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Photoshop - Selected font failed during last operation https://lnkd.in/gNabtZbs “Selected font failed during last operation. If the problem persists, please disable the font.” Why is it that 80% of my problems with Adobe products, whether Photoshop or Illustrator, are related to fonts? This error kicked my butt for weeks. It didn’t matter what font I picked, I got the same error for any and all fonts. My Adobe Font Solution This is what fixed my “font failed” error. The trick is finding the font that is corrupt and here’s how I picked out the problem font. In any of the typography tools just use the dropdown and preview the […] https://lnkd.in/gEi62YfN #AdobePhotoshop #howtofixacorruptfont #Iftheproblempersistspleasedisablethefont #Selectedfontfailedduringlastoperation

You can create your own font in 5 easy steps. Can't find the font that matches your style? Create your own. Here's the easy guide: 1. Define Your Font's Personality: What is the overall mood or feeling you want the font to convey? Is it playful, elegant, modern, or classic? Consider the context where the font will be used. Will it be for headlines, body text, or logos? 2. Choose a Font Style: Serif or Sans-Serif. Then sketch out your letters. 3. Digitize Your Sketches: Scan or take a high-resolution photo of your sketches. Use vector graphics software like Adobe Illustrator or Inkscape to trace and digitize your sketches. 4. Refine and Export Your font: Adjust the spacing between letters (kerning) and lines (leading) for optimal readability. Export your font as TTF or OTF. The test your font in different applications to ensure it renders correctly. 5. Share or Sell Your Font: If you want to share your font publicly, consider platforms like Font Squirrel. If you plan to sell your font, explore marketplaces like Creative Market. Creating your own font gives you freedom of: ➡ Making your brand instantly recognizable and memorable, setting it apart from competitors. ➡ gives your designs a unique touch. ➡ gives you complete control over the typography and aesthetic of your brand. ➡ you can potentially license it to others for a profit. As well as you can sell and use it as a passive income source. Found this helpful? Follow me Misbah Kiran for more! Would you like more specific tips on using software like Adobe Illustrator or Inkscape for font creation? Comment below! DM me to get your free ebook on graphic designing for beginners! #graphicdesign #graphicdesigner #freeresources #freelancer #networking

Announcing the next major release of the Cedar Design System! Fluid, with a twist ✨ This release centers around the idea of a fluid design foundation. Fluid design, at its core, is math. Yes math. Specifically geometry to calculate the linear slope of a line between two points. Why? Because this equation is fundamental to our first foray in to fluid design, typography. Using this equation, we can calculate a viewport-based, preferred font-size along the slope of a line between two distinct points (in our case, a minimum and maximum font-size). Combined with the CSS `clamp()` function, we've created a set of scales to represent the gamut of font "sizes" we want our system to cover. Note my use of quotation marks on "sizes" above. That's because this technique represents a departure in how we think about font-sizes across screens. There is no longer an explicit size for anything between desktop and mobile, the type will fluidly scale between its upper and lower bound without any media queries. "But Ben" you say, "Fluid typography isn't a new concept, where's the twist?" Container queries and container units! Traditionally, the fluid slope is created using units relative to the viewport width, but we've twisted this by using units relative to their container width instead. With container units, if your fluid type is within a defined container, it will respond to the container's width instead of the viewport. Using this approach, we can begin to think about content as truly reusable objects and align with Create Once; Reuse Everywhere (CORE) principles of modern content modeling. For example, an article heading object (article title, subtitle, abstract, byline) may be used in a card, a search result, or the article itself. Using this container-based context, the exact same component can be used for all three placements because the individual content atoms within will respond to the width of their container and adjust their styling accordingly without any developer intervention. Read our release article for more details and check out the other goodies we've packed in to this one at https://lnkd.in/gUX_tVrd. Sadly, I would be remiss not to mention two of the contributors to this release were affected in REI's recent round of layoffs, Kenji Crosland and Kurt Medley. - Kenji was a member of the core Cedar team and unlocked huge wins for us in automation of documentation and analytics. He's the guy I could throw a wild solution or idea at and he'd come back with a working prototype. - Kurt was an amazing partner and helped lead REI's front-end platform team. He's my (and everyone's) go to for Node.js questions. I will talk your ear off about how awesome these engineers are, someone better snatch them up quick. #userexperience #designsystems #rei  #opensource #css #contentdesign

