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So maybe, it turns out that the reports of the death of the movie theatre going experience may have been greatly exaggerated (at least for this weekend)?  As we know, those questions were spawned from a year to date box office that entered this weekend trailing last year by -26.6%. It also comes from a Pixar brand that had several films go direct to streaming and had not had a $100 million opening since TOY STORY 4, which was 5 years ago. So yes the questions were out there… Turns out that the answer to both lines of questioning is eerily similar, serve up great content and people will indeed come to experience it in a movie theatre. And the good news is that not only did INSIDE OUT 2 exceed expecations, it is absolutely blew them out of the water. Comscore, Inc. Senior Media Analyst, Paul Dergarabedian Dergarbedian, sums up this weekend as “The industry is about to be turned inside out (in a good way) with the debut of Pixar's latest animated creation and with a morale boost provided by some BAD BOYS, the theatrical marketplace is preparing for could be the biggest domestic opening weekend of 2024. With INSIDE OUT 2 poised for a stellar showing (benefitting from a perfectly timed Father's Day weekend debut), animated films have been a bright spot this summer with both IF and THE GARFIELD MOVIE showing long-term playability and showcasing the importance of the family audience in the summer. This is also good news for the forthcoming DESPICABLE ME 4, that will get a boost from the excitement (and in-theatre marketing) surrounding big screen family fun offerings at the multiplex”. A great release date, stellar reviews (A CinemaScore) and audience with pent up demand all will add up to, the 2nd biggest animated opening of all time, the 2nd biggest opening in Disney/Pixar history and the biggest total weekend box office the 2nd weekend of the Barbenhiemer last July 28th. INSIDE OUT 2 is appealing to virtually everyone and Disney is reporting a 3 day opening of $155 million. Most pre-release estimates had INSIDE OUT 2 doing around $85 million for the 3 days, so this number is only 80% above that. Our friends over at EntTelligence are reporting that the average ticket price for the film this weekend was $12.53. They are also reporting that from a daypart perspective 22% of tickets were sold for showtimes prior to 1pm; 35% between 1 – 5pm; 26% between from 5pm – 8pm and 17% after 8pm. INISDE OUT 2 was not the only overperformer as BAD BOYS: RIDE OR DIE continues to also exceed all expectations. Sony is estimating a 3 day of $33 million which bringing the 10 day total to $112.34 million. That puts the film was off 42% from last weekend which is better than the 2nd weekend drop of 46% for the last film in the series BAD BOYS FOR LIFE. Overall box office looks like it will come in close to $215 million which put it about 30% better than the same weekend as a year ago and the best overall weekend since July 28 of last year.

'Inside Out 2' scores $100 mil in its second weekend, setting records - https://lnkd.in/gjRih-F7 Weekend number two was just as joyous for “Inside Out 2.” The Pixar sequel collected $100 million in ticket sales in its second weekend, according to studio estimates Sunday, setting a new record for an animated movie in its follow-up frame in theaters. The previous best second weekend for an animated title was the $92 million for “The Super Mario Bros. Movie.” Only six movies ever have had better second weekends. In just a week and a half, “Inside Out 2” has become 2024’s highest-grossing film to date with $724.4 million globally, including $355.2 million in U.S. and Canadian theaters. That passes the $711.8 million worldwide total of “Dune: Part Two.” “Inside Out 2” will likely blow through the $1 billion mark in about a week, which would make it the first film since “Barbie” to do so. The extent of the “Inside Out 2” success startled Hollywood, which had grown accustomed to lower expectations as the film industry watched ticket sales this year slump about 40% below pre-pandemic totals, according to data firm Comscore, before “Inside Out 2” came along. The record haul for “Inside Out 2,” though, recalled past years when $1 billion grosses were more commonplace for the Walt Disney Co. It is also a much-needed blockbuster for Pixar, which after experimenting with direct-to-streaming releases, reconsidered its movie pipeline and approach to mass-audience appeal. Now, “Inside Out 2,” which dipped a mere 35% from its $154 million domestic debut, is poised to challenge “The Incredibles 2” ($1.2 billion) for the all-time top grossing Pixar release. It could also steer the venerated animation factory toward more sequels. Among its upcoming films is “Toy Story 5,” due out in 2026. For theater owners, “Inside Out 2” could hardly have been more needed. But it also reminded exhibitors of how feast-or-famine the movie business has become in recent years. Since the pandemic, movies like “Barbie,” “Spider-Man: No Way Home” and “Top Gun: Maverick” have pushed ticket sales to record heights, but fallow periods in between box-office sensations have grown longer. Ticket sales over Memorial Day last month were the worst in three decades. Some of 2024’s downturn can be attributed to release-schedule juggling caused by last year’s writers and actors strikes. The biggest new release over the weekend was Jeff Nichols’ motorcycle gang drama “The Bikeriders,” a film originally slated to open in 2023 before the actors strike prompted its postponement. “The Bikeriders,” starring Jodie Comer, Austin Butler and Tom Hardy, came in on the high side of expectations with $10 million from 2,642 venues in its opening weekend. “The Bikeriders,” which cost about $35 million to produce, was originally to be released by Disney

