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The Guardian - Back to homeThe Guardian

Venice Biennale 2022

February 2024

  • Zineb Sedira: Dreams Have No Titles at Whitechapel Gallery., Whitechapel Gallery, London, UK - 14 Feb 2024<br>Mandatory Credit: Photo by Guy Bell/REX/Shutterstock (14347357k) A tango performance set against a ballroom backdrop reconstructs a scene from Ettore Scola's ground-breaking film Le Bal (1983) - Le Bal (Dreams Have No Titles), 2022 - 'Dreams Have No Titles' by French-Algerian artist Zineb Sedira a new exhibition at the Whitechapel Galler. Originally conceived for the French Pavilion at the 59th Venice Biennale - this is the UK premiere. Encompassing performance, music, dance, installation and film, the exhibition unfolds as a series of immersive sets and runs from 15 February - 12 May 2024. Zineb Sedira: Dreams Have No Titles at Whitechapel Gallery., Whitechapel Gallery, London, UK - 14 Feb 2024

    Zineb Sedira: Dreams Have No Titles review – magic moments in the bar that can take you anywhere

    The French Algerian artist keeps us suspended between the real and the fictive, past and present, as we go on a romp through cinematic classics

December 2022

  • Joan Bakewell

    Snapshot of 2022
    Even a snatched wallet couldn’t dim the joy of my return to Venice

    Joan Bakewell
    As the city came to life after the pandemic, gondoliers and tourists alike sat back, laughed and let fun and pleasure prevail, says writer and broadcaster Joan Bakewell

October 2022

  • Feeling Her Way by Sonia Boyce in the British pavilion at the Venice Biennale

    Sonia Boyce’s Venice Biennale winner to be exhibited in UK next year

    Feeling Her Way, featuring videos of five black female musicians, to be shown in Margate and Leeds

September 2022

  • 4- The Book of Water di Michel van der Aa : Courtesy La Biennale di Venezia © Andrea Avezzù

    Venice Biennale Musica review – things old, new, borrowed and bleurgh

    The contemporary music strand of the Italian festival brought a typically elegant and thoughtful music theatre work by Michel van der Aa; less successful was Yvette Janine Jackson’s ‘radio opera’ Left Behind

July 2022

  • See the light … Fields, a scenographic media installation by Tobias Gremmler, Courtesy La Biennale di Venezia.

    Venice Dance Biennale review – Wayne McGregor delivers sinners and shapeshifters

    The British choreographer’s programme includes beguiling digital dance created by Tobias Gremmler, a reckoning with desire from Rocío Molina and seven visions of vice

June 2022

  • Charlotte Higgins

    Culture matters around the world. What a shame it has been toxically weaponised in the UK

    Charlotte Higgins
    There are so many examples of the arts being used to unite and galvanise people. Here it is being deployed as a tool of division, says Charlotte Higgins, the Guardian’s chief culture writer

April 2022

  • On Venus by P. Staff at the Venice Biennale

    The Guardian view on the Venice Biennale: sensuous and serious

  • An elephant in the room … Elephant 1987, by Katharina Fritsch.

    Trunks, cosmic capers and sandbags for Ukraine: Venice Biennale 2022 – in pictures

  • Brick House (2019) by Simone Leigh, part of The Milk of Dreams at Venice Biennale.

    Cyborgs, sirens and a singing murderer: the thrilling, oligarch-free Venice Biennale – review

  • Sonia Boyce poses with her award in Venice.

    British artist Sonia Boyce wins Golden Lion at Venice Biennale

  • Venice Biennale: women outnumber male artists in main halls for first time

  • Art Weekly newsletter
    Emin’s nudes, Sickert’s bedroom and fictional photography – the week in art

  • Venice in Vantablack: Anish Kapoor’s disappearing act

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