In this article I predict the future with 100% accuracy. Thanks LBBonline - Little Black Book
Banjoman leads the discussion with top Irish creatives on the state of the Irish creative industry, writes LBB’s Tará McKerr. With thanks to TBWA\Dublin's Alan Byrne and Adam Crane; Banjoman's Dermot Malone; Publicis Dublin's Ronan Nulty; F&B Huskies' Damian Hanley and Clickety Clack's Sarah Chadwick.
Brilliant of someone of the industry to take the Bull by its horns. I have been mentioning and doing that of late, working on project fees versus the age old retainers which force an agency to kill their employees by "sharing" them conveniently. At Buzz, I am clear, we don't try and share unless the brand is comfortable with that and if so then should understand and operate in our HUNT framework. It's simple, if you have shared resources, plan your hunt. Someone from the tribe with the right skill will join and get the kill. Having a rate card for ideation is the most absurd thing in advertising and boy will you see it in plenty in network agencies in the name of homogenisation and processes. :) Kudos PG and Gautam for relaying this on a right forum. Gautam Reghunath PG #agency
Everything wrong with the creative agency business can be traced back to the way we price. It’s time we fixed it 🍝. Highlights from Talented.Agency's Gautam Reghunath and P.G. Aditiya's session on stage at Cannes Lions International Festival of Creativity.
Co-founder | Partner @ Crewtangle - A Brand Marketing Agency | Chief Creative Officer | Building The Cocktail Culture
This is so true and so need of the hour but every day, new agencies with tiny teams pop up of probably 2 or 3members, ready to undercut prices. Which is used at an advantage by the procurement team. Even the Rate card creates an impact of less customization from the client perspective. Now of course the difference in service and output is clear but it's us as a Founders who need to be confident about our pricing(Ofcourse rationally). Once we recognize this, we'll carve out our niche and gain the power of choice (more than ever before). #Agency #creativeindustry
Everything wrong with the creative agency business can be traced back to the way we price. It’s time we fixed it 🍝. Highlights from Talented.Agency's Gautam Reghunath and P.G. Aditiya's session on stage at Cannes Lions International Festival of Creativity.
TIARECORD8UK International Global Records Producer Business management Consultant
🎶 Embracing the Journey: Nurturing Independent Artists in a Shifting Landscape 🎬 In the midst of alleged uncertainties and the dawn of spiritual awakenings, the landscape of the entertainment industry is undergoing profound transformations. With high-profile curators facing allegations and the looming challenge of content removal from the public domain, independent artists and labels find themselves at a pivotal crossroads. Yet, amidst these challenges, there lies an opportunity for growth, resilience, and innovation. As we navigate through the turbulence, it is imperative for independent artists and entertainment organizations to remain steadfast in their commitment to authenticity, creativity, and integrity. This is a time for collective introspection and evolution. As the industry places individuals and labels under probation, it is a call to action for us to reaffirm our dedication to the craft and the community we serve. Let us not be deterred by the shadows of uncertainty, but rather, let them serve as catalysts for transformation and renewal. As we embark on this journey, let us foster a culture of support, collaboration, and empowerment. Together, we have the power to redefine the narrative and shape the future of entertainment. Let us embrace the challenges ahead with courage, determination, and unwavering belief in the resilience of the human spirit. This is our time to shine, to inspire, and to pave the way for a new era of independent artistry. Let us seize the opportunities that lie before us and chart a course towards a brighter, more inclusive future. Here's to a constructive year ahead for independent artists and business owners. Together, let us rise to the occasion and write the next chapter in the story of entertainment. #tiarecords www.tiarecord8uk.com Timgrenduk@tiarecord8uk.com #design #florida #designers #australia #youtubers #desi #agencyforperformingarts #tiarecord8uk #mgmtartists #thefeldonagency @highlight Tim Grenduk Dijoun Jamison Sally Sweets French Shiesty Brandon Willis Underground Rap All Music Reviews - Songs Beats Trapsin Rsä Nazeem Amari Facebook Marketplace Community Lyric Kiddo BET Hip-Hop Awards Promote your music Worldwide!
Protean experientialist Laura Hess has started a Substack called This Is Not an Experience, and frankly, there’s no one better equipped to guide you through the wilds of experiential art and entertainment. With a mind sharper than most laser shows and an uncanny ability to make sense of this ever-evolving-whatever-it-is, Laura delivers insights, reviews, and trends like nobody else. Subscribing is free, but the knowledge you’ll gain is priceless. https://lnkd.in/et3RegwE
You Probably Didn't Hear Stuff Like This In The Palais - "Our Industry Is Insane": Refreshing Indie Candor From The Beach In Cannes Our company CEO, Mark Pasetsky, recently participated at #CannesLions in a dynamic panel led by thenetworkone ownerJulian Boulding. They covered a wide range of topics that provoked strong opinions — all leading to how indies think and thrive. Panelists included Barrington Reeves, Emma Harris, Nick Paul, and Pooja Manek. The candor that indies bring to the table is essential, but it’s far from bluster or simply provocation. It’s a real-world, real-business perspective, and there is no time to waste on the usual corporate pleasantries. Check out the panel's key takeaways: https://lnkd.in/geH2iRmm
More from our forthcoming book on Bristol Ideas.
Writer, commentator, interviewer, chair. Former Director: Bristol Ideas, Festival of Ideas, Festival of the Future City. Currently working on projects to 2030 and books including one on Isambard Kingdom Brunel
ACH Smith on Bristol and the arts. Bristol Ideas has had a long relationship with novelist, playwright and poet ACH Smith. His play Up the Feeder, Down the Mouth (2001), provided one of the most magical moments in theatre in the city in recent decades. The Newcomers – the BBC series he refers to here – has been influential in our work. We showed this twice, to full houses. Smith was also a mentor, providing informal advice on Bristol in the 1960s, a period he reflects on here as he looks at the city and the arts over the past six decades. The environment for public funding for culture then was as challenging as it is now. ‘Andrew Kelly emailed me in 1995 for suggestions for memorial plaques to significant artistic figures in Bristol’s history. I offered a few thoughts but finished with: ‘One plaque at Temple Meads could cover them all, though. It might read: “The City of Bristol, always pleased to see the back of artists”.’ This essay is taken from Our Project Was the City: Bristol Ideas 1992-2024, published May 2024.
Can street art help the bottom line for District Centre businesses?
One of the greatest struggles that any creative will experience – whether they be musicians, artists, writers, or anything – is finding like-minded peers who share your vision and appetite. But what if there was a way to connect with those people, to find your tribe, and to be amongst supportive individuals? That's where names like Tileyard London come into things. Having initially started as just a few studios with a tiny café, it soon blossomed into a creative arts hub, where people of all fields – artists, bands, management companies, distributors, and more – can come together to share their talents, efforts, and resources in what has since become a globally recognised creative community. With a myriad functions, ranging from offering studio facilities (and hosting names like Drake and Mark Ronson), to being a venue, to boasting co-working spaces, amenities, educational facilities (Tileyard Education), a management, publishing, and record company, and just about everything else you could possible imagine, it goes without saying that if you want Tileyard to do something, it probably already does it. For our latest Venue Spotlight, we spoke to Tileyard's Head of Partnerships and Events, Bryan Borcherds, about the history of Tileyard, the initial vision, and how things have grown. Read the full feature here: https://lnkd.in/g4krVAxu
Yes! 🎉 📢 This is so important. Please do share information about arts sector roles and people movement with ArtsHub and the fabulous Richard Watts. The cross-pollination of information, inspiration and sectors is valuable. Case in point, I've been listening to Richard for years on Triple R Broadcasters Ltd, but only just started following the legend here. More arts and culture news on LinkedIn for the win!
Dear Australian arts sector friends and colleagues: just a reminder that if you're leaving an existing role or starting a new role in the sector, to please drop me a line over at ArtsHub so I can share the news in our weekly On The Move column every Monday. It's always one of our most-read stories each week, and a great way for people to keep track of who's going where in the Australian arts industry. And please don't think that we only want to include details about the major movers and shakers in the column - everyone matters, and all positions regardless of seniority are significant to us, from marketing to management, tech roles to artistic directors. Thanks! Richard xo
I love it! ❤️👌🏻 Could we use this idea in some business areas for Sales & Marketing? We need to be more entertainers and less advertisers. How? The way to new connections is attracting people 👏🏻📲😄😃☺️😊🤩😍=💶💰👏🏻 #Forretningsutvikling #produktutvikling #Ecommerce #customerexperience
In last year’s Inside the Jury Room: Entertainment our Jurors lifted the lid on the decisions that lead to wins, and the lessons you can learn for your own submissions. Juror Diego Blanco García, Head of Creative Entertainment at Media Brands Content Studio, said advertisers can learn a lot from the entertainment industry – and work should enrich people’s lives, rather than interrupt them. Want to start your Eurobest journey? Be sure you submit before the deadline on 17 October | eurobest.com