TRG Arts’ Post

As financial management and CFO service providers for nonprofits including arts organizations, we understand how critical it is to adapt to these shifts and leverage opportunities for growth. Are your subscription strategies aligned with these trends? Let’s talk about how we can help your organization stay financially strong and sustainable in an evolving industry! #ArtsOrganizations #FinancialManagement #PerformingArts #SubscriptionRevenue

Panel: Strengthening the Ties Between Performing Arts Institutions and Media   This panel delves into the collaboration between performing arts institutions and media to enhance cultural visibility and engage diverse audiences. Experts will discuss strategies for co-creating impactful content, addressing challenges like funding and rights, and leveraging digital tools for broader outreach. The conversation highlights innovative approaches to foster enduring partnerships and expand the reach of performing arts.   With Gilles Ledure (Flagey), Ingrid Libercier (ARTE), Lilli Paasikivi (Bregenzer Festspiele GmbH), Peter Schöber (ORF III), Rebecca Lees (London Symphony Orchestra). Moderated by Ulrike Köstinger (Operabase).   📅 17 February 2025, 16:30 🔗 Programme Schedule: https://lnkd.in/gGfWNwUx #AP25

CAN 👏🏼 WE 👏🏼 TALK 👏🏼 ABOUT 👏🏼 THIS 👏🏼 TRAILER 👏🏼 Here are 5 things that make it exceptional: → Minimal b-roll (keeps the focus) → Simple scoring (builds intrigue) → Natively vertical (perfect for mobile) → 19 seconds long!! (short, sharp, and impactful) → Clear, simple CTA (compels action) STEREOPHONIC always stood out. Even during its off-Broadway run, the branding was different. It felt more like a Hollywood blockbuster than a stage play. And when it hit Broadway? The buzz was unreal. Sure, the rave reviews and word-of-mouth played their part, but the marketing and PR? That’s what took it to the next level. 👉 Key takeaway: When done right, branding isn’t just an accessory—it’s an extension of the work itself. It’s as vital as lighting, set design, or sound. We should all be taking notes 📝 #digitalmarketing #creativity #advertisingandmarketing

We are excited to announce our new partnership with AdventHealth in support of the Boundless Campaign, a visionary initiative designed to expand the arts’ impact on the Tampa Bay community. AdventHealth’s support will directly contribute to the development of the AdventHealth Riverwalk Stage along the Tampa Riverwalk, a reimagined, state-of-the-art venue aimed at creating access to free world-class performing arts for the entire community. The collaboration will also extend to the Straz Center’s summer camps and classes at the Patel Conservatory, where children can participate in programs that foster creativity, confidence and personal growth through musical theater, dance and other performance arts.

Love a morning when the first post is something incredibly relevant! Find the full study referenced in the article here: https://lnkd.in/gVJ9CpAH ________ Stand out quote: "Many companies are now experimenting with new models, for both political and practical reasons. There is a new interest in horizontal/collective leadership models, and more skepticism about traditional organizational and compensation structures. " We're seeing changes to structures that haven't been touched in decades out of necessity. Many performing arts groups are trying to get back to pre-pandemic audience levels by doing what worked before. But the audiences spend differently now and there’s little research as to what for sure works. New ideas need to be tried. But the only way you can do that successfully is to have a company efficient and flexible enough to handle multiple inter-departmental changes. With Pivote, you’ll end up with a company workflow so optimized and clear that you can adjust it with ease - no matter what external changes occur. 

2024: A year of massive moves, creative flair, and, yes, a few stumbles along the way. We’ll appraise the following: - Music Industry - Film and Television Industry - Theatre and Performing Arts - Content Creators - Fashion Industry - Comedy - Tourism and Cultural Events Additionally, we will assess the contributions of the *Office of the Entertainment Ambassador* and the *Office of the Peace Ambassador*. As we deep dive today, we’ll explore this crucial question: Which sectors rose to the occasion, and which… well… dropped the mic?

GA Arts Education Data Dashboard The Georgia Insights Arts Education Data Dashboard allows users to view arts access statewide, see arts courses taught by school, and the number of art disciplines taught (dance, music, theatre, visual, and media arts). GA Arts Data Dashboard. #ArtsedGA

🔔 Calling all performing arts schools Get ready to take control of your finances with our latest blog 💪 If you are looking for ways to increase revenue and grow your school, this one’s is for you 🫵 Access it for free here ➡️ https://bit.ly/3V9ony3 #LoveAdmin #PerformingArts #RevenueBoost #GrowYourPerformingArtsSchool #RevenueGrowthStrategies

GA Arts Education Data Dashboard The Georgia Insights Arts Education Data Dashboard allows users to view arts access statewide, see arts courses taught by school, and the number of art disciplines taught (dance, music, theatre, visual, and media arts). GA Arts Data Dashboard

On Monday, I presented on 'the politics of class in post-1950s theatre, focusing on how various plays confront and critique the British class system, delving into how theatre in Britain has mirrored the evolving class structures. By analyzing plays like Tory Boyz, Look Back in Anger, and Versailles, the session shed light on the intricate dynamics of the class struggle. - Tory Boyz scrutinizes the disconnect between modern political elites and the working class. - Look Back in Anger portrays a working-class figure challenging societal norms in post-war Britain. - Versailles contrasts aristocratic luxury with the turmoil of the French Revolution, symbolizing the breakdown of rigid class boundaries. These plays offer profound insights into the complexities of class, showcasing the tensions between different societal strata. The presentation highlighted the grievances of the working class and the complacency of the elite, set against the backdrop of historical and political transformations. The analysis underscored how theatre acts as a mirror to society, reflecting, critiquing, and influencing the discourse on class in Britain. It demonstrated how these theatrical works serve as powerful tools for exploring and reshaping perceptions of class within the national narrative.