“There's a sense that when you do big brand thinking that it's a slow moving beast. I don't buy that as an argument. Big brand thinking is actually holding on to platforms, holding on to brand behaviours for longer so that you give people, audiences and your brands an emotional advantage.” - Avish Gordhan “We've got the ability to pull these different skill sets into a room so you get the smarts of media, data, tech, digital, social…whatever is specifically needed…And then we build on that creativity and that idea, and what I can see is that it has this positive effect on the solutions that we're delivering for our clients. By banding together, we’re creating that growth, while also creating ideas to live in new and exciting ways.” - Mandie van der Merwe Co-Chief Creative Officers, Avish Gordhan and Mandie van der Merwe, sat down with AdNews Australia to discuss their focus for Saatchi & Saatchi, long-term big brand thinking and the growth opportunities that lie ahead. https://lnkd.in/g6drpes4
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Brand Philosopher-Consultant (!) | Founder and CEO @ Spinrise | 'Growing Culturally Sound Brands.' | Building a metaverse for entrepreneurs (patent in process) | Ex Planning Head, SVP- Planning | MICAn | Yogi, Biker
🌟 Top Ad Agencies and Their Signature Styles 🌟 Do you think signature styles are defined by the top work of an agency and that this can become a silent criteria for their selection over time in pitches and otherwise? I believe the selection could also depend on the prevailing sentiment in culture and the character needs of that particular brand and its target cohorts. If yes, then there must be an emerging style that would be most relevant to the times we are entering! More on that soon. 😉😉 For now, here's a look at some top ad agencies known for their distinctive genres: 1. Wieden+Kennedy 🏆 Genre: Creative & Iconic Branding 🎯 Notable Work: Nike's "Just Do It," Old Spice 2. Ogilvy 🏆 Genre: Storytelling & Emotional Engagement 🎯 Notable Work: Dove's "Real Beauty," American Express 3. Droga5 🏆 Genre: Bold & Provocative Advertising 🎯 Notable Work: Under Armour, The New York Times 4. BBDO 🏆 Genre: Effective & Award-Winning Campaigns 🎯 Notable Work: Snickers, GE 5. 72andSunny 🏆 Genre: Youthful & Energetic Branding 🎯 Notable Work: Samsung, Adidas 6. McCann 🏆 Genre: Integrated Global Campaigns 🎯 Notable Work: Mastercard's "Priceless," Coca-Cola 7. Saatchi & Saatchi 🏆 Genre: Big Ideas & Inspirational Advertising 🎯 Notable Work: Toyota, Tide 8. TBWA\Chiat\Day 🏆 Genre: Disruption & Innovation 🎯 Notable Work: Apple's "1984," Gatorade 9. Leo Burnett 🏆 Genre: HumanKind Approach 🎯 Notable Work: McDonald's, Always 10. DDB 🏆 Genre: Creative Effectiveness 🎯 Notable Work: Volkswagen, Skittles 💡 Which agency's work inspires you the most? Do you agree with their signature styles? Share your thoughts below! ⬇️ #Advertising #Marketing #Branding #Creativity #AdAgencies #MarketingExcellence #Strategy #StrategicConsulting
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Best part of Cannes? Creativity and conversations: Hephzibah Pathak. In this conversation with e4m, Ogilvy India's Hephzibah Pathak speaks about her stint on the Creative Effectiveness Jury, her favourite campaigns and key learnings from the experience at Cannes. ✍ Simran Sabherwal #e4m #Ogilvy #Cannes #e4mAtCannes #CannesLions2024 #Advertising #CannesLions
Best part of Cannes? Creativity and conversations: Hephzibah Pathak, Ogilvy - Exchange4media
exchange4media.com
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An exclusive interview with Bruno Araldi, the Strategy Director at Havas Middle East, where he discusses his career journey, strategies for resonating with diverse audiences, and insights on advertising during significant moments like Ramadan. Gain valuable insights into crafting compelling brand narratives and staying ahead in the dynamic world of advertising. #AdvertisingInterview #BrandStrategy #HavasMiddleEast #advertising #media #interviewseries #Havas #adtechtoday
Havas Bruno Araldi: Crafting Brand Narratives Across Continents
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‘If you are not confident about creativity why are you here?' In an agency ecosystem dominated by self-serving jargon, the sharp edges of an honest question are so often missing in marketing. It is typical of Richard Huntington, Chairman and Chief Strategy Officer at Saatchi & Saatchi UK, to not only ask the important questions but to have the guts to slice and interrogate the answers in their full complexity. Even when the answers might not align with what the industry wants to hear. In this article, Richard explains how to make mundane moments matter and the power of honesty in marketing. Read the full article on the Creativebrief platform: https://lnkd.in/eQXMk2kV
BITE Agency Leader Interview | ‘If you are not confident about creativity why are you here?' | Creativebrief
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As creatives, we're caught between two worlds. We're drawn to the thrill of innovative ideas, but we're also bound by the practical realities of brand needs. Our job is to merge artistic expression with functional requirements. It's a puzzle we love solving, and the outcome is always unique. I've lost count of how many times we've had to reimagine a campaign to fit the brand's vision while staying true to our creative instincts. But that's what makes it so fulfilling. Here are a few of my favourite campaigns that have stuck with me over time. https://lnkd.in/dhs7jppY
A Few of My Favourite Things
aurora.dawn.com
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Some great examples to learn from!
