We are thrilled to have sponsored the Family Fun Day at St. Audeon's Park as part of the fantastic Dublin Liberties Festival on Sunday, July 28th! 🎉
The Liberties Festival is one of Ireland’s oldest festivals, with the first taking place in 1970. Today, the festival has grown to become a highlight of the summer in Dublin with a series of family-friendly, sporting and community events, and an exciting multi-cultural and arts programme. It was a fantastic day filled with joy, laughter, and community spirit. We're incredibly proud to support events that bring people together and celebrate our vibrant community.
A big thank you to everyone who joined us and made the day unforgettable. We look forward to more opportunities to support and engage with our wonderful community in the Liberties!
#Community#Dublin#LibertiesFestival#Arts
"VenuesNow spoke with Base31 CEO Tim Jones, a Member of the Order of Canada for his contribution to arts, culture and urban development, about the base, the county, the bookings and the ambitious future." Click the link to read more.
~ Karen Bliss
#MeanwhileUse is a possible solution for some #VacantProperties in #Cork#CorkCity#Ireland
'Although meanwhile uses may be temporary, if delivered successfully through addressing specific social need, they can be the catalysts of lasting legacies.
Landowners [still] often overestimate the risks and undervalue the benefits of giving over a site to meanwhile use. This is largely due to a lack of guidance, policy direction and wider acceptance of meanwhile as a valid development tool.'
Bands, promoters, crafters, makers, artists, community groups, voluntary organisations, sports, fitness, health, musicians, collectives, start-ups... if you would consider #MeanwhileUse as an option for space in the future please check out this short #survey:
https://lnkd.in/e-HeuMGU
Value from vacant spaces
#policychange
Prevent #dereliction#DerelictIreland
Who needs space for culture, art, film, sports, music, play or any form of community activity?
Last week we hosted a very successful first of its kind meanwhile use agora, using our art exhibition and installations on dereliction, liveability, good design (and more) as a back drop (at Dance Cork Firkin Crane, Cork City).
At the event our directors Jude Sherry and Frank O'Connor made the case for meanwhile use as a policy intervention to support the circular economy in Cork city, across Ireland, and globally. Then Michael O'Sullivan launched a short survey to gather much needed data on the demand for such a policy intervention in Cork city.
Targeting creative, start-up or voluntary organisations who would consider meanwhile use space as an option to start-up or expand the survey is available here:
https://lnkd.in/e9MzKnAJ
We believe we have a wonderful opportunity to build a Cork City that works for everyone, from an 8 to an 80 year old. Lets grab it so everyone can have a home, place to play and create and access to fair, just meaningful work. It makes sense on all levels.
#CorkCity#MeanwhileUseSurvey2024#VacantIreland#DerelictIreland#RestPlayWork#PolicyChange#GoodDesign#Tiche#CircularEconomy
It is with great pleasure that I share the first issue of 2024. Volume 15 (1) is a special issue edited by Bernadette Quinn and Maarit Kinnunen.
🤝 Sharing and belonging in festival and event space
📢 From the editorial ... "These papers show some of the different facets of sharing and belonging that events, festivals and their spaces may foster. They do this in the context of various challenging environments like times of pandemic, stigmatised residential areas, a rural area at risk of depopulation, high-risk countries and spaces where safety comes under threat as they become more open to the wider public. At the same time, and maybe even more importantly, they demonstrate the ways in which sharing and belonging might improve event participants' well-being. This can happen as events boost pride in the place where people live, reduce ambivalence and fear in a high-risk environment, enhance a sense of community through virtually presented festival content in pandemic times, recreate warm and sociable festival atmospheres through reminiscing about past (live) experiences in times of social isolation and ensure that safe spaces remain safe and free of prejudice and fear."
https://lnkd.in/eVzC3P3n
📰 🗞❔information sharing for those in the #Chicago region and the #arts / #artsandculture field as a potential case study. here's to hoping this change in the Chicago Department of Cultural Affairs and Special Events will not be disruptive to organizations or artists they support.
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🤔my viewpoint: as these things go, whether government or other organizations, ideally transparency and clear communication leads the conversation upfront so people aren't wondering why it occurred and how this affects them, especially in the area of public service.
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#themoreyouknow#governmentaffairs
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📑Read on here https://lnkd.in/ekbuT-Aa
Thank you BDmagAU. Bring on the North
Australian Concert Hall. We are ready.
…Similarly, the Australian Festival of Chamber Music (AFCM), which was born in Townsville three decades ago, continues to be a key economic driver in the region every year.
The total spending associated with the AFCM in Queensland amounted to $9.32 million in 2023 and saw a return of $3.28 million in the state. Notably, 80% of this economic impact was felt in the Townsville region.
Yet, arts organisations like AFCM are also facing challenges with financial constraints and the need for adequate infrastructure, which Executive Director Ricardo Peach says is vital to sustaining their growth, particularly amidst the current cost-of-living crisis.
“Organisations like ours undergo cycles,” says Ricardo. “We receive a set amount of government funding that isn’t indexed. As inflationary pressures persist, our costs rise, so arts industries need local busineses and the broader community to support us now more than ever.
“AFCM attracts many visitors not just from across Australia but also internationally. Infrastructure is essential for us and other local creative industries to ensure we can have a bigger piece of the pie
and bring artistic and cultural events all year round, which, of course, would have a flow-on effect for the economy.”
