This week designers from the RDI Faculty and wider community are exhibiting at London Design Festival. Kim Colin RDI and sam hecht RDI are showing a conceptual design from their studio Future Facility (with Leo Leitner) that explores the relationship between the digital and physical worlds at ‘Design You Can Feel’ at Protein Studios, 31 New Inn Yard, EC2 3EY. Luke Pearson RDI and Tom Lloyd RDI (Pearson Lloyd) are exploring what ‘well made’ means today in an exhibition of 60 diverse responses from across the industry at Yorkton Workshops, E2 8NH. Michael Marriott RDI is launching the ‘Sori Yanagi Appreciation Society’ in collaboration with writer Duncan Riches at Tokyobike in Shoreditch. The show includes a specially composed presentation of Sori Yanagi designs, along with the launch of the Sori Yanagi Appreciation Book, published by Rollo Press at tokyobike, 87-89 Tabernacle Street, EC2A 4BA. Marina Willer RDI is presenting ‘Overlooked’, a celebration of London’s drain covers, highlighting their intricate designs and craftsmanship, often overlooked due to their industrial function. The show features prints by Dan Mather on Fedrigoni paper at Unit 210, Borough Yards, SE1 9AD. And Summer Session 2023 alumni Andu Masebo is presenting ‘Making room’ with Mikey Krzyzanowski, a series of workshops, talks and happenings to make room for collaborative experiences and new ways of thinking. For timings and the full programme visit londondesignfestival.com
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💫 Today marked the concluding event of the Vienna Design Week, and I would like to share a bit about how the event was organized and what took place. The VIENNA DESIGN WEEK is Austrian largest design festival with a variety of venues throughout Vienna. Beyond the preoccupation with the design of products, it poses the question of what role the work of designers plays for coexistence in the city and worldwide. The main focus was on the use of secondary/recycling materials. This theme was present in almost all the events Main key activities included: 🔹 Exhibitions Various galleries and museums in the city hosted exhibitions of contemporary designers' works, both local and international. Special attention was drawn to installations that combined art and technology. 🔹 Lectures and Seminars Renowned designers and experts shared their thoughts on the future of design, sustainable development, and innovations. Many events took the form of open discussions, allowing participants to ask questions and exchange opinions. 🔹 Workshops Practical sessions were organized where participants could try their hand at various areas of design—from creating interior items to graphic design. 🔹 Urban Tours of Insider Locations The program of these specially compiled professional tours is designed to appeal just as much to people interested in culture as to architects. The exchange between international colleagues and tour participants is a significant aspect of the choreography of each tour 🔹Urban Food & Design\ The City as a Resource This year’s edition of Urban Food & Design, the format jointly presented by the Vienna Business Agency and the VIENNA DESIGN WEEK, is addressing the subject of innovating with recyclable materials. How can the city’s previously unused resources – including those generated by food production – be developed into new materials for architecture and design. And how can these be appropriately employed in the gastronomy and hospitality sector All events were marked on a map with dates and locations. I couldn’t attend everything, but in future posts, I will showcase what I’d really liked and particularly enjoyed. Lastly, I can say that this festival is definitely not just about furniture exhibitions, it's more about the dialogue between modern technologies, design, designers, and society
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Media 10, the organisers of Clerkenwell Design Week and publishers of ICON and OnOffice magazines announce the launch of Design London Shoreditch – a new multi-venue design event taking place during London Design Festival. Popping up in East London’s thriving district, each exhibition will focus on a different overarching theme attached to design, culture and cutting-edge interiors covering commercial, hospitality and residential projects. This exciting new exhibition will attract an international audience of architects, designers and enthusiasts to the popular neighbourhood. Featuring topical talks covering the industry’s most pressing topics, immersive installations, brand activations, pop-up shops, established and emerging design brands, Design London Shoreditch is set to be an exciting and much welcomed addition to London’s annual design festival. Link in the comments.
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We are creating Tulum Design Festival for the first time in Tulum that will become a flagship sustainable design event globally. It's a gathering of diverse minds to focus on WATER OF THE FUTURE through a symposium. This year in 2024 we are planting the seed of what it will become playing with depth, creativity, format, content and production. All guests are hand selected and within our communities to keep the conversations deep and meaningful with aligned minds and open hearts for reimagining and redesigning and action. The attendees are designers, architects, developers, product designers, Mayan artists and designers, investors, corporates, Tulum business owners and local organizations. All aligned to create a better sustainable future in Tulum, mexico and the world. The theme is “water of the future” because it’s a very important topic to discuss and answer for the sake of future generations. Water is a core area of focus in the area as the rapid development can and will impact the environment, sensitive cenote underground system, the lagoons, the rivers, the ocean. If we can create a water protection programme for the area with a water supply system , we can build a water system for other areas to use as a blueprint. The main hub will be Casa Ki Design House which is the exhibition space for designers and experience hub for guests and artists. Let’s change the narrative. Let’s change the future. Join the journey 🌱 with us 💧💦
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We are creating Tulum Design Festival for the first time in Tulum that will become a flagship sustainable design event globally. It's a gathering of diverse minds to focus on WATER OF THE FUTURE through a symposium. This year in 2024 we are planting the seed of what it will become playing with depth, creativity, format, content and production. All guests are hand selected and within our communities to keep the conversations deep and meaningful with aligned minds and open hearts for reimagining and redesigning and action. The attendees are designers, architects, developers, product designers, Mayan artists and designers, investors, corporates, Tulum business owners and local organizations. All aligned to create a better sustainable future in Tulum, mexico and the world. The theme is “water of the future” because it’s a very important topic to discuss and answer for the sake of future generations. Water is a core area of focus in the area as the rapid development can and will impact the environment, sensitive cenote underground system, the lagoons, the rivers, the ocean. If we can create a water protection programme for the area with a water supply system, we will be able to use it as a blueprint for other areas. The main hub will be Casa Ki Design House which is the exhibition space for designers and experience hub for guests and artists. Let’s change the narrative. Let’s change the future. https://lnkd.in/gMbj-J53 Join the journey 🌱 with us 💧💦
We are creating Tulum Design Festival for the first time in Tulum that will become a flagship sustainable design event globally. It's a gathering of diverse minds to focus on WATER OF THE FUTURE through a symposium. This year in 2024 we are planting the seed of what it will become playing with depth, creativity, format, content and production. All guests are hand selected and within our communities to keep the conversations deep and meaningful with aligned minds and open hearts for reimagining and redesigning and action. The attendees are designers, architects, developers, product designers, Mayan artists and designers, investors, corporates, Tulum business owners and local organizations. All aligned to create a better sustainable future in Tulum, mexico and the world. The theme is “water of the future” because it’s a very important topic to discuss and answer for the sake of future generations. Water is a core area of focus in the area as the rapid development can and will impact the environment, sensitive cenote underground system, the lagoons, the rivers, the ocean. If we can create a water protection programme for the area with a water supply system , we can build a water system for other areas to use as a blueprint. The main hub will be Casa Ki Design House which is the exhibition space for designers and experience hub for guests and artists. Let’s change the narrative. Let’s change the future. Join the journey 🌱 with us 💧💦
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Absolutely, integrating art into real estate ventures is a powerful strategy that can transform spaces into vibrant, engaging environments. Kicki Andersson’s approach of blending art with property development offers numerous benefits: Creating Dynamic and Engaging Spaces: Enhanced Aesthetic Appeal: Art installations, murals, and creative designs enhance the visual appeal of properties, making them more attractive to residents and visitors. Fostering Community and Cultural Enrichment: Art projects often bring people together, creating a sense of community and cultural engagement. Public art installations, for example, can become landmarks and gathering points that enrich the local culture. Benefits of Integrating Art into Real Estate: Increased Property Values: Properties that feature unique art elements tend to have higher market values due to their distinctive appeal. Higher Occupancy Rates: Art-integrated spaces are more appealing to potential tenants, leading to higher occupancy rates and lower vacancy periods. Stronger Community Connection: Art fosters a sense of pride and ownership among residents, strengthening their connection to the property and the community. Economic Development: Art installations and cultural events can attract tourists and visitors, boosting local businesses and the economy. Specific Examples of Art and Property Integration: Residential Buildings: Art Murals: Large-scale murals on building exteriors or interiors add character and charm. These can be themed around local history, culture, or contemporary art. Sculpture Gardens: Incorporating outdoor sculptures and landscaped gardens creates inviting communal spaces for residents to enjoy. Commercial Spaces: Public Art Installations: Sculptures, light installations, and interactive art in commercial plazas and office buildings enhance the environment and create memorable experiences for visitors and employees. Artistic Retail Design: Retail spaces designed with artistic elements, such as themed decor and artist collaborations, attract more customers and create unique shopping experiences. Art-Themed Properties: Art Hotels: Hotels that showcase rotating art exhibits and installations offer guests a unique and immersive stay. These properties often partner with local artists and galleries. Cultural Hubs: Developing multi-use properties that host art exhibitions, performances, and cultural events enriches the community and attracts diverse audiences. Strategic Vision for the Future: By continuing to integrate art into real estate ventures, Kicki Andersson can create dynamic, engaging spaces that not only enhance aesthetic appeal but also foster a stronger sense of community and cultural enrichment. This approach positions her developments as desirable, high-value properties that stand out in the market.
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I am so pleased to announce I have been awarded finalist in the Designers Institute of New Zealand BEST Awards. I would like to thank all of my amazing lecturers for their guidance and support, this achievement would not have been possible without you. Sarah McCallum Tobias Danielmeier ‘The Intermission’ is a transformative vision for 260 Queen Street, where design converges to satisfy two intrinsic human desires; the yearning for a profound connection with nature and the essence of interpersonal relationships. Amidst the towering high rises of the cityscape, this adaptive reuse initiative embraces the challenge of blending natures embrace seamlessly into the urban fabric. In this architectural peice, every space is is a canvas artfully designed to resonate with the diverse dimensions of human existence, fostering connection, introspection, and a profound sense of wellbeing. In a society so accustomed to artificial stimulation, the need for community spaces which allow authentic human experiences is dire. The intermission acts as a haven, allowing freedom and choice in the urban environment while subtly pushing for chance encounters and connection to nature, grounding occupants in their fundamental human nature. This endeavour focuses on enhancing tactility and materiality by crafting captivating, interconnected atmospheres. Rooted in heritage, The Intermission lovingly restores the Italianate Victorian charm of the Former ASB bank building, along with two adjacent structures. The approach ensures occupants are not just spectators but active participants, deeply rooted in their surroundings. The intermission aims to redefine urban living, embracing the past while forging an inherently sustainable and enriching future. Functionality harmonises seamlessly with community cohesion. The spaces are a testament to versatility, intelligently crafted to operate in harmony or in splendid isolation. I have attached a link below if you would like to check out the project.
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Iberoamerica Designs at Pratt Campus Pratt Institute, Brooklyn Design Center / Pratt Studios 4th Floor To discuss design today, it is essential to have a comprehensive perspective. While traditional design capitals like Milan and Paris continue to thrive, associated with furniture and fashion respectively, other cities like New York have become major cultural and design epicenters. Quietly, some emerging regions are transforming into platforms for innovative design, blending rich artisanal traditions with modern design concepts and business resources. This includes professionals trained at universities that have become hubs of education and design research. Let’s talk about Ibero-America, a region comprising 22 countries across two continents, with nearly 6,000 universities and over 700 million inhabitants. It hosts 187 Biosphere Reserves and embraces a global outlook poised for learning and showcasing its capabilities. The association Iberoamérica Diseña, which we founded, aims to highlight design as a unique value of Ibero-America after organizing a biennial for 20 years. We will introduce this association in New York, in collaboration with Pratt Institute in Brooklyn, discussing with designers, educators, students, and design enthusiasts about this potential and its ability to influence global design trends. Manuel Estrada – President of Iberoamérica Diseña Anita Cooney – Dean / School of Design / Pratt Institute Ignacio Urbina Polo – Chair / Industrial Design Department / Pratt Institute
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Surface Design Show Releases its 2025 Speakers Programme With just over two weeks to go to until the Business Design Centre opens its doors to architects and designers from across the globe to explore the latest in surface materials, the Surface Design Show is thrilled to announce its exceptional speaker’s program for the 2025 edition of the show. Featuring a diverse range of topics and discussions with the leading industry experts. Join us to hear from the likes of Grant Gibson, Kate Watson-Smyth and Morgan Lewis. The programme will be held on the Main Stage sponsored and designed by Procédés Chénel, consisting of 15 presentations from over 40 speakers, including architects, designers, manufactures and journalists. The main stage will once again return to the gallery level, featuring furniture supplied by Surface Matter. The 2025 theme, Creative Conscience will be present throughout the speakers' programme, with topics giving key insight into future of materials for the built environment, focusing on sustainability, technological advancement, and the human experience. Next door to the main stage will be the Designer Hubs, where guests can network, relax and reflect on the inspiring talks heard at the show. The space is designed in conjunction with Surface Matter and The Collective and features a stunning chandelier made from salvaged CD cases from Spark & Bell. To read the full speakers programme, please click on the link below; Main Stage Programme | Surface Design Show 2025 | 4-6 February Read More:- https://bit.ly/3PHJe89 #SDS #SDS2025 #SurfaceDesignShow2025 #surfaces #materials #speakerprogramme #speakers #architects #designers #manufacturers #CreativeConscience #builtenvironment #sustainability #technologicaladvancement #designerhubs #AI #materialinnovation #awardsceremony #wellnessdesign #innovative
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Design in Cologne: A Complicated Relationship Status https://lnkd.in/emjTUUc6 The Aftermath of IMM Cologne 2025 Cancellation The recent cancellation of IMM Cologne 2025 in January has left the design community in Cologne in a state of uncertainty. Alongside the concurrent Passagen event, which is steadily losing its appeal, we must ask ourselves: Where is the direction of design and furniture in Cologne heading? As Frankfurt prepares to be the design capital in 2025, Cologne appears to be drifting, with little more than cancellations and a lack of initiatives to showcase its design potential. A Diminishing International Profile Compared to other cities, Cologne is losing its stature as a design hub on the international stage. While Frankfurt gears up for its upcoming designation, Cologne’s design scene seems stagnant. Where are the initiatives, roundtables, and design competitions that could breathe new life into the local scene? The absence of pitches and collaborative projects has led to a pressing need for a restart in reactivating Cologne’s rich design tradition. Is Cologne Content with Its Current Image? With the Cologne Cathedral and Carnival as the city’s defining symbols, one has to wonder: Is Cologne satisfied with its existing identity? The city’s design culture deserves more than just a historical backdrop. What other unique aspects does Cologne have to offer? Unfortunately, even the local football team, FC Köln, is experiencing a slump, mirroring the city’s stagnation. Now is the time for a renaissance in design; we need to revitalize our creative spirit and establish Cologne as a vibrant player in the design world once more. Call to Action Cologne’s design community must come together for a fresh start! Let’s initiate discussions, spark ideas, and collaborate on innovative projects that showcase our city’s potential. If you’re a designer, an entrepreneur, or simply passionate about the creative scene in Cologne, join us in reactivating our design tradition. Contact us today to share your ideas and be part of the movement that will redefine Cologne’s design future! Foto von Jonas Morgner auf Unsplash
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𝐌𝐞𝐧𝐭𝐨𝐫𝐬𝐡𝐢𝐩𝐩𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 – 𝐂𝐲𝐜𝐥𝐞𝐬 "Cycles" is a project featured in the "One To Ten" exhibition mentorship programme. We are excited to have the designers behind this project share their inspirations. 𝐐: 𝗧𝗵𝗲 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 𝗶𝘀 𝗮 𝗰𝗹𝗼𝗰𝗸 𝘄𝗶𝘁𝗵 𝗹𝗶𝗴𝗵𝘁. 𝗪𝗵𝘆 𝘄𝗼𝘂𝗹𝗱 𝘆𝗼𝘂 𝗹𝗶𝗻𝗸 𝗹𝗶𝗴𝗵𝘁 𝘁𝗼 𝘁𝗶𝗺𝗲? 𝐀: We have been experimenting with incorporating light into various furniture pieces, but are still searching for more ideas. During our exploration of light, we discovered that light symbolizes time in the natural world. For instance, sunlight represents daytime, while moonlight symbolizes the night. By observing different qualities of light, we can determine the current time. This has inspired us to focus on light and clocks. 𝐐: 𝗪𝗵𝗮𝘁 𝗶𝗻𝘀𝗽𝗶𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝗱𝗼 𝘆𝗼𝘂 𝗱𝗿𝗮𝘄 𝗳𝗿𝗼𝗺 𝗶𝗻 𝘁𝗵𝗲 𝗱𝗲𝘀𝗶𝗴𝗻 𝗽𝗿𝗼𝗰𝗲𝘀𝘀? 𝗜𝗻 𝘄𝗵𝗮𝘁 𝗱𝗶𝗿𝗲𝗰𝘁𝗶𝗼𝗻𝘀 𝗵𝗮𝘃𝗲 𝘆𝗼𝘂 𝗱𝗲𝘃𝗲𝗹𝗼𝗽𝗲𝗱? 𝐀: In our design process, we drew inspiration from traditional timekeeping instruments like sundials and incense sticks, which employed the element of light to track time. However, we conducted numerous experiments and research in our pursuit of innovation. Ultimately, we decided to express the passage of time by leveraging the interplay of light and darkness. 𝐐: 𝗔𝘀 𝗮𝗻 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁𝗮𝗹 𝗮𝗻𝗱 𝗶𝗻𝘁𝗲𝗿𝗶𝗼𝗿 𝗱𝗲𝘀𝗶𝗴𝗻 𝘀𝘁𝘂𝗱𝗲𝗻𝘁, 𝘄𝗵𝗮𝘁 𝗸𝗻𝗼𝘄𝗹𝗲𝗱𝗴𝗲 𝗱𝗶𝗱 𝘆𝗼𝘂 𝗴𝗮𝗶𝗻 𝗳𝗿𝗼𝗺 𝘁𝗵𝗶𝘀 𝗽𝗿𝗼𝗷𝗲𝗰𝘁? 𝐀: We have gained significant knowledge and skills in lighting design, including direct and indirect lighting concepts. For Cycles, we employed indirect lighting to achieve the desired ambience. Moreover, we understand that lighting design is vital in interior and environmental design. It is essential to consider not only artificial light but also the impact of natural light on space. We also gained valuable insights into interior design through the exhibition set-up, making it an enriching experience. #時日在設計 #DesigningTime #PolyU #PolyUDesign #理大設計學院六十週年 #SD60 #designschool #lightingdesign #OneToTen #exhibition #designStudent #questionquestionquestion
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