This week further controversy follows Tasmania’s Museum of Old and New Art (MONA), where artist of the recent ladies' only lounge installation, Kirsha Kaechele, has now revealed they faked the world renowned Piccasso paintings among other famed artists. Irrespective of the legality and ethical implications of the latest admission, it begs the question, is it ever okay to have gender exclusive spaces? Last week, we asked for your thoughts on whether female-only supports and programmes do more harm than good. To date 88% of voters agree that female-only supports and programmes deliver more benefits than potential harm. However, one might ask how do we create an inclusive world by being exclusive? Our thoughts - it’s about balance, purpose and time: ⚖ Balance: 👉 We need to do to more outside of these spaces to reduce the need for them in the first place. Often described by their curators as safe spaces, their existence confirms that participant’s external environments fail to make them feel so or lack the supports to do so. 👉 It’s important to understand why individuals not included or not participating feel discouraged or threatened by such supports and work directly with them to have clear communication on the intended purpose. Every voice should be heard. 🏹 Purpose: 👉 We need to take the time to inform audiences on the purpose of the spaces. Different spaces and programmes serve different needs. 👉 Two things can be true at the same time. The need for dedicated supports and spaces in which marginalised and underserved groups can feel supported to succeed does not negate the needs of others, and efforts towards inclusivity should continue in collaboration with such supports. ⏳ Time: 👉 We need to understand the temporal need for such spaces. Right now, such supports are needed. However, by definition, if successful, these spaces should become redundant as we grow closer to a society in which inclusion is the norm and everyone feels safe and valued in all environments. What are your thoughts? #GenderEquality #inclusion #exclusion https://lnkd.in/g9aXPVa9
TrailblazHER™ at TU Dublin’s Post
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Fankeenna https://lnkd.in/gciAyMnx Fankeenna was established to combat the need for more creative spaces and support in Hargeisa, Somaliland. With no galleries, cinemas, or art schools, the mission is to make art and creativity accessible and celebrated. It provides facilities for artists to showcase their work and develop their skills through workshops, mentoring, and funding. Fankeenna aims to enhance the creative economy and inspire positive change by empowering young audiences and fostering social dialogue. #AlwaysThink4Yourself
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Fankeenna https://lnkd.in/gUMmmAa8 Fankeenna was established to combat the need for more creative spaces and support in Hargeisa, Somaliland. With no galleries, cinemas, or art schools, the mission is to make art and creativity accessible and celebrated. It provides facilities for artists to showcase their work and develop their skills through workshops, mentoring, and funding. Fankeenna aims to enhance the creative economy and inspire positive change by empowering young audiences and fostering social dialogue. #AlwaysThink4Yourself
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🏛️ Advocating for Better Practices in Art Institutions 🏛️ Cultural institutions don’t always treat artists fairly. This clip from our latest episode highlights the importance of holding these organizations accountable to create a better future for everyone in the art world. 🎧 Hear more in episode 24: https://lnkd.in/g4hKh-p7 #ArtistsRights #CulturalInstitutions #ArtAdvocacy #ArtPodcast
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Supporting local artists isn’t just beneficial for your community; it can also be a savvy investment opportunity! 🌟 Local artists bring unique perspectives that resonate with regional history, culture, and social issues. By investing in their work early, collectors have the chance to foster talent that may gain national or international recognition in the future. Moreover, local artists are often more accessible for commissioned works or collaborations, providing a personal connection that larger artists might not offer. Engaging with your local art scene allows for richer experiences and relationships. Art advisors with knowledge of the local landscape can connect you with the right talent, enabling you to build a collection that is both meaningful and potentially lucrative. Supporting local artists is a win-win for both collectors and the community! #SupportLocalArtists #ArtInvestment #LocalArtScene #ArtAdvisory #CulturalInvestment
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A fabulous art installation and concept (in the brilliant MONA), illuminating a pressing current conundrum. Can contemporary exclusion address (and meaningfully illuminate) past inequality without perpetuating further undue discrimination? You could say yes, it’s a temporary fix to balance the scales. Or you could argue it’s just more of the same old problem, in a new package. Maybe the sweet spot? A little exclusion, done right, and with an expiration date. Meanwhile, Mona - Museum of Old and New Art gets more (and deserved) attention. A fabulous place to go. (And while you're in Hobart, just take the time and go over to Bruny Island, sit down at Get Shucked, and have the freshest and best oysters you'll eat in your life.) #equalityforall #ethicalquestions #artandjustice #balancingthepast #socialjusticeconversation #thoughtfuldiscourse #inclusionmatters #openhearteddebate #artwithmeaning #genderequality https://lnkd.in/etkqMkki
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Writing in today's Arts Professional about the work of Freedom in the Arts; "If artists are silenced, we risk losing a generation of talent, as well as deterring new, unique voices from joining the profession. We must avoid realising a conformist arts sector, where beliefs may be policed by colleagues or bureaucracies. To reflect the breadth of artistic talent in the UK, FITA aims to a support the arts to properly commit to artistic freedom with the mechanisms and confidence to actively protect it." "We need to nurture excellence, which takes time and effort, and look for more than just the Instagram slogan of the week. We can respect our artistic history while responding to the present. Finally, could we please stop posturing, stop pretending, stop being empathic and earnest and try instead to embody values of discipline, integrity and impartiality. "Instead of safe spaces, let us now have brave spaces." https://lnkd.in/eb5jtyZM
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Reposting this very helpful article!