Still using Arial? How original. 🙄 End the font famine with one click.🖱️ Creative Pros - spotted any font fossils in your work lately? 🦖 I was working on a small project with Adobe Express, and was really excited about a feature built into the tool. For Pro accounts - you have access to the FULL suite of Adobe fonts - without having to go to Creative Cloud and activate NEW Adobe Fonts. Maybe you are just fine with your default list of fonts that are your go to. I myself LOVE Myriad Pro, Garamond, Trebuchet and a handful of other default goto, easy read fonts... but when it comes to storytelling with my font selection - I love digging through the list. Ditch the dull and dive into a universe of fonts that doesn't require a digital excavation each time you need a fresh vibe for your designs. Adobe Express has thrown open the gates to their entire font library—yes, even those hidden gems you didn't know you needed but absolutely do. Gone are the days of defaulting to the same old safe choices because you couldn’t bear the thought of sifting through endless lists just to activate new fonts. With Adobe Express for Pro accounts, every quirky, classy, and outright bizarre font is right at your fingertips, no Creative Cloud detours necessary. Whether you’re jazzing up a client presentation or giving your personal brand a typographic facelift, why settle for ‘good enough’ when you can have ‘where has this been all my life?’ Dive into the attached Font Frenzy, explore two unique characters per page, and tell me—how are you going to shake up your next project? I decided to dig through and find a few fun Adobe fonts and share them with you. There are 2 to a page - and I am sure in the mix, there are some really fun ones you might want to use in a future project. If this is a hit, I may do part 2... Brian Sykes #AdobeFont #CreativePro #Express

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For video editing and graphic design, the best-handwritten fonts to share are those that mimic the look of actual handwriting and are legible when viewed on screen. Here are some top handwritten fonts suitable for video editing and graphic design: 📌 Chicago: A hand-lettered sans serif font with light texturing to suggest natural handwriting, suitable for cards, logos, and more 📌 Esther: A handwritten signature typeface with plenty of swashes and ligatures, adding a feminine touch to branding, logo design, packaging, and invitations 📌 Rollerscript by G-Type: This font includes contextual alternates and ligatures to make it more like the real thing, making it suitable for video editing and graphic design projects 📌 Think Pink: A modern handwritten font for logos, labels, and packaging, including a full set of uppercase and lowercase letterforms, numbers, punctuation, ligatures, swashes, and an added set of customizable logos 📌 Ding Dong: A modern handwritten font for logos, headlines, prints, and web headers, featuring a full set of uppercase and lowercase basic characters, numbers, punctuation, ligatures, swashes, and a bonus set of customizable logos You can Install all these handwritten fonts on "dafonts" website for free and use them in your Design and Editing projects. #fontfriday #designfonts #editing #design

Don't settle for auto leading or line-height when it comes to typographic spacing. It's important look at your spacing if you're designing a document with larger headings, whether that be online, app or in print. Software is always trying to get you not to think, and this is especially true of setting the spacing on headings, typography is about spacing and balance and it's the finesse of those elements that can make your typography look professional or amateur. With print, we're talking about leading, a term that has come from the print industry where there were blank lead spacers with widths of 2, 3, 6 and 12pt and these were used to add space (leading) between set lines of type. You don't have to know that, but it's important to understand where the terminology comes from. So the leading is the extra space between the lines of text or from baseline to baseline including the size of the typeface. On the web, the term is line-height which is usually measured as unitless numerical value based on the 'em' of the typesize (em is the size of the lowercase m, squared, but that's getting a little finicky). The way you format line-height in CSS is by declaring a value, where 1 is the size of the font and 1.5 is one and half the size of the type. So what does all this mean if you're designing a document? All software has automatic, default leading for text, if you're using any Adobe product the 'Auto' leading is 120%, so if you have 10pt type, your leading is going to be 12pt. On the web, your default line-height is 120% also (it does depend on the font family, but generally it's true) and this is fine for smaller fonts. Here's a tip for Adobe, if you see brackets around any value, it's an automatic setting. The issue is when you have larger font sizes, let's take the example for InDesign, if I have text set to 100pt, then I'm going to have 120pts of leading and this looks way too spaced out. You have to reduce the leading based on the size of the font, spacing and balance remember. The caveat is that you have to watch out for the ascenders and descenders and ensure they don't touch. This is exactly the same in the web version, if you change the line-height to less than one, you will see a much more balanced headline. There's no golden rule behind this, it will depend on your font selection, the weight and the design of the typeface itself, but pay attention to spacing and I guarantee your documents will look a lot better. Typography is a super power!! Codepen: https://lnkd.in/g8KrxbkF

Are you looking to edit, modify, change font, recolor, vectorize or make transparent your logo. https://lnkd.in/gdwdYQiA You are at the right place. I will do a transparent logo, transparent background, png, or white background I have a lot of experience in Photoshop editing and logo transparency. Are you need a transparent logo, white background, Remove Background, Transparent Background, Cut-Out any images, Resizing, Color Replacement, Color correction. please contact this GIG! I will also provide you logo design within Unlimited Revisions. ️ Why did you choose this gig? Transparent logo Background Removal Recreate old or low-quality blurry logo as a high-quality vector. Transparent Background  White Background Change text, Change font styles. Change color  Modify/add/remove/ elements from your graphics Cut Out image Re-size, Recolor crop etc. ️ Why did you choose Me? Professional work Quick response 100% Satisfaction 100% money-back guarantee Friendly Communication Available for any other custom work Please don't worry, I will provide you 100% professional work. For me, your 100% satisfaction is worth more than anything on Fiverr.

