousands of years of Native American heritage… read more https://shorturl.at/LGnA0
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Award winning Independent Artist Painter @ Rock Water Gallery | Sustainable clothing brand owner. Prints and originals Shipping worldwide.
This artwork resurrects the conversation around the role of technology in art and how it can enhance or alter our engagement with cultural heritage. By integrating elements of virtual reality, the piece challenges traditional notions of spectatorship; it encourages viewers to step beyond passive observation and engage in an interactive dialogue with the artwork. The delicate balance between the old and the new ultimately signifies not a replacement of traditional values but rather their evolution—allowing classic art to thrive in a modern context. In a world that often grapples with the dichotomy of tradition and innovation, this reinterpretation of “The Girl with a Pearl Earring” serves as a powerful reminder that both can coexist harmoniously. Through the lens of kintsugi, we learn to appreciate our scars, both personal and societal, embracing them as part of our unique narratives. The piece stands as a testament to the resilience of art and the imaginative spirit that fuels its evolution—a celebration of the past, a meditation on the present, and a hopeful glance toward the future. As we engage with this captivating painting, we find ourselves at the intersection of history and technology, learning to navigate this complex tapestry with open minds and spirited hearts, ready to explore the artistic horizons that await us. More about this artwork and it is for sale as one of the kind one copy edition only: https://lnkd.in/eGYH8y7b
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Are you dreaming of starting your art collection? Check out this insightful guide on "How to Get Started as an Art Collector" from The Art Newspaper. Whether you're a seasoned enthusiast or a budding collector, this article is your roadmap to building a collection that reflects your passion and style. https://lnkd.in/dB3yrbbK
How to get started as an art collector
theartnewspaper.com
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Here is a short blog post from my website about my upcoming art opening, which happens to be later today.
Art Show at Bishop's Stock Gallery — Kenneth Browne
kennethbrowne.com
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