In the 2023/24 Townsville City Council budget, $45.7 million was assigned to community support programs, libraries, visual and performing arts, galleries, and events. Bolstering this, the Queensland Government allocated $50 million for a new concert hall, adding to the $100 million already granted from the Federal Government in 2021.
This pending construction, while promising, highlights ongoing debates about resource allocation and
the lack of performance venues for both amateur and professional organisations.
However, it is a good indicator that the city is being recognised Queensland-wide for the artistic talent that is being cultivated in the region…
Townsville City CouncilDepartment of Infrastructure, Transport, Regional Development, Communications and the ArtsArts QueenslandTownsville Enterprise (TEL)
SNEAK PEEK AT OUR APRIL ISSUE
As our team prepares to hit the ground running this week delivering copies of our April issue, we thought we’d pull back the curtains and give you a little preview of this quarter’s cover, featuring TheatreiNQ founders Terri Brabon and Brendan O’Connor.
It’s no secret that Townsville has earned a reputation across Northern Australia as a vibrant hub for some of the nation’s finest arts groups, festivals, exhibitions, and events. Despite this, the industry is still facing significant hurdles. In our April cover story, we delve into the true economic value of regional arts to our community and explore what investments are required to foster further economic prosperity.
You can read the full story here: https://lnkd.in/gGsB3kVp
What else can you expect in this issue?
👉 How Townsville emerged as Australia’s most liveable green manufacturing city
👉 The Burdekin cafe sharing their passion for home cooking, culture, and training the region’s youth
👉 Turning connections into value business opportunities
Keep an eye on our social media channels this week as we drop off copies to your favourite BDmag distributors. Can’t wait that long? Click the link to view the latest edition online | https://lnkd.in/gDRtpKm8
If you see our team out and about this week, be sure to come and say hi and jump in a photo (or two!)
Cover image: Sonia Warrell, Hello Muse
Cover article: Georgie DesaillyAustralian Festival of Chamber MusicDancenorth AustraliaTownsville City CouncilTownsville Enterprise (TEL)The Table NQBNI AustraliaTownsville Chamber of CommerceCommunity Information Centre Townsville#theatre#arts#afcm#northqueensland#whatsontownsville#regionalarts#bridgeproject#bdmagau#supportlocaltownsville
Part 6A : Chapter 6: The Mosaic of Coexistence
Culturally, the Mosaic of Coexistence was perhaps most visible. Festivals, art exhibitions, and performances showcased the rich tapestry of cultures that made up New Zealand’s identity. These events were more than just celebrations; they were acts of mutual recognition and respect, opportunities for individuals to share their heritage and, in turn, to learn about others.
In this period, the narrative of New Zealand was no longer about integration or adaptation but about the celebration of each unique piece that contributed to the nation’s whole. It was a recognition that the strength of a community lies not in its homogeneity but in its ability to nurture and celebrate the individual pieces that make up its mosaic.
The Mosaic of Coexistence underscored a profound truth that had emerged from New Zealand’s journey: when diverse communities come together, united by shared values and mutual respect, they create a society that is resilient, dynamic, and enriched by the breadth of its citizens’ experiences and perspectives. This chapter of New Zealand’s story was a testament to the beauty and potential of human diversity, woven together into a single, harmonious society.
Thought Architect. Specialist in Creativity, Innovation, Ethical Marketing, Branding, Social Impact Strategy. Public Speaker. My 3 agencies: My Social Impact / Creative Orchestra / CONNECT2
> LONDON BOROUGH OF CULTURE. Well done Wandsworth for winning the 2025 bid - without doubt, London's most dedicated borough for creativity & culture.
But proud to have contributed to the Haringey bid - Borough of culture for 2027. The "Rebel Borough!" (Yet to work that slogan out.)
The social impact work we have done through London Community Arts CIC has been a valuable contribution (it also tipped that balance and got Crouch End voted as the 'Best Place to Live in London').
The Crouch End Festival (one of London's biggest community arts festivals), Crouch End Literary Festival, running accessible venues like The Intimate Space, live music clubs like üF-Beat and topical events around Easter, Halloween and Christmas have all been part of our borough bid. Not to mention work in schools.
LCA's ethos has always been to make things free to make it accessible to all. And to be 100% inclusive.
To cultivate creativity. Embrace culture. Engage communities.
Be open to all performers, without judgement.
To build confidence and provide a safe, non-judgemental platform to perform.
Never to pander to socio-political agendas or pressure, and avoid tick-box-tokenism.
To cultivate grassroots activities across the whole area.
There are lots of people who talk a good story about 'community engagement' and 'social impact strategy' but how many have real hands-on experience?
SOCIAL IMPACT STRATEGY - ALL YOU NEED TO KNOW IN 60 MINUTES
I am delivering a powerful, informative and fascinating 60-minute talk to companies on Social Impact. It tells you all you need to know in 60 minutes. It will open your eyes and give you a new lens to see things through. Based on real experience.
Nobody does anything like this. As social impact campaigns are a growing trend, isn't it better to know what resonates with consumers, communities and creates a positive impact upon society?
Or you could just blag it?
Get it wrong and the damage to the brand can take years to fix.
(Fees apply, contact me to enquire.)
https://lnkd.in/ermxpT2u#socialimpact#londonmayorMy Social ImpactCONNECT2 Community EngagementCreative OrchestraLONDON COMMUNITY ARTS CIC