Where to find the BEST fonts (hint: not on Google Fonts) This week brings us to my third and final part of what makes great websites: 1. Great photography 2. Copy that makes people read 3. Good typography I want to make things simple for you, so I'll narrow it down to only two things that matter when it comes to typography on the web: Choosing a good font and creating a good typesetting. Choosing a good font: I'm sure that when it comes to clients paying you, you love saying, "Good work is never free!" However, when it comes to fonts, most designers expect them to be free. Why? Creating a good font is hard work. It can sometimes take years to create a great typeface. So you can assume that 99% of free fonts are trash. Except, of course, for Google Fonts. The reason is, Google has enough money to pay good type designers to work for years and give you the font for free. So if (some) Google fonts are good, why not use them? Because everyone else is using them! Fonts, like clothes, not only serve a function but also have styles, fashions, and cultural associations. When something is free and used mostly by people who can't afford to pay, it will be associated with “cheap,” even if it is good. So if you want to stand out and look premium, you'll have to pay to use something that fewer people use. My favorite place to buy fonts (relatively cheaply) is YouWorkForThem https://lnkd.in/dFgFcYm9 But you can also buy directly from type foundries. Here are a few examples (and there are many more): Klim https://lnkd.in/dB3xF7Tw Grilli Type https://lnkd.in/dCGcwBv6 Commercial Type https://lnkd.in/dTANmRh8 Colophon Foundry https://lnkd.in/dnAGura5 When you use a good font, you don't need much else to make your website look good. Even just a big heading on a flat color can look amazing. Next, creating good typesetting. Of course, it's not only the font but how you use it. Typesetting is a huge topic to cover in one email, but here are some guidelines to keep in mind: 1. Contrasted hierarchies. Headings should be clearly bigger/bolder than body type. 2. Make sure you have enough space between the lines (line height) on small text and not too much space between lines on headings. 3. Keep your lines between 8–12 words long. Any longer is harder to follow. 4. Leave enough padding between the edge of the page and the text (especially on mobile). Typography is one of the most important skills for any designer and it takes years to master. So keep learning, exploring, and experimenting, as it will have a huge impact on the sites you design and build.

𝗕𝗼𝗼𝘀𝘁 𝗬𝗼𝘂𝗿 𝗙𝘂𝗻𝗻𝗲𝗹 𝗗𝗲𝘀𝗶𝗴𝗻 𝘄𝗶𝘁𝗵 𝗔𝗱𝗼𝗯𝗲 𝗙𝗶𝗿𝗲𝗳𝗹𝘆: 𝟯 𝗚𝗮𝗺𝗲-𝗖𝗵𝗮𝗻𝗴𝗶𝗻𝗴 𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝘀 𝗬𝗼𝘂 𝗡𝗲𝗲𝗱 𝘁𝗼 𝗞𝗻𝗼𝘄! Adobe Firefly offers some powerful features that can elevate your funnel design, making it more engaging and effective. Here are 3 standout features and how they can be used to enhance your funnels: 1. Expand Images & Object Manipulation Adobe Firefly's "Expand" tool allows you to seamlessly extend image backgrounds, giving you more space to work with for banners, hero images, or other visual elements in your funnel. The brush tool also makes it easy to remove unwanted objects or add new ones, helping you create clean, professional visuals that align with your brand message. --- 2. Text to Image Creating unique visuals has never been easier with the "Text to Image" feature. Simply type a description, and Firefly will generate a corresponding image. This is perfect for quickly creating custom graphics that align with specific offers or messages in your funnel, without needing advanced design skills. --- 3. Text Effects & Typography Good typography can make or break your funnel’s visual appeal. Adobe Firefly offers a range of text effects and typography options, allowing you to create eye-catching headlines and call-to-actions. Whether you need bold, dynamic fonts or elegant, understated text, Firefly has you covered. This feature helps ensure that your text elements stand out and grab the audience’s attention. --- How have you used visual design tools like Adobe Firefly to enhance your funnels, and what specific features have you found most impactful? P.S.: The image below is one I found on Pinterest. I want to use it as the background for my design, so I used Adobe Firefly to expand it and make it fit the design.