AT4Y Publications’ Post

Fankeenna https://lnkd.in/gUMmmAa8 Fankeenna was established to combat the need for more creative spaces and support in Hargeisa, Somaliland. With no galleries, cinemas, or art schools, the mission is to make art and creativity accessible and celebrated. It provides facilities for artists to showcase their work and develop their skills through workshops, mentoring, and funding. Fankeenna aims to enhance the creative economy and inspire positive change by empowering young audiences and fostering social dialogue. #AlwaysThink4Yourself

This week further controversy follows Tasmania’s Museum of Old and New Art (MONA), where artist of the recent ladies' only lounge installation, Kirsha Kaechele, has now revealed they faked the world renowned Piccasso paintings among other famed artists. Irrespective of the legality and ethical implications of the latest admission, it begs the question, is it ever okay to have gender exclusive spaces? Last week, we asked for your thoughts on whether female-only supports and programmes do more harm than good. To date 88% of voters agree that female-only supports and programmes deliver more benefits than potential harm. However, one might ask how do we create an inclusive world by being exclusive? Our thoughts - it’s about balance, purpose and time: ⚖ Balance: 👉 We need to do to more outside of these spaces to reduce the need for them in the first place. Often described by their curators as safe spaces, their existence confirms that participant’s external environments fail to make them feel so or lack the supports to do so. 👉 It’s important to understand why individuals not included or not participating feel discouraged or threatened by such supports and work directly with them to have clear communication on the intended purpose. Every voice should be heard. 🏹 Purpose: 👉 We need to take the time to inform audiences on the purpose of the spaces. Different spaces and programmes serve different needs. 👉 Two things can be true at the same time. The need for dedicated supports and spaces in which marginalised and underserved groups can feel supported to succeed does not negate the needs of others, and efforts towards inclusivity should continue in collaboration with such supports. ⏳ Time: 👉 We need to understand the temporal need for such spaces. Right now, such supports are needed. However, by definition, if successful, these spaces should become redundant as we grow closer to a society in which inclusion is the norm and everyone feels safe and valued in all environments. What are your thoughts? #GenderEquality #inclusion #exclusion https://lnkd.in/g9aXPVa9

Did you know that? The collaboration and exchange of ideas within artistic communities fuel innovation and creativity, driving cultural enrichment and societal progress. See the first comment to order your book now! #drjimraughton #hopefornewport #artandculture #transformationjourney #inspiringstories #communityresilience #legacyofart #artistsofhope

Supporting local artists isn’t just beneficial for your community; it can also be a savvy investment opportunity! 🌟 Local artists bring unique perspectives that resonate with regional history, culture, and social issues. By investing in their work early, collectors have the chance to foster talent that may gain national or international recognition in the future. Moreover, local artists are often more accessible for commissioned works or collaborations, providing a personal connection that larger artists might not offer. Engaging with your local art scene allows for richer experiences and relationships. Art advisors with knowledge of the local landscape can connect you with the right talent, enabling you to build a collection that is both meaningful and potentially lucrative. Supporting local artists is a win-win for both collectors and the community! #SupportLocalArtists #ArtInvestment #LocalArtScene #ArtAdvisory #CulturalInvestment

Join Stone-Olafson, the Rozsa Foundation, and invited panelists to discuss the results of the 2nd wave of research on arts audiences in AB. Alberta continues to be at a crossroads brought by a pandemic that has changed public life and reshaped our economy. This is especially true in the Arts & Culture sector which continues to experience a decline in engagement with events and activities. This work was developed for this sector exclusively. It is designed to provide specific, relevant and reliable facts to support the leaders in the arts & culture sector as they build relevance and grow attendance. Key topic areas from Wave 2: -Exploring arts engagement and general perceptions -Understand audiences’ preferences for content, programming, and ticket purchasing -Understanding opportunities for increasing support and engagement This work is designed to be shared. The ultimate goal is to build on collaboration by sharing resources that can drive smart and focused engagement strategies. All are welcome. For more info and registration: https://lnkd.in/g4tH_Z_b #art #artists #yycarts #alberta #community #rozsafoundation #AudienceEngagement #audience

How does public art transform communities and foster cultural connections? Dive into our latest blog post exploring the power of public art in bridging divides and sparking dialogue. Let's discuss: https://lnkd.in/gnErBPJ3 #PublicArt #CommunityEngagement #CulturalDiversity #ArtistUprising 

❓How can we establish culture and arts as an independent, prioritized goal within international organizations? And how can artists' coalitions help make UN organizations more inclusive? 🎨 Lisa Russell, Global Co-Chair of the ImpACT Coalition on Arts and Culture, Emmy award-winning filmmaker and founder of Create2030, gives us insights into the potential of including pluralistic, artistic, and youth perspectives into cultural policy to foster sustainable social change. 🔗For the full interview, check out our comment section! #CulturalPolicy #SocialChange #Artists #InternationalRelations #forumculturalrelations

This week is taking us on the artistic route, with a #goodpractice from BRONKS THEATRE in Belgium about Co-creation - Artistic Creation with Children and Young People. According to Bronks, co-creation sharpens the relationship between art and society, addressing issues vital not only to its own functioning but to the entire performing arts landscape. The value lies in participants not just being addressed on a rational level, as in education. Artists adopt a different strategy, fostering insights and experiences that generate a different kind of knowledge. Participants have the space to explore assumptions and shape new images or identities leading to valuable conversations between artists and young participants about shared questions concerning the world we live in—a captivating quest for artistic innovation. This encapsulates the essence of the organic symbiosis between the participatory and production facets of BRONKS. They do this in various ways: through school projects and workshops outside of school (both short- and long-term). Find out more about what they do and how they work on our website: https://lnkd.in/eyP7Tw7a

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Engaging with art is not simply a solitary event. The arts and culture represent one of the few areas in our society where people can come together to share an experience even if they see the world in radically different ways. The important thing is not that we agree about the experience that we share, but that we consider it worthwhile sharing an experience at all. In art and other forms of cultural expression, disagreement is accepted and embraced as an essential ingredient. #ArtUnitesUs #SharedExperiencesInArt #DiversePerspectivesMatter #CultureConnectsUs #EmbracingDisagreementInArt