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Takashi Miike

June 2024

  • A typically gonzo freakiness … Lumberjack the Monster.

    Lumberjack the Monster review – an explosion of horror strangeness from a master of the art

  • Stuart Heritage

    Netflix released Takashi Miike’s new film without telling anyone. Please stop doing this!

    Stuart Heritage

November 2022

  • ‘A poet of the dark side of Manhattan’ … Martin Scorsese in Rome in 2019 for the premiere of The Irishman.

    Martin Scorsese at 80: Francis Ford Coppola, Steve McQueen and Woody Allen on the ‘greatest director alive’

    Ahead of his birthday next week, directors including Tim Burton, Edgar Wright, Lynne Ramsay and Luca Guadagnino reveal their favourite scenes – and what Scorsese’s work means to them

January 2021

  • Stage fright ... Ebizô Ichikawa in the play within the film Over Your Dead Body.

    The stage on screen
    After Audition: Takashi Miike's rehearsal-room shocker Over Your Dead Body

    Continuing our series on the best films about theatre, a 200-year-old Japanese ghost story takes centre stage in a movie merging reality and fantasy

February 2020

  • Masataka Kubota and Sakurako Konishi in First Love.

    First Love review – a bloody slice of Tokyo pulp fiction

  • Weirdly inspired … First Love.

    First Love review – brilliantly bizarre, ultra-violent yakuza caper

February 2019

  • Tetsuo … ‘A J-horror you can watch without barfing.’

    Ranked
    Top 20 J-horror films – ranked!

    Japanese horror has always set the bar high when it comes to making your skin crawl. But which make even the hardened gorehounds wince?

March 2018

  • Jared Leto in The Outsider

    The Outsider review – Jared Leto joins the yakuza in crass Netflix thriller

    An unconvincing crime tale from the streaming giant sees the Oscar winner in murky territory taking a shallow, tourist-friendly view of Japan

December 2017

  • takuya kimura surrounded by adversaries in blade of the immortal

    Blade of the Immortal review – bloodshed and birdsong

  • Blade of the Immortal.

    Blade of the Immortal review – spectacular corpses and an undead samurai

November 2017

  • No ordinary auteur … Takashi Miike, right, with actor Hana Sugisaki, publicising Blade of the Immortal.

    Film blog
    100 not out: Takashi Miike joins the world's most prolific directors

    The Japanese director is known in the west for ultraviolence and boundary-pushing gore, but he has honed his craft in genres including family films to reach this career landmark

May 2017

  • Blade of the Immortal film still

    Blade of the Immortal review – Takashi Miike's samurai bloodbath shows signs of life

    The veteran Japanese director’s 100th film concerns a warrior who is able to grow back his own limbs. It is undeniably gross, but also a lot of fun

May 2016

  • Vivid restoration: Akira Kurosawa’s Ran.

    Guy Lodge's streaming and DVDs
    Ran; Citizen Kane; Daddy’s Home; In the Heart of the Sea; Yakuza Apocalypse – review

    Restored classics from Kurosawa and Orson Welles beat the competition hands down in a thin week

December 2015

  • Yakuza Apocalypse

    Yakuza Apocalypse review – vampire gangsters go wild in freaky, wacky Takashi Miike mashup

  • Audition.

    Audition review – the stomach-turning birth of J-horror

May 2015

  • Yakuza Apocalypse film still.

    Yakuza Apocalypse review - berserk mess of a gangster-vampire hybrid

    Japanese genre master Takashi Miike comes to Cannes with a yakuza-meets-vampires-meets-monsters movie; no wonder, perhaps, that it’s just a mish-mash

August 2013

  • Dead or Alive

    Why I love ...
    Why I love … the first five minutes of Dead or Alive

    Adam Boult: Takashi Miike's Yakuza thriller opens with a barrage of sleaze featuring cocaine, stripping and guns. It's brilliant. Warning: contains explicit images

May 2012

  • HARA-KIRI -Death Samurai

    Hara-Kiri: Death of a Samurai 3D – review

  • Hari-Kiri: Death of a Samurai

    Hara-Kiri: Death of a Samurai – review

May 2011

  • 13 Assassins

    Takashi Miike: Why I am bringing Japanese classics back to life

    Takashi Miike
    Japanese director Takeshi Miike explains why he has returned to the chanbara samurai films of his youth in 13 Assassins
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