Cannes film festival: the best red carpet looks part two – in pictures
From Julia Garner’s old-Hollywood glamour to Elsa Hosk’s optical illusion gown, from feathers to the burnt to the bin-bag look, fashion’s ingenuity shone bright
Cannes Palme d’Or winner criticises Macron’s ‘repression’ of protests
Justine Triet says demonstrations over pension changes were suppressed in a ‘shocking way’ and also challenged government’s cultural policies
A chewy choice for the Palme – but what an extraordinary Cannes
Peter Bradshaw
Anatomy of a Fall is a seriously good film which few would deny the top prize, yet from Glazer to Kaurismaki to Wenders there was brilliant competition elsewhere
Cannes 2023 week two roundup – still a country for old men?
Films from Scorsese, Loach, Wim Wenders and more are some of the best in this year’s competition, but ahead of them all is Jonathan Glazer’s mighty Auschwitz drama The Zone of Interest
A Brighter Tomorrow review – Nanni Moretti’s new film is bafflingly awful
In competition at Cannes, the Italian director’s comedy-drama about a failing film-maker is full of non-comedy and anti-drama – a complete waste of time
Peter Bradshaw's film of the week
The Taste of Things (aka The Pot-au-Feu) review – Juliette Binoche foodie romance is an invitation to drool
Binoche and Benoît Magimel serve this Belle Époque tale of meaningful meals very well, but some may wish for a pinch of salt
Clapped out: do film festival standing ovations really mean anything?
Coverage of this year’s Cannes premieres has been dominated by how many minutes attendees are on their feet but the results are often meaningless
Kidnapped review – Marco Bellocchio’s antisemitism drama is a classic in the making
Based on the true story of a young Jewish boy kidnapped by papal authorities, this is a full-tilt melodrama that lays bare tyranny, bigotry and the abuse of power in the Catholic church
