Anastasiia Spirenkova’s Post

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Editrice pour TAEX. Journaliste chez RFI en russe. Chercheuse en art contemporain et en linguistique, doctorante à l'EHESS. 12 ans d’expérience dans la gestion événementielle

My new column for TAEX. 👇🏻

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In the 1960s, the Venice Biennale prize was awarded to the movement New Tendencies for starting “to contextualise digital art within contemporary art with a historical discourse”. What has been going on with digital art at the Venice Biennale since then? Read the new article by Anastasiia Spirenkova: https://lnkd.in/duynQPSY Featured artwork: Matthew Attard, I Will Follow the Ship

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