Experience Designer. Envelope Pusher. Big Picture Thinker. Transformational learning in museums. PeakExperienceLab.com
𝗖𝗢𝗡𝗧𝗘𝗡𝗧 𝗪𝗔𝗥𝗡𝗜𝗡𝗚𝗦 𝗚𝗢𝗡𝗘 𝗪𝗥𝗢𝗡𝗚 In seeing a recent case where a media outlet warned audiences in a way that I found offensive, I was reminded of this extremely useful post by Margaret Middleton 𝑊ℎ𝑒𝑛 𝑐𝑜𝑛𝑠𝑖𝑑𝑒𝑟𝑖𝑛𝑔 𝑤ℎ𝑒𝑡ℎ𝑒𝑟 𝑡𝑜 𝑖𝑛𝑐𝑙𝑢𝑑𝑒 𝑎 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑤𝑎𝑟𝑛𝑖𝑛𝑔, 𝐼 𝑟𝑒𝑐𝑜𝑚𝑚𝑒𝑛𝑑 𝑐𝑒𝑛𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑤𝑒𝑙𝑙𝑏𝑒𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 𝑝𝑒𝑜𝑝𝑙𝑒 𝑚𝑜𝑠𝑡 𝑙𝑖𝑘𝑒𝑙𝑦 𝑡𝑜 𝑏𝑒 𝑛𝑒𝑔𝑎𝑡𝑖𝑣𝑒𝑙𝑦 𝑖𝑚𝑝𝑎𝑐𝑡𝑒𝑑 𝑏𝑦 𝑡ℎ𝑒 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑎𝑛𝑑 𝑡𝑎𝑘𝑖𝑛𝑔 𝑖𝑛𝑡𝑜 𝑐𝑜𝑛𝑠𝑖𝑑𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑡ℎ𝑒 𝑟𝑜𝑙𝑒 𝑜𝑓 𝑠𝑦𝑠𝑡𝑒𝑚𝑖𝑐 𝑜𝑝𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛. 𝐹𝑜𝑟 𝑒𝑥𝑎𝑚𝑝𝑙𝑒, 𝑦𝑜𝑢 𝑚𝑖𝑔ℎ𝑡 𝑏𝑒 𝑐𝑜𝑛𝑐𝑒𝑟𝑛𝑒𝑑 𝑡ℎ𝑎𝑡 𝑎 𝑤𝑎𝑟𝑛𝑖𝑛𝑔 𝑜𝑛 𝑎 𝑟𝑜𝑜𝑚 𝑜𝑓 𝑙𝑦𝑛𝑐ℎ𝑖𝑛𝑔 𝑝ℎ𝑜𝑡𝑜𝑠 𝑚𝑖𝑔ℎ𝑡 𝑑𝑒𝑡𝑒𝑟 𝑡ℎ𝑒 𝑤ℎ𝑖𝑡𝑒 𝑝𝑒𝑜𝑝𝑙𝑒 𝑤ℎ𝑜 𝑦𝑜𝑢 𝑡ℎ𝑖𝑛𝑘 𝑚𝑜𝑠𝑡 𝑛𝑒𝑒𝑑 𝑡𝑜 𝑠𝑒𝑒 𝑡ℎ𝑒𝑚, 𝑏𝑢𝑡 𝑝𝑟𝑖𝑜𝑟𝑖𝑡𝑖𝑧𝑒 𝑡ℎ𝑒 𝑒𝑥𝑝𝑒𝑟𝑖𝑒𝑛𝑐𝑒 𝑜𝑓 𝑎 𝐵𝑙𝑎𝑐𝑘 𝑣𝑖𝑠𝑖𝑡𝑜𝑟 𝑤ℎ𝑜 𝑚𝑎𝑦 𝑛𝑜𝑡 ℎ𝑎𝑣𝑒 𝑡ℎ𝑒 𝑐𝑎𝑝𝑎𝑐𝑖𝑡𝑦 𝑓𝑜𝑟 𝑡ℎ𝑎𝑡 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑡𝑜𝑑𝑎𝑦. 𝑈𝑠𝑒 𝑎 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑤𝑎𝑟𝑛𝑖𝑛𝑔. 𝑌𝑜𝑢 𝑚𝑖𝑔ℎ𝑡 𝑏𝑒 𝑐𝑜𝑛𝑐𝑒𝑟𝑛𝑒𝑑 𝑡ℎ𝑎𝑡 𝑠𝑜𝑚𝑒 𝑣𝑖𝑠𝑖𝑡𝑜𝑟𝑠 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑜𝑓𝑓𝑒𝑛𝑑𝑒𝑑 𝑖𝑓 𝑡ℎ𝑒𝑦 𝑐𝑜𝑚𝑒 𝑎𝑐𝑟𝑜𝑠𝑠 𝑎𝑟𝑡𝑤𝑜𝑟𝑘𝑠 𝑑𝑒𝑝𝑖𝑐𝑡𝑖𝑛𝑔 𝑡𝑟𝑎𝑛𝑠 𝑝𝑒𝑜𝑝𝑙𝑒 𝑖𝑓 𝑡ℎ𝑒𝑟𝑒 𝑖𝑠 𝑛𝑜 𝑤𝑎𝑟𝑛𝑖𝑛𝑔, 𝑏𝑢𝑡 𝑝𝑟𝑖𝑜𝑟𝑖𝑡𝑖𝑧𝑒 𝑡ℎ𝑒 𝑒𝑥𝑝𝑒𝑟𝑖𝑒𝑛𝑐𝑒𝑠 𝑜𝑓 𝑞𝑢𝑒𝑒𝑟 𝑣𝑖𝑠𝑖𝑡𝑜𝑟𝑠 𝑤ℎ𝑜 𝑤𝑖𝑙𝑙 𝑓𝑒𝑒𝑙 𝑠𝑡𝑖𝑔𝑚𝑎𝑡𝑖𝑧𝑒𝑑. 𝐷𝑜 𝑛𝑜𝑡 𝑢𝑠𝑒 𝑎 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑤𝑎𝑟𝑛𝑖𝑛𝑔. See post for Margaret's 3 guidelines for good content warnings:
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New government, new cultural policy direction? ArtWorks Alliance are advocating for participatory, community arts to be properly valued and and supported. Cultural democracy must sit at the heart of any democracy. We know that this work can be transformative - in schools, in healthcare settings, in community centres, prisons, care homes and pretty much any place where people gather. But it needs consistent investment, strategic support and proper recognition that have been lacking so much in recent years. If you want our sector to have more of a voice, now’s a great time to join the conversation and possibly even join AWA as a member. https://lnkd.in/eJ8TZfd9
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In my latest article, I explore how colonial history, including the potlatch ban, impacted Sḵwx̱wú7mesh art. Sḵwx̱wú7mesh artist James Harry shares how these events shaped the artistic styles in his community. Read the full article here: https://lnkd.in/gnyHb_pN #IndigenousArt #Squamish #Community #Art #Indigenousjournalism #localjournalism #journalism
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Did you know that? The collaboration and exchange of ideas within artistic communities fuel innovation and creativity, driving cultural enrichment and societal progress. See the first comment to order your book now! #drjimraughton #hopefornewport #artandculture #transformationjourney #inspiringstories #communityresilience #legacyofart #artistsofhope
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