'Inside Out 2' scores $100 mil in its second weekend, setting records - https://lnkd.in/gjRih-F7 Weekend number two was just as joyous for “Inside Out 2.” The Pixar sequel collected $100 million in ticket sales in its second weekend, according to studio estimates Sunday, setting a new record for an animated movie in its follow-up frame in theaters. The previous best second weekend for an animated title was the $92 million for “The Super Mario Bros. Movie.” Only six movies ever have had better second weekends. In just a week and a half, “Inside Out 2” has become 2024’s highest-grossing film to date with $724.4 million globally, including $355.2 million in U.S. and Canadian theaters. That passes the $711.8 million worldwide total of “Dune: Part Two.” “Inside Out 2” will likely blow through the $1 billion mark in about a week, which would make it the first film since “Barbie” to do so. The extent of the “Inside Out 2” success startled Hollywood, which had grown accustomed to lower expectations as the film industry watched ticket sales this year slump about 40% below pre-pandemic totals, according to data firm Comscore, before “Inside Out 2” came along. The record haul for “Inside Out 2,” though, recalled past years when $1 billion grosses were more commonplace for the Walt Disney Co. It is also a much-needed blockbuster for Pixar, which after experimenting with direct-to-streaming releases, reconsidered its movie pipeline and approach to mass-audience appeal. Now, “Inside Out 2,” which dipped a mere 35% from its $154 million domestic debut, is poised to challenge “The Incredibles 2” ($1.2 billion) for the all-time top grossing Pixar release. It could also steer the venerated animation factory toward more sequels. Among its upcoming films is “Toy Story 5,” due out in 2026. For theater owners, “Inside Out 2” could hardly have been more needed. But it also reminded exhibitors of how feast-or-famine the movie business has become in recent years. Since the pandemic, movies like “Barbie,” “Spider-Man: No Way Home” and “Top Gun: Maverick” have pushed ticket sales to record heights, but fallow periods in between box-office sensations have grown longer. Ticket sales over Memorial Day last month were the worst in three decades. Some of 2024’s downturn can be attributed to release-schedule juggling caused by last year’s writers and actors strikes. The biggest new release over the weekend was Jeff Nichols’ motorcycle gang drama “The Bikeriders,” a film originally slated to open in 2023 before the actors strike prompted its postponement. “The Bikeriders,” starring Jodie Comer, Austin Butler and Tom Hardy, came in on the high side of expectations with $10 million from 2,642 venues in its opening weekend. “The Bikeriders,” which cost about $35 million to produce, was originally to be released by Disney

Disney’s Wish Fails on Every Level I try to usually stay positive, but this article had to be shared. It captures our feelings we had after seeing the movie last Wednesday night. As someone who has sat through a lot of movies during COVID and afterwards, I've seen some disappointing films in theaters the last few years in support of the industry. But this was the first time where I considered leaving mid-film. Disney's box office woes will only deepen with this movie's failure. Disney is THE name in animation, but I hate to admit, they're being overtaken. Set the rest of their 2023 box office failures aside for a minute... just focus on the animation division. Disney can't just continue to ride on Frozen sequels. They will find the next mega hit - they always do - but it seems to be a rough road to get there. And if they keep taking the wrong lessons from the failures ("clearly we need more sequels") it will be a longer road too. There is so much I'd like to say. I'll let this article speak it. https://lnkd.in/ea3FQamA #disney #animation #filmindustry #storytelling #intellectualproperty #themedentertainment

Dreamworks Animation’s Kung Fu Panda 4 pulled in an estimated $30 million over its second weekend to top the domestic box office for the second consecutive week, narrowly outpacing Dune 2. Distributed by Universal, the latest Kung Fu Panda sequel has now grossed $107.7 million from its first two weeks in cinemas and should continue to thrive with no significant kids and family competition on the horizon. The next big studio pictures targeting young audiences will be Paramount Pictures’ IF on May 17 and Alcon Entertainment’s The Garfield Movie on May 24. Disney will put Luca in cinemas on March 22, but the lackluster theatrical releases of Soul and Turning Red in January and February instill very little confidence that people will show up for Luca. Kung Fu Panda 4, directed by Mike Mitchell and co-directed by Stephanie Ma Stine, is now the first animated film to top the domestic box office in back-to-back weeks since The Super Mario Bros. Movie did so in April of last year. That film was also released by Universal, which has become the dominant animation distributor at U.S. theaters over the last several years. Things went similarly well for the film abroad, where it grossed $69.6 million from 56 offshore markets. It was second place globally behind Dune 2, but that film was available in 74 territories. Kung Fu Panda 4′s global haul after two weeks sits at $176.5 million. Another Universal-distributed film, Benjamin Renner’s Migration, made $580 in North America during its 13th weekend in theaters and has grossed $126.5 million during that time. Produced by Illumination, the film has made another $159.4 million abroad, for a total worldwide gross of $295.9 million. That’s a hefty sum for an original animated film these days, especially one with a budget of just $72 million. Source link ‘Kung Fu Panda 4’ Passes $100 Million Domestic Milestone During Its Second Weekend In Theatershttps://lnkd.in/dqvzaK6N

Disney and Pixar’s “Inside Out 2” could be the first film since Warner Bros.′ “Barbie” to top $1 billion at the global box office. “As a global phenomenon attracting moviegoers well beyond families and kids and a message that resonates and is relatable across all cultures and languages, ‘Inside Out 2’ is the rare film that is both a box office sprinter and a marathon runner,” said Paul Dergarabedian, senior media analyst at Comscore. “It is the perfect candidate for admission to the billion-dollar club.” The animated feature has tallied $724.4 million worldwide as of Sunday, making it the highest-grossing film of 2024. Warner Bros. and Legendary Entertainment’s “Dune: Part Two” previously held this year’s record with $711.8 million. ″’Inside Out 2’s′ performance is the culmination of many things,” said Shawn Robbins, founder and owner of Box Office Theory. “A meaningful story that people of all ages and backgrounds can relate to, beloved goodwill toward the original film, Disney and Pixar’s legacy brand appeal, pent-up demand for a family movie, a very consumer-friendly runtime under two hours, school breaks, and oppressive heat waves driving many people indoors for air-conditioned entertainment can all be pointed to as ingredients in the recipe for this box office storm.” The film snared another $100 million domestically over the weekend, an unheard of 35% drop from its opening weekend. Films typically see a 50% to 70% drop in ticket sales from their debut weekend to their second weekend. https://lnkd.in/gyYN72f6

CHANDRAMUKHI MARATHI MOVIE DOWNLOAD IN 480P, 720P, 1080P [2024] In the vibrant landscape of Marathi cinema, the release of "Chandramukhi" in 2024 has sparked immense excitement among film enthusiasts. With its captivating storyline, stellar performances, and breathtaking cinematography, the movie promises an immersive cinematic experience. As audiences eagerly anticipate its release, discussions about the availability of the film in various resolutions, including 480p, 720p, and 1080p, have become increasingly prevalent. The advent of digital platforms has revolutionized the way we consume entertainment, making high-quality content accessible to viewers around the world. The mention of 480p, 720p, and 1080p resolutions in connection with "Chandramukhi" suggests that the filmmakers are catering to a diverse audience with varying preferences for video quality. These resolutions refer to the pixel dimensions of the video, with higher numbers indicating sharper and more detailed images. The availability of the movie in different resolutions caters to a wide spectrum of viewers, considering factors such as internet speed, device compatibility, and personal preferences. While 480p provides a decent viewing experience for those with slower internet connections or limited data, 720p and 1080p resolutions offer superior clarity and detail, especially on larger screens. The flexibility in resolution options ensures that fans of "Chandramukhi" can enjoy the film without compromising on their preferred viewing quality. Downloading movies has become a common practice for those who prefer offline viewing or have limited access to a stable internet connection. The mention of 480p, 720p, and 1080p in the context of "Chandramukhi Marathi Movie" download options indicates that viewers will have the flexibility to choose the resolution that best suits their needs. This approach aligns with the industry's efforts to enhance user experience and cater to the diverse requirements of a global audience. The year 2024 marks a significant milestone for Marathi cinema, and "Chandramukhi" appears poised to contribute to the industry's success. The movie's availability in multiple resolutions reflects a forward-thinking approach by the filmmakers, acknowledging the varied preferences of today's digital audience. This strategy not only ensures accessibility but also demonstrates an understanding of the evolving dynamics of the entertainment landscape. As fans eagerly await the release of "Chandramukhi," the discussions surrounding the movie's download options in 480p, 720p, and 1080p resolutions only add to the anticipation. The flexibility offered by these resolutions ensures that viewers can tailor their cinematic experience to align with their specific preferences and technical constraints. For more visit: https://lnkd.in/dwQVTuTy

Avatar: The Last Airbender Live-Action Series Is Officially a Netflix Hit Image: Netflix Netflix’s Avatar: The Last Airbender live-action bid is officially a success. The caller bid debuted connected the streamer’s English-language TV database with 21.2 cardinal views and reached the apical 10 successful 92 countries, according to Netflix’s released rankings. How The Last Airbender Inspired Lisette Olivera That’s rather a wonderment and feat erstwhile the sermon astir the show has go a blistery topic, with fans of the archetypal animated bid expressing disappointment successful the adaptation. However, it’s wholly imaginable curiosity and caller viewership are what’s powering those assemblage numbers. According to Variety, Avatar: The Last Airbender overcame its mixed reviews and is inactive coming successful 15% higher than Netflix’s live-action anime adaptation One Piece, which boasted a much favorable reception. One Piece may person started retired smaller with 18.5 cardinal viewers, but affirmative connection of rima gave it staying powerfulness connected the charts. Avatar: The Last Airbender may not bask those aforesaid word-of-mouth benefits—instead, online complaints person called retired the writing, cinematography, quality changes, and wigs—but folks are inactive flocking to cheque it out, making it a hit. There’s country for betterment successful aboriginal seasons for the bid yet. It’s not a full dud... similar Cowboy Bebop turned retired to be. Avatar: The Last Airbender season one is now streaming connected Netflix. Want much io9 news? Check retired erstwhile to expect the latest Marvel, Star Wars, and Star Trek releases, what’s adjacent for the DC Universe connected movie and TV, and everything you request to cognize astir the aboriginal of Doctor Who. https://ift.tt/XIUSNbC

From THR: Universal Pictures ‘s film empire is taking a major bow after placing No. 1 in marketshare at the 2023 global box office, a feat no studio has been able to pull off since The Walt Disney Company rose to dominance in 2016. The 24 movies released by Universal generated an estimated $4.91 billion in worldwide ticket sales, compared to an estimated $4.83 billion from the 17 titles released by Disney in what made for a relatively close race both in North America and at the foreign box office. Even a week ago, no one in #Hollywood was sure Universal would prevail, especially overseas. Universal’s total haul included $1.94 billion in domestic revenue, while Disney’s domestic tally was $1.9 billion. Internationally, Universal prevailed with $2.97 billion. Disney’s offshore revenue was $2.92 billion From 2016 to 2022, Disney placed first in global marketshare (it lost the domestic race to Sony Pictures Entertainment in 2020, the year of the COVID-19 box office collapse). Universal hasn’t ranked No. 1 on a worldwide basis since 2015, when the studio’s revenue reached a then-record $6.9 billion. Ceding the crown to Universal caps an especially difficult year for Disney, one in which Marvel Studios and the company’s animation studios stumbled badly. In recent weeks as The Marvels and Wish collapsed in their box office runs, Disney CEO Bob Iger didn’t try to gloss over the missteps. “We lost focus,” the exec declared on a Nov.8 earnings call, where he promised investors that the company is putting effort into quality versus quantity. If there’s any solace, it’s that the marketshare contest wasn’t a rout, and that Disney — like Universal — was far ahead of the other major studios. And it has ranked as one of the top two studios for the past nine years, including seven at No. 1. Other highlights: Disney released four of the top 10-grossing films globally in 2023, the most of any studio; Guardians of the Galaxy Vol. 3 (one of the few superhero titles to work), The Little Mermaid, Elemental and Ant-Man and the Wasp: Quantumania. Domestically, Disney claimed three of the top 10 films, likewise the most of any studio; Guardians, Little Mermaid and Quantumania. Warner Bros. Entertainment — home of Barbie, the year’s top earner with $1.44 billion in worldwide ticket sales — was No. 3 in global marketshare with $3.84 billion, including $1.43 billion domestically and $2.4 billion overseas. Sony came in No. 4 with $2.09 billion globally, including an early domestic estimate of $1.01 billion and $1.08 overseas #Paramount’s global revenue came in at $2.03 billion in 2023, including $842 million domestically and $1.18 billion offshore Elsewhere, Lionsgate had a notable milestone to celebrate in that its movies generated north of $1 billion in global ticket sales for the first time in five years thanks to the successful runs of John Wick: Chapter 4, The Hunger Games: The Ballad of Songbirds and Snakes and the latest Saw franchise, among other titles