As creatives, we're caught between two worlds. We're drawn to the thrill of innovative ideas, but we're also bound by the practical realities of brand needs. Our job is to merge artistic expression with functional requirements. It's a puzzle we love solving, and the outcome is always unique. I've lost count of how many times we've had to reimagine a campaign to fit the brand's vision while staying true to our creative instincts. But that's what makes it so fulfilling. Here are a few of my favourite campaigns that have stuck with me over time. https://lnkd.in/dhs7jppY
A Few of My Favourite Things
aurora.dawn.com
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For Australian creative agencies, I think we all need to do better at proving the efficacy of cut-through, ambitious creative campaigns to spur our market on. I’d say the average is fairly low in Australia for the standard campaign, versus a market like the UK or the US where the competition between brands is fiercer. There’s a big sea of sameness here amongst brands; our biggest hurdle is proving that we need brands to rise above it. Psembi Kinstan, DDB Group Australia
Creative Insights: DDB's Psembi Kinstan on proving the efficacy of cut-through, ambitious creative - AdNews
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Man, I love seeing cool work in the world. Check out this stellar activation from Uncommon Creative Studio on behalf of British Airways. So much goodness to unpack here. The human insight around the emotion on the faces of those approaching their destination, or simply taking in the splendor of the world, from high above. The stories those expressions tell. Wonder. Anticipation. Awe. Beauty. The twist in turning the camera on those humans versus the the now-all-too-common practice of pointing our cell phones out the window toward the skies. The relative lack of branding in which the full British Airways moniker is never seen in totality, but only in pieces. An approach that manages to catch your eye and attention even more. The clever OOH deployments -- from traditional billboards to street-level activation to pairings across roadways. Even the name given to this installment of the broader brand campaign: "Windows" All of it. Splendid. 👏 #advertising #brandmarketing #marketing #OOH #brandcommunications
Passengers Take in the World Below in Epic Outdoor Series from British Airways | LBBOnline
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NEW TRARE CAMPAIGN - Val Morgan commissions cinema research (via Fiftyfive5 part of Accenture Song) that finds a single cinema ad delivers the same brand fame as 10 digital spots, or 9 BVOD sports, or six linear TV spots. Val Morgan Managing Director, Guy Burbidge unpacks the results – and why it's time for brands to look beyond surface-level metrics like reach and CPMs focus on the most crucial metric for marketers seeking long-term commercial success. "Famous brands make a lasting impression by establishing a strong emotional connection with consumers—they're not just liked; they're adored. These brands are also instantly identifiable and distinctive, they stand out in a crowd. They generate buzz, sparking conversations among both consumers and competitors. There's a sense of familiarity with these brands, making consumers feel like they've known them forever, even if they haven't. Finally, these brands convey a clear and universally understood identity; everyone knows who they are and what they represent." Credit - Mi3 #cinema #media #advertising #australia https://lnkd.in/gwPA-PXC
Cinema’s superpower: How one ad on cinema delivers the same amount of brand fame as 10 ads on digital | Mi3
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CEO of Talon OOH Canada | Digital Media Innovation | Future of Adtech & OOH | Empowering Women Leadership | Board Member
Understanding the nuances of #OOHadvertising effectiveness is crucial for maximizing impact. Talon OOH UK's research unveils key insights: simplicity and central placement are paramount, with brand logos noticed only 42% of the time. Understanding viewer behavior and optimizing creatives pre-campaign or mid-flight ensures a stronger impact for brands. 🗣 #OOHAdvertising #CreativeEffectiveness #TalonOOHUK
Please Stop Putting Your Brand Logo in the Bottom Right